Fantastic Beasts: The Crimes Of Grindelwald (2018) Review
There’s a touch of hubris to the new Wizarding World logo which follows the Warner Bros shield at the start of “Fantastic Beasts: The Crimes Of Gindelwald”, equal in hubris if not in ironic overconfidence to the unveiling (and shuttering) of Universal’s Dark Universe at the star of “The Mummy”. The mission is clear: expand the brand, diminish ‘Harry Potter’. The trouble is, the charm of Harry…
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