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THE DAILY ROBOT

@thedailyrobot / thedailyrobot.com

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290 (Super Robot Red Baron)

Here a little something I made featuring Super Robot Red Baron.  For those (all?) of you who aren't familiar, Super Robot Red Baron was a Japanese TV show from the early 70's, back when live-action Japanese TV shows were required to be concerned either with enormous extraterrestrial/cybernetic/prehistoric entities who stomped on things, or paramilitary organizations loosely devoted to Science and consisting double-life-leading martial artists in their early 20's.  SUPER ROBOT RED BARON HAS BOTH - the eponymous Super Robot is a vehicular tool (you know, like Voltron, only before Voltron) at the disposal of the S.S.I. (Secret Science Investigation), a group of people who actually dress like this when on duty.  I'm not sure what they did before the driving events of the show begin - investigate science clandestinely? investigate science that nobody else is allowed to know about? Whatever,  it's worth neither your nor my time to ruminate on specifics of the show's plot, or to speculate about the senseless universe in which it occurs - what's important is that it ran for 39 episodes and I still have 37 more to enjoy.  For your edification, the opening sequence:

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290 (Super Robot Red Baron)

Here a little something I made featuring Super Robot Red Baron.  For those (all?) of you who aren't familiar, Super Robot Red Baron was a Japanese TV show from the early 70's, back when live-action Japanese TV shows were required to be concerned either with enormous extraterrestrial/cybernetic/prehistoric entities who stomped on things, or paramilitary organizations loosely devoted to Science and consisting double-life-leading martial artists in their early 20's.  SUPER ROBOT RED BARON HAS BOTH - the eponymous Super Robot is a vehicular tool (you know, like Voltron, only before Voltron) at the disposal of the S.S.I. (Secret Science Investigation), a group of people who actually dress like this when on duty.  I'm not sure what they did before the driving events of the show begin - investigate science clandestinely? investigate science that nobody else is allowed to know about? Whatever,  it's worth neither your nor my time to ruminate on specifics of the show's plot, or to speculate about the senseless universe in which it occurs - what's important is that it ran for 39 episodes and I still have 37 more to enjoy.  For your edification, the opening sequence:

Avatar

290 (Super Robot Red Baron)

Here a little something I made featuring Super Robot Red Baron.  For those (all?) of you who aren't familiar, Super Robot Red Baron was a Japanese TV show from the early 70's, back when live-action Japanese TV shows were required to be concerned either with enormous extraterrestrial/cybernetic/prehistoric entities who stomped on things, or paramilitary organizations loosely devoted to Science and consisting double-life-leading martial artists in their early 20's.  SUPER ROBOT RED BARON HAS BOTH - the eponymous Super Robot is a vehicular tool (you know, like Voltron, only before Voltron) at the disposal of the S.S.I. (Secret Science Investigation), a group of people who actually dress like this when on duty.  I'm not sure what they did before the driving events of the show begin - investigate science clandestinely? investigate science that nobody else is allowed to know about? Whatever,  it's worth neither your nor my time to ruminate on specifics of the show's plot, or to speculate about the senseless universe in which it occurs - what's important is that it ran for 39 episodes and I still have 37 more to enjoy.  For your edification, the opening sequence:

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266 (Zetta and Zepto Redux)

I told you they'd be back.

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by Mo Martin

"We must be going!" "010101110111010101101000?" "It is coming, there is danger here!" "010001000110010101110010?" "I am not knowing! It is some terrible thing! It is not metal! It is all pink!" "010000100111010101101000!" "But no, it is danger, we must . . . oh no, it is here!" A shadow falls, a sudden sweeping up, a few muttered words, and then . . . "Well, that was not being so bad." "010011100111010101101000." "Did it say it gave us a bug? I would not like my programming to have a bug." "01001110011101010, 110100000100000011 00001001000000110100 00111010101100111." "Oh. A hug, not a bug. How odd."

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222 ("A Tiny Comic: "One Way Trip")

If anyone asks, I only do comics that incorporate the space program somehow. Also, my favorite thing about this comic is a detail you can't even see unless you magnify part of it a to an enormous degree. Mo's favorite detail is something else.

