The Witches (2020) Review
It’s become something of a cliché recently to begin films – especially ones aimed at a family audience – with a car accident, robbing a character of one or more parents. “Dark Phoenix” did it. “Pete’s Dragon” did it. “Shazam!” sort of did it. Even “Frozen” did it, although they used a ship instead of a car. It’s on that particular detail that Zemeckis chooses to turn his protagonist’s world…