Why are we here?

Two-piece gown consisting of jacket and skirt

c. 1897

Centraal Museum, Utrech

submitted by @edwardian-girl-next-door 🖤🩶🤍

submitted by @asterroth 💚🤍

submitted by @the-dye-stained-socialite 💙💜

submitted by @courfeyracs-swordcane 💜💚🧡

submitted by @shilohta ❤️🩶🤎

submitted by @thewhisperingtwenties 🖤🩶🤍

balenciaga

L'Art et la mode, no. 50, vol. 7, 13 novembre 1886, Paris. Monte-Carlo. — Madame faisant sa cueillette aux rosiers grimpant de sa villa pour envoyer à ses amies de Paris (dessin de Billy). Bibliothèque nationale de France

La Mode illustrée, no. 45, 7 novembre 1886, Paris. Mantelet en matelassé garni de fourrure; manchon et toque assortis. Grand manchon, manteau et toque en peluche garnis de fourrure. Ville de Paris / Bibliothèque Forney

the main problem with this time of year is the irresistible urge to get fully into bed at like 5:34 pm and outside is like yesss, yesss do it, it's what you deserve yesss. like is it depression or is it just november

Torekov, Sweden by Jonas Jacobsson

Winter ensemble, 1874. The MET.

Women's shoes

c. 1810

Silk satin weave embellished with metallic yarn, spangles, and silk ribbon

RISD Museum

Kyiv-based artist Alexey Kondakov uses surrealistic documentary photography to superimpose figures from classical artwork into everyday scenes of modern life. He is renowned for his Photoshopped collage series in which Kyiv, Ukraine served as the backdrop for characters from old world masterpieces. The artist merges the past and the present, showing with a deft eye how classical figures fit seamlessly into contemporary situations that, in themselves, are timeless.

Minami Maito on Bling! – A closeup on the updates of Senka members.

(Source from 2024 TAKARAZUKA GRAPH November Issue)