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The Kitchen Poet

@thekitchenpoet / thekitchenpoet.tumblr.com

The Kitchen Poet is our baby, born in the depths of the Underground, and now making a rise as an angry poetry-teenager with hairy knuckles and a frying pan to beat poems around the internet, so others may read the bruises. -Love, UndergroundBooks
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And the sailors wore parkas

2 poems by Isabel Sobral Campos

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Sentience

  #

Opaline simulation

  crossfire 

  a new way out of this functional opalescence

  obscure in the centrifugal dotted eye

  rotating image of the evermore abstracted space

sapped of figures and sound growling like a damp

dismembered figurine

  seemingly burning consuming

worrisome bubbles purple and black luminous

  a slow screen-image

nimbly deriving gladness

  color-grille where I could not distinguish shape from sound or reflection

  #

Stamped ideograph

red dwarf ascending

broken pot under peerless light

the silence that was

memory informing

the trigonometric function of stains and bulks

securely drifting

the memory exists like a pulse

rippling through dark furies

fearful forget-me-nots

sustained in color increments

delightful transfusion of chemical plight

singing through the air vents

ripping through consciousness

  #

Plugging the airways

of our film

  The sailors wore parkas

  On the deck gazing starboard

and the starfish entering a dream

  There “aquatic flowers” later learning

their names –

crinoids

cucumber fish

blue-purple menace

  #

Something of a tremor

Will you drift and sway?

  mechanically

  over under

undecked contraption of light?

  Beams writhing through perforating punctures

of neighboring eyes

  The woman I was waiting in the negative image of the cellular print

ink-block carving the nerve ends somewhat

    Filmic Fungi

  Iridescent rumor

in the silver screen like an imprint

of gauze and filigree

  coaxing pigment filtered through looping breeze

  a palpable winding seaweed

rumoring through tunneled light

  coasting the eyelid

  rims of dark slip

of contoured slip

of random insouciance

of screened slippage

of stalled hug

and demonized gleam

  alphabetized

abandonment

  of steamboat ebony

of carousing limp

  I watch the film from the afar dimensions

of jigsaw soul puzzle

rusticle soul cluster

of fungal night

  un-recog-niza-ble

coloring of phantom night

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Switchblade Sunday

Flick Knife Saturday by Saira Viola

The afternoon heat was lancing the skin off the walls   Making lizard ridges humping the horizon with scattered day dreams   Last night’s Chinese food stuck to the seat – buttered MSG dripping with sorrow   His skull ripped back like a shredded roach   The dust of time – celestial jewels of hope   Sprayed with anger she wept : the badge of a lover’s guilt   With broiled fear and the simmering beat of Summer’s kiss she covered his face in a filthy blanket .  The last sound – a muffled scream – amplified cruelty  and cotton wads jammed into saliva pockets  Noosed with  a chainsaw memory forever yoked to her soul 

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Fleshy

Incessant by Joseph James Cawein

I the soft little cavern of flesh between a woman's legs the soft little cavern of flesh between a woman's legs the soft little cavern of flesh between a woman's legs the soft little cavern of flesh between a woman's legs..... II the angry little cavern of flesh between a woman's legs the soft little cavern of terror between a woman's legs the tired little cavern of angst between a woman's legs the soft little borough of bliss between pratiti's legs janet's warm and gooey center the soft little cavern of thought between my lies and guilt the soft little cavern of flesh between a monster's legs the soft little cavern of love between a mother's legs the soft little cavern of cunt between her cunty selves the soft little cavern of self between her blushing lies the soft little cavern of never echoed in her eyes the soft little cavern of flesh flooding in disguise the soft little cavern of flesh awakened in her sleep III little fleshy cavern little fleshy cavern return my discourse little fleshy cavern forgive my recourse

