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#music – @thedaughterofkings on Tumblr
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Mellon

@thedaughterofkings / thedaughterofkings.tumblr.com

Lessa, She/Her This is one big mess of fandoms, with Merlin and Teen Wolf being the main fandoms right now. My fics can be found here.
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Okay okay we all know Johnny cash did his cover of Hurt and we were all like “ok he owns that now” but I watched the music video he made and I’m like “oh he OWNS it owns it”

It’s totally wild to me because most people agree that Trent Reznor is a master of his craft and Hurt is considered one of NIN’s best songs. Imagine having this great hit and 8 years later a musical legend who hasn’t done anything great in a long time and is ostensibly dying takes your song and fucking. Just fucking obliterates you

Taken from the Wikipedia page. Even Trent Reznor said it's not his song anymore.

in case you hadn't seen

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atlinmerrick

Holy hell that's video is…painful and stunning. If you grew up listening to Johnny Cash I think it'll hit even harder. And June Carter Cash is in the video, which takes hard and doubles it.

I'm glad people who didn't know who are discovering it's a cover, not just because Trent Reznor deserves that much, but because I think the fact that Cash did not write it is crucial to the power of his version. This is a young man's song about suffering, about addiction and self-destruction in youth. And Cash is, in the most majestic possible way, taking that and going "oh kid, you have no idea", and changes the meaning without changing the lyrics (except for a single word). In his voice, on his face, in his aged hands on the guitar and piano, it becomes about the agonising brevity of life, the irretrievability of mistakes, and the inevitable loss of everything, including a recognisable self. But the creativity of repurposing only shows if you can still see what was originally there.

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I know everyone is busy screaming about history, but I would like to casually remind everyone of the gift that no one has talked about enough. this is magical and amazing and none of you have appreciated it enough so HERE now you can watch/listen on repeat like me

Holy Jesus I got chills

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I think everybody is entitled to their musical opinions, but I don’t trust people who hate Bon Jovi.

Like, I get it. You don’t like Livin’ on a Prayer, whatever. You hate fun. You Give Love a Bad Name isn’t your jam. Fine.

But Bed of Roses? Always??? Dry County? The entirety of These Days?? Blaze of Glory, my favorite song of all time?????

Just say you hate me.

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torakowalski

Seriously, ALL THOSE SONGS. Captain Crash! THE THESE DAYS ALBUM.

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they posted a full version lol it’s mr Stacy’s dad for me

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ruimtetijd

it’s on YouTube too btw! and in the description there’s links to their spotify

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thesnadger

Poor Stacy, all her friends are so horny for her parents and there’s nothing she can do about it.

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vaspider

Y'all have to watch the rest of their shit. It’s great.

It’s important to me that you know that Bi Bi Bi has an adorable verse from the rest of the band going “we are straight but supportive!”

It’s very cute.

All of this is entirely marvelous. Also the lead singer has the energy we all give to John Watson in all fic - short, bi and surprisingly hot.

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In the 1980s in France, musicologists and archaeologists Iégor Reznikoff and Michel Dauvois used their voices to explore caves with notable Paleolithic wall paintings. By singing simple notes and whistling, they mapped their perceptions of the caves’ acoustics. They found that paintings were often located in places that were particularly resonant. Animal paintings were common in resonant chambers and in places along the walls that produced strong reverberation. As they crawled through narrow tunnels, they discovered painted red dots exactly located in the most resonant places. The entrances to these tunnels were also marked with paintings. Resonant recesses in walls were especially heavily ornamented.
In a 2017 study, a dozen acousticians, archaeologists, and musicians measured the sonic qualities of cave interiors in northern Spain. The team, led by acoustic scientist Bruno Fazenda, used speakers, computers, and microphone arrays to measure the behavior of precisely calibrated tones within the cave. The caves they studied contain wall art spanning much of the Paleolithic, dating from about forty thousand years to fifteen thousand years ago. The art includes handprints, abstract points and lines, and a bestiary of Paleolithic animals including birds, fish, horses, bovids, reindeer, bear, ibex, cetaceans, and humanlike figures. From hundreds of standardized measurements, the team found that painted red dots and lines, the oldest wall markings, are associated with parts of the cave where low frequencies resonate and sonic clarity is high due to modest reverberation. These would have been excellent places for speech and more complex forms of music, not muddied by excessive reverberation. Animal paintings and handprints were also likely to be in places where clarity is high and overall reverberation is low but with a good low-frequency response. These are the qualities that we seek now in modern performance spaces.

Sounds Wild and Broken, David George Haskell

Given that we’ve also discovered the paintings themselves, if scored with straight lines, would appear to move when illuminated by flickering fire light, I assume we’re all thinking ‘paleolithic cinema’?

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