The last green leaves 🍃

Hurting People's Favorite Character's Is Not Entertaining

The writers of 911 thought it would be entertaining to hurt both Buck and Tommy, with the excuse of 'Buck needs to fuck around and play the field and explore himself'. Which not only leaves Tommy alone and heartbroken, but regresses Buck's character back to the simple playboy manwhore that he was in season 1. So much for any growth he showed in the last few seasons.

The writers of The Magicians wanted to hurt Queliot fans by giving Eliot man pain over losing his best friend + deep emotional pain over losing the love of his life, which comes from losing the same person as Q was both Eliot's best friend, and the love of his life.

The writers of BTVS wanted to further Willow's plot by killing off Tara. Instead of having them go the route of showing love can conquer all, they turn Willow into a killer, and then have her best friend show up for her and pull the love conquer's all trope from there.

The writers of South of Nowhere were constantly using Ashley's bisexuality as a means to create drama between her and Spencer. Ashley's former relationship with Aiden is brought up numerous times, and the fact that they were going to have a baby together, but it ended in miscarriage, created a large crack in the Spashley relationship. Also doesn't help that Ashley had many other personal issues with noncaring parents, Spencer's mother hating her for "turning" her daughter gay, judgement from lesphobic assholes at school and in Spencer's own brother, Glen.

The writers for Queer as Folk thought they were being edgy or cool by making Brian an asshole and playboy through the entire show, but all it really did was piss off fans. Brian and Justin spend the whole show trying to be together, fighting Brian's emotional issues from having homophobic parents, dealing with Justin's homophobic parents, Justin getting nearly killed, Brian dealing with the fact that he thinks he's only capable of fucking around and not finding love, and when he finally does at the end of the show, he pushes Justin away with the excuse of putting Justin and his career first. Tell me why Brian couldn't have moved to New York to be with Justin? Just saying. He could've opened another branch of Kinnetik there, and Justin still would've been able to grow his career, grow as a person, but also continue in the relationship with Brian, and be allowed to be happy. The writers of the 100 killed off Lexa because the actress needed more time for her to be on FTWD, which is just stupid. They could've put in some kind of storyline where Lexa went missing, but instead they furthered the 'bury your gays' trope and pissed off all the Lexa and Clexa fans with that bullshit. Showing that once again, gays/lesbians/bisexuals, don't get to be happy.

The writers of Glee did a number on Blaine's character. He's bullied for being gay, harassed and nearly blinded for sticking up for his boyfriend. He's ignored by his boyfriend because of a job, written as a cheater because of his insecurities, made to date his former boyfriend's high school bully when he both knows how horrible being bullied is in the first place, and more than likely knows how horrible Dave made Kurt feel when Kurt was in high school. Blaine doesn't have much of a support system. We barely ever see him with the Warblers, when he joins McKinley, those people are mainly on Kurt's side as they were his friends first, though Tina and Sam are later shown as closer to Blaine than Kurt. His brother is shown only once on the show, and his parents, too, which goes to show that they don't really support Blaine or are there for him. I mean, sure, he got his happy ending and he and Kurt get married, but Kurt is really all he has. So tell me, is Blaine really happy? His family isn't in much in his life, he has two best friends, but they're off living their lives most of the time, and Kurt is focused on his career, so Blaine's basically alone. Oh, and also, apparently Sebastian ends up alone. Which, another gay man ends up sad, miserable and alone? Color me shocked. /s Why the hell would gay men/lesbians/bisexuals want to watch shows with characters like themselves when they just aren't written well? Why are these three kinds of people/characters doomed to not be allowed to be fully happy?

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

other things I'm bitching about but which could still be useful as writing advice for 1 eyed characters:

2. they're going to favor their sighted side, obviously, but it doesn't always manifest in the way you think. when I walk down a hall I walk much closer to the wall on my sighted side than on my blind side. which is the opposite of how it might seem logical to do that bc it means the world at large is on your bad side, but the reason is I can't fucking See the wall if it's right next to me in the blind side and I end up knocking into it.

3. door frames and poles are my enemy. If your character is smart this will not be a problem but for me it is. I am King of walking into shit I could absolutely see but couldn't tell how far away from me it was. on this note, their blind side hand is getting bashed into every jutting out thing in a 5 mile radius.

4. having 0 depth perception is less of a big deal than you'd think it is. Especially with driving. I've become a Much safer and more wary driver because I can't tell how far the other cars are from me. however I fucking suck at parking now. because I can't tell how far the lines are from me either.

