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And though she be but little, she is fierce!

@thehumming6ird / thehumming6ird.tumblr.com

Alice, UK. **CONTINUING HIATUS** *ONLY LOKI SERIES POSITIVITY HERE* 💜 #ItTakesGuts 💜 Mainly Tom-Fucking-Hiddleston with a scattering of other things I enjoy. Writer & crappy Photoshop addict with a proclivity for Dirty Filthy Bearded Laing™, The Plaid Shirt of Sex and THAT Gucci Hummingbird Tie... Purveyor of Hand Porn, Veinage™ & Peekage™. GOSSIP-FREE, DRAMA-FREE blogger (please just DON'T REPOST my work here or on other SM platforms). 100% PAP PIC FREE. Home of Hiddles Winking Wednesday & Friendship Friday. Co-founder of Hiddles Birthday Week. Cat lover. 18+ only please, simply because i'm not Mary Poppins. Bots and blank blogs WILL be reported and/or blocked (This is a side blog) ~ A Thing Of Beauty Is A Joy Forever - Keats ~ My Writing / My Hiddles Edits / My Other Edits
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A really interesting interview with Aidan Monaghan, stills photographer on High-Rise and many other films. 

‘With ‘High-Rise’… it was this amazing place to kind of play, and document the power of the actors in that. Tom Hiddleston, just his incredible hunger and drive in that role as Laing. And then those series of shots that we did, I had the advantage of being on set pretty much every day, so I knew the story, and I knew the kind of look in terms of how Ben Wheatley and Laurie Rose had shot it. So, in terms of lighting, I did try to reflect that. And then just that interaction with Tom for those shots. He’s just one of those people that throws everything at you, and is great fun to work with.

(The High-Rise segment is from approx 2:20 - 4:41).

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Betrayal director Jamie Lloyd said that the price of tickets is one of the most important factors in diversifying theatre audiences.

Speaking on the red carpet at the 65th Evening Standard Theatre Awards, Lloyd said: “We’re trying to diversify, to change the demographic of the audience in our corner of the West End, and that, obviously, is about ticket prices as much as anything else. And I hope that other companies and other producers continue to do that.”

Lloyd, who is in the running for the Milton Shulman Award for Best Director for his revival of Harold Pinter’s love triangle drama, said that diversity of work is what makes the London theatre scene so special:

“You’ve got different artists from all kinds of backgrounds making work that speaks to them for a wide variety of audiences. I think it’s just really important that we keep doing that: finding diverse stories and working with a really brilliant mix of people from all backgrounds, all walks of life and all skill sets. And hopefully, that will reflect itself in the audience.”

He said working with stars Charlie Cox,  Zawe Ashton and Tom Hiddleston on Betrayal has been “one of the most amazing experiences of my career”.

He is up against Robert Icke (The Doctor & The Wild Duck) and Marianne Elliott & Miranda Cromwell (Death of a Salesman).

Hiddleston is also up for an award for Best Actor in partnership with Ambassador Theatre Group.

(Make sure to watch the video in the link as well, he talks warmly of Tom, Charlie, Zawe and Eddie)

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