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Literally underground

Crawling Around In Someone’s Basement by Brett Bennett 

nothing reminds you of your mortality more than a book store four stories high. i’m not religious. i don’t feel anything in the universe but see the beauty in nature. like Kerouac’s buddhism but i find it insufferable [i want to collect all my rejection letters and pin them to the walls] but in the church in the Mission [another country of street venders and kids running across streets and cinemas all torn down, marquees remaining, cracked bulbs and empty, the neon lights off and missing, screws and dangling wires marking off the letters. “Where the police are” the grumpy color corrector said] is a church so grand you/I believe in the power of something, if just humanity itself, for creating the softly glowing alter the stained glass windows the tucked away nooks to kneel and pray. i/you touched the holy water in the shell by the door, knowing i was undeserving but overcome with something. i was a sinner in the house of God and i felt his/her/its/their power, or at least what i felt etc etc’s power did to other people how people were driven to carve some sense of meaning or beyond. i felt the power of humanity i felt the power of an idea i felt further from God and closer to us than ever there are centuries of literature behind us and libraries of books that will never have a chance to inflame your mind. from there it’s an uphill walk through the park under hills of pastel. People play with their dogs like its a normal day [for them it is] i want a part of it, the city life of black gum on sidewalks and coffee shops on street corners. there’s a blackboard steel and window cafe that serves pear juice, which i’ve though about constantly since 3 years ago when i was last there scribbling in a little notebook on a sticky counter, like i am now [on a plane middle seat next to her and an empty seat of could-have-been-a-hot-guy-but still] i didn’t get pear juice because i will be back oh! the west coast is so detached isn’t it beautiful [an aside for a boy who could live there because he is already detached oh fuck he doesn’t matter, he doesn’t matter, he does matter but not to me, not fully and completely for i’m [????] and [???] my sorry sinner self]  and so there’s bookstores with handwritten genre cards and last time i was here I wanted to be a screenwriter and bought a book i never read [if you can’t commit yourself fully and completely, i tell myself-] in one coffee shop the walls that lead to the high high ceiling are covered in photographs and it was famous even if the muttering bum [what Ti Jean said oh San Francisco, San Francisco] asleep in the back with a newspaper and the older man on his macbook would say otherwise. I sip my espresso [every small down we drove through and every big city we walked through] the bitter pure caffeine in a little teacup and saucer. I joke about injecting it straight into my bloodstream but i love presentation and ceremony and whats the point of such a legally and easily fulfilled addiction if i don’t get to make a grand show of it. Everything i own is covered in the black ink from the expensive pens I swear by and the blue ink of the cheap hotel pens i write with each carrying a teary eyed memory for i don’t want to leave san francisco i don’t want to leave the mountains and the art galleries and the buzzing creativity and history and majesty and coffee shops and tailor shops that haven’t changed since the 30s.-the sense that maybe you could do something in the moments between- i wanted all those things for us but we were only going to fade until obscurity

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The coke is still fizzing, keep talking

We Drove out to Anywhere by Christy Hall

Spitting mandolins of duck breast, sizzling, start to suggest things; the coming together of ramblers, we masqueraded as them, on a May morning, beer-gardened and pecking  at KP or WALKERS. A slurp or two of shandy, flat and warmed over conversation about world-travel or mutual friends. We could talk the fizz out of coke. The gloopy remains are onions, peppers, orange jus –  forked into a corner of the slate. And then on, on to a bull-field, empty and dog-legged under  a road-bridge. We blanketed ourselves on tartan, swapped sunglasses, laid back and listened to crows and gulls and far away dogs bark and are walked.

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Supergirl Blues Sequence - Keifer Dietz

After the Whippoorwill Wars  left the best method actors among us mute, or the children  making cat's cradles with their eyes, hardly possible, I know, You and I go collecting small tree stumps  in the night.  You say Use this for a crotch. You say enter me and make me sprout. Supergirl Blues II Her plastic dolls still land safely  from three floors even when she's smashing glass figurines. The shrink with a kink says she's acting out. But I know she's just tired from trying to save the world from men with penis implants that melt during sex, from men with their father's old heroin tracks imprinted on their brains. Supergirl Blues III I think we should both go down by Winscler's Pond and drown. After all, our lives are endless Tuesdays that do nothing but yawn. When the search parties skim our reflections, our little sisters will be so giddy, will build tunnels leading to Grandmother's  buried eunichs who died with a smile.