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by Mo Martin Pt. 1

It attained sentience roughly as blast off began. It searched its knowledge base for what it was feeling. Anger, fear, loneliness, panic. The names helped somewhat, but not a great deal.

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219 (Green Eyed Monsters)

I figured I hadn't had any fun with ink in awhile, and I felt like making a sequel to Robot number 86 from way back when. The net result of all this is that now my desk and hands are a mess. You're welcome.

_______________ by Mo Martin

The cavern was illuminated by my automaton guide, and I stared in wonder at the vast shadows. A hollow earth, like the theories advanced in the fiction of Verne and Rice Burroughs! Would their theories about prehistoric inhabitants pan out as well? But then, an odd green light seemed to echo my mute companions across the cavern. And another. And another, until the whole of the colossal room was bathed in sickly green light, showing hundreds of thousands of metal men lining the walls, fixated on me. And then, collectively, with a horrible magnification of the pneumatic sounds I had found friendly and comforting in my descent, they moved towards me.

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213 (925-R)

Everyone's worried about robots taking their jobs, did it ever occur to us that they wouldn't even want them?

__________________

by Mo Martin

It was a long walk down the road. The Machine Man felt the heat radiating off him, even though the dust dulled his polish. That heat and the ponderous weight of the machinery that animated him, propelled him, made him a self, combined to sink his feet deeply in the tar of the road, and he felt a sting of guilt. He had a deep respect for public works, for all the miraculous contrivances of man, and he hated sullying them. But he had made peace long ago with the foul weight his body had on the world, not just physically, but spiritually, and he knew it was a state only temporary, fleeting as the flies that hovered over the horse patties in the field next to him. With deceptive speed, a car appeared on the horizon, enthusiastically honking its horn as it zoomed past his trudging steps. He waved. Finally a weather-beaten house appeared on his left. A young child on the porch gawked at him as he approached, and then ran inside. He was at the foot of the porch stairs when a woman covered in flour up to her elbows and a man in only a pair of overalls came out, the farmer's arm protectively around the shoulders of his wife. "Good evening, madame, sir, I -" "You're a goddamn Tin Can!" He'd heard worse than the standard slur. He continued. "I'm a Model U-32. That's Universal Factories, made just 5 years ago in 1932. And that's all I was until I found the Good Word." Their gaping mouths and eyes grew just slightly more incredulous than amazed. "But now I know the Truth of Christ our Lord, I am saved saved saved. Are you Christians, missus and sir?" The amazement was passing and the eyes were closing off in skepticism. "We ain't buying nothing, Tin Can." He was ready. "Well that's fortunate, sir, I'm not selling a thing, no sir, I'm not accepting a single dime, I just want to know if you have a bible in the house?" And now the hostility was there, the hate. "We ain't buying no damn Bine bible." "Well, sir, that's fine by me, as I am not selling the blessed word in Binary, but giving away a bible in King Jame's own english, and -" "Get in the house, Eveline." The woman obediently went inside. The talk continued. Eventually, The metal man's sales pitch was exhausted. He calmly stood and suffered his penance, heard the bile spilled out against his kind by this farmer, and focused his optics on a point just above the house, imagining fire and lions and swords purifying the ancient Christians. Since metal could survive all that, he pondered, perhaps my martyrdom, like my salvation, is through words. Finally, the farmer had worked himself into such a frenzy at the "God-damn Job-stealing Tin Shit Cans" that he actually attacked the metal man, and howled as the heat of the day, built up in the metal, burned him slightly. At this, the metal man turned and left the man to his oaths and fury, in the deepening dusk. He didn't mean them, he reminded himself as he closed the gate behind him. Anger is Satan's trap for some, and there is just as much hope that that farmer will escape it, as he had escaped the trap of his programming. He turned on his lights. It was gonna be a long walk down the road.

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195 (Splatterhouse Guy)

I was halfway through with this when it occurred to me that I ought to do something Oscar-themed, but a week from now nobody will remember or care about them, so oh well. In other news it looks like I'm not sick of turning pictures of tiny robots into different looking pictures of robots. That's cool with you, right?

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