5. you know how people who lose limbs get phantom pains? that happens with eyes too but like. phantom sights. for me it's like. a lot of bugs. like every so often my brain will just put something suddenly skittering beside me there. hate that.

6. it is completely possible to "get stuck" somewhere because your ability to tell how wide a space is is just Gone. shopping isles especially where bumping something or Someone is matter of embarrassment or potentially breaking something. it can be legitimately paralyzing and also irritate everyone around you because they can tell there is Plenty of space for you to get your cart through even if you can't.

7. if the eye is still in their skull it can still be the normal kind of painful. Glares off of shiny surfaces causing weird sharp pains you can't figure out the cause of are genuinely one of gods greatest tests of my patience.

My oil painting of an Uncrustable

Likes to charge reblogs to FUCKING cast

Please for the love of god. You should be able to change controls WITHOUT TAKING YOUR EYES OF THE ROAD. There is no reason to have to look at a SCREEEN while DRIVING

this can’t be real

He put them together at the kids table that doesn’t exist I’m fucking crying

You guys want to see the delightful trinket I just saw in TK Maxx?

Yeah you do. Behold: the chorb ✨️

It could be yours for the simple price of £9.99

borba yorga...

the funniest and most tragic moment in steven universe is the scene that implies that Pearl pulls bitches like a professional dog walker but doesn't know how phones work so her place on earth is being a life-changing futch fling for every dyke on the east coast there's probably a gay bar in maryland where they talk about the twiggy bird chick that eats milf pussy like it's the last edible thing on earth and they dont even know about the city full of thousand year old neon lesbian amazons who are pent up 24/7 from The War and leaving room for jesus cause they're always hanging out with their softboy nephew who might be the second coming of christ

i think we need to start assigning driving sins to spn characters. sam sits too close to the steering wheel. cas stops at yield signs. dean speeds and doesn’t use his turn signal. claire speeds and tailgates but if someone tailgates her she brake-checks them. eileen has a lead foot but she will slam the brakes at yellow lights. sam offered to drive her car once and only once because he considers himself inured to scary drivers due to dean (and john probably) but eileen makes him feel like he’s going to barf. charlie once paid 400$ for an oil change (dean nearly blacked out from anger when she told him). mary gets her windows illegally tinted and runs stop signs. jack is perfect at driving but he tried to verbatim jedi mind trick the first tollbooth worker he encountered (did not work) because he didn’t have cash.

rufus and bobby combined have warrants out for their aliases arrest in each of the contiguous 48 states for unpaid traffic and parking tickets. they were very subtly and silently competing to see who would get more states but they tied perfectly.

alex has ants in her car (parks under a tree at work and keeps forgetting to deal with this). patience drives exactly at the speed limit at all times but is somehow never late which pisses claire off ssoooooo bad. donna pays for premium fuel just in case it does something. jody has 15 years of insurance coverage paperwork in her glove box. she does not ever remove the old stuff.

they had to move cas from the ground to that table. dean had to gather cas’ limp body in his arms and carry him inside and lay him down gently on the table. the closest, the tightest he’s ever held cas and it’s when he’s dead. someone please microwave me.

@sunforgrace oh ABSOLUTELY. dean would struggle to pick up this large adult man by himself but he would snap at sam if he tried to help and sam knows that, so he hangs back. and i know i made the post but the mental image of dean carrying cas pieta style is deep frying my brain oh my god. the bridal carry...you can only touch the man you love and hold him close like this when he’s dead. the not-quite widower carrying his dead beloved over the threshold into the house. the tragic irony of it all. the tragic romance of it all. i am going INSANE.

#THE GROOM CARRIES THE BRIDE OVER THE THRESHOLD TO START THEIR NEW LIFE. BUT THE BRIDE IS DEAD AND THE GROOM DOES NOT WANT TO KEEP LIVING.

THE WAY SHE POSED AFTERWARDS HFKFBDK

My artistic rendition:

thinks about carcinization in silence

the lesson I'm taking away from this election is not that the Democrats need to become more left wing or more right wing but moreso that they need to find a way to cater their rhetoric towards people who genuinly have no idea what is going on. the target audience for every speech and political appearance should be someone who doesn't know what the three branches of government are because they were drawing a Cool S during high school civics

political scientists have failed to consider the possibility that the silent majority is silent because they didn't understand the question and are trying to play it cool