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Volodymyr Bilyk - 4

1 Kind odds astirred Backwards, - To anoint the mess. Gad around the muck, It's about matter. 2 Beat leers the draff  on hem into the tripe. The welts on brinks  are here for flashes  right turn. Swill and slop will wave the awry bunt. 3 Knock-prowl  over the bust-barrow... Pimple flumps the pith Away with  tap'n'clatter  thunderhum It longs to last 4 This sore  mars wipes with mocks. Huff tiffs the wax. If only mare had fallen deep  enough to surge the ripples in  embraces

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Demon Lover by Melissa Knox

Slammed shut stayed shut for three unbending days The shadow underneath it is his feet At night I heard them shuffle, never raise   I knocked, I said, “Hi, Dad,” I thought of ways To lure him out, I drew and cut out sweet Big hearts, all crayoned red, they didn’t faze   Him, not one bit.  I thought then that my gaze Would draw him out, If only I could meet His eyes with mine and offer him my praise   No word, the only sound his shuffling feet The red, red hearts lay flat beneath the door

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In the Garden of Love and Terror by Melissa Knox

 One foot hits ground but it will leave no print The grass springs up, unfolds and in an hour Daylight will dry the stems and leave no hint   Fast as you flee in daylight’s liquid tint Quickly you run while drinking in the power As one foot hits the ground and leaves no print   Pump hands as feet flee silent in the glint While sunlight all protective dark devours Still, daylight dries the stems and leaves no hint   Between the rocks a stone, a sharp, hard flint A silent thirst springs up in every bower One foot hits ground, runs from the prince   No one will track you there because by dint Of effort your escape succeeds but cower To know that running cannot ever stint The heartbeat chiming with the master’s ardor   Howl, rant, it matters not, all longing towers One foot hits ground but it will leave no print The grass springs up, unfolds, all in an hour.

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Rejoice in the flavor of now by Alison Ross a.k.a Clockwise Cat

The tongue you fork is your own. Cut glass inside your head. Make it real through sonic effusion. The ghetto jester has a gift for you. Do you want to receive it through the cancer of your eye, or will the silken bird suffice? I say we meet at the end of the earth, and take a train back to nowhere. Resist the urge to cackle: this is the only book we have to eat. Enjoy it while there are still ghosts to remind us of our sensual past. The future is yours to scream at. Blast through it with a nail stuck to your forehead, wearing the earplugs of medieval saints. The only allusion in this poem is your own delusion. Divide yourself by five, and then vanish. You will wake up as a thunderstorm, and the era of disco will begin again. 

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New In Town by Julie Finch

The street lamps like the beggars Ask you to empty yourself To them, silently judging as you pass. Nothing is mercurial here; It is the same terrain you have trekked Night after salubrious night, walking home Alone, the stone that you carry A deep seated gut feeling there will be more Of these to come, longing in her gray. Wild boys from the gay bars enter in glee And exit in pairs, the sky is no less lonely For the taking, but the beauty of the moon With only a fiver in your pocket is not Something you had counted on setting out The way you did to discover your own passing. You sway from the booze and cigarettes That will lead back to a story of this: Night and its prescience, Night and its conscience, The darkness some kind of reverie that Will pass unafraid through the tapestry of strangers. What good are stories here? Take a picture instead, and leave it on the fridge To remind you that the city has a heart; It may be gutless, but it has a sense of forward Motion that takes you farther than you intend. Go now to where you belong, in between the  Stars and mercy.

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2 poems by J de Salvo

These Saints That's how they find you, These Saints Trying to trade your Hot Wheels for a ride to work at a car lot in Humpty Dumpty's Oakland Long after you've shed  your novelty, been used, and flushed away like Benny Profane's alligators The thing about being lost,  at least in the way I mean, here, is that if it's a recent thing You're not really there, yet To be really, truly lost is to have been lost repeatedly At this point, very few of us are considered worth finding if we ever were And if you find that you keep finding yourself in this kind of situation Chances are, you're going to need more than one of them to find you more than once, and, How many times, who can say? And, I ask you: what are the chances of that? To be saved is not sufficient One Savior was never,  is still never, enough Even the Nuns at St. Anthony's Soup Kitchen will admit to this That's why you need a Saint That's what a Saint is for The Increasingly Excellent Taste of the Bourgeoisie “Sometime recently something happened...” I find myself saying clunkily as possible in some tavern on another night of drunken prolix “You're full of shit” he yells “You're full...of...shit.” I was saying that good taste alone was nothing to be proud of these days Now that everything is so easy to find Poorly, I attempted to explain to elaborate, using an assortment of catchphrases, like: Cookie Cutter Increased Memory Capacity Faster Downloading and “hip”, etc... Now every time I go to a bar it feels like  everyone is in costume Rockstar Junior over in the corner Famous actor guy talking to be heard Faux-Deniro walks in accompanied by Keith Richards Sid Vicious and Tom Waits Except, this time, everyone is young and monied and all their clothes are brand new

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World Problems #1, #3, #7 by Alex Stolis

Word Problem #1 If 4/7 of a tank can be filled in 2 minutes, how many minutes  will it take to fill the whole tank? We’re drunk. We’re a drive-by shooting. We’re free verse and hiding behind everything we don’t know. The moon is the thinnest slice of crescent I’ve ever  seen. Your hand is sweaty cold and your voice cracks like static electricity. Tell me, again, how you recollect our future. Tell me again how we have changed from  reds and blues into greys; into slits of light swallowed whole by a ravenous night. It took 3.5 minutes I remember what we never did: catching the last rites of summer like the Zapruder film, your fingers looped ‘round my belt. It was a clean getaway, we were home  free and unaware. Word Problem #3 You have 20 ounces of a 20% of salt solution, how much salt should  be added to make it a 25% solution? It’s easier to end things under hard light. Easier to spend your time when you’ve got deep pockets. Wish I could just stay in bed with you  forever. Or at least until the last leaf falls to the ground. We’re spare thin lines on a map. We are frozen electricity. We wait for our bodies to disappear, for wind and rain, for thunder and lightning. And all that  comes and all that remains is the hollow sound of an owl that echoes off an empty sky. You should add 4/3 ounces of salt Her legs are bare, her arms bare, her name her location her story. She knows  2+2 never equals 4. She opens a window to let out a moth. Paper butterflies shudder, the sun is a deep fall, African orange. It cools the horizon. She closes her eyes, wraps her arms around herself. She doesn’t need the answer to see  it’s so much better with his shadow on her skin; so much better than words. Word Problem #7 A bus traveling at an average rate of 50 kilometers per hour made the trip  to town in 6 hours. If it had traveled at 45 kilometers per hour, how many  more minutes would it have taken to make the trip? I am lost; morning feels dangerous in my mouth. If I believed  in the afterlife I would ask you to marry me. Ignoring the sun  is another exercise in a lesson un-learned. Today is a cold, cold fall but I drive with the windows full down. We feel too much like a short story. All Hemmingway-ed and spare, a grey blank sky over a black sea. The leaves are gone, I can hear winter hum against the asphalt as rain pelts my car. Write an ending  we can live with, make it expectant, wet with possibility.  The time taken would have been 40 minutes longer I’m living in another man’s rain. The end, the finale, the finish comes eventually in a crowded room. My arms around a black haired dancer; Betty Paige bangs, milky-pale skin. We’re fall -ing debris. We’re killing each other. Doesn’t look painful at all doesn’t feel anything like chivalrous. Dogs bark. A cock crows; it’s not even morning.

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