Timeless (2016) S1E012 - The Murder of Jesse James 

Bass Reeves, protrayed by Colman Domingo. Rufus Carlin, protrayed by Malcolm Barrett.

Watch it  here , get Bass Reeves: Tales of the Talented Tenth  here

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It’s true!

Source: X

Bass Reeves was so dedicated to the law, he even arrested his own son Bennie for the murder of his wife. Bennie was sentenced to life in prison. With over 3000 arrests, 14 kills, went his entire 32 year career in law enforcement without being shot once.

He was assigned to bring in the notorious female outlaw Belle Starr. Once she got wind who was after her she turned herself into the federal court.

Reeves was one of a few Marshalls who would venture into Indian territory *oklahoma*. After the age of 67 he retired in 1907. He enjoyed his short lived retirement as a police officer in Muskogee Oklahoma, his assigned beat had 0 crime reported until he died at the age of 71 of Bright’s disease.

He was one of the true gun slingers of the west.

I would expect nothing less from a man with such a magnificent mustache

I love the story of Bass Reeves!

One of his famous tactics was, if he was captured or in danger by a criminal he was hunting down, he would ask them to read a letter from his wife before they killed him. He used their distraction to free himself and get the upper hand.

He was also a freed slave. George Reeves, his owner and reason for his surname, took Bass with him to fight in the Civil War. However, George became violently angry after Bass beat him at a card game, and Bass was forced to fight him (or kill, on some accounts) in self defense.

After running away and entering Native American territory, Bass learned how to speak the languages of the ‘Five Civilized Tribes’ (Cherokee, Chickasaw, Choctaw, Muskogee, Seminole). This part of his life is where he mastered marksmanship. He got married and had a family after the Emancipation Proclamation was declared, and then later became a Marshal, going on the adventures listed above (and many more… Another famous criminal that Bass captured was Bob Dozier.)

He was the very first black US Marshal. May we never forget him, as history would suffer to lose such an outstanding figure.

Always, always, always reblog Bass Reeves.

Microsoft Office, like many companies in recent months, has slyly turned on an “opt-out” feature that scrapes your Word and Excel documents to train its internal AI systems. This setting is turned on by default, and you have to manually uncheck a box in order to opt out.

If you are a writer who uses MS Word to write any proprietary content (blog posts, novels, or any work you intend to protect with copyright and/or sell), you’re going to want to turn this feature off immediately.How to Turn off Word’s AI Access To Your Content

I won’t beat around the bush. Microsoft Office doesn’t make it easy to opt out of this new AI privacy agreement, as the feature is hidden through a series of popup menus in your settings:On a Windows computer, follow these steps to turn off “Connected Experiences”:

File > Options > Trust Center > Trust Center Settings > Privacy Options > Privacy Settings > Optional Connected Experiences > Uncheck box: “Turn on optional connected experiences”

This applies to older versions of Word as well, though I don't know how old. I have Office Professional Plus 2021 and I still had to turn this off. I thought they only rolled out feature updates in newer versions or for 365 subscribers, but apparently they can make an exception for AI so they can scrape as much content as possible.

Hatred. Malice, even.

"you're the writer, you control how the story goes" no not really. i wrote the first sentence and then my characters said "WE WILL TAKE IT FROM HERE" and promptly swerved into an electrical fence.

If you have the time and flexibility, you can also try out libreoffice.

Just did this on November 14th, 2024, so this is very current!

Wrench replaced his typewriter ribbon

It was so long I had trouble measuring it with the tape measurer. If you can’t see it, it goes all the way to the glass door.

Well it was at the top for a while, but lost out in the end. The answer is 33 1/2 feet, or 30-35 feet.

Is this a problem?

I just saw someone say AO3 is “gay teens writing gay shit” and I have no idea how to tell you that most of the writers you love so much are adults.

frrrr i look at the notes and the author is always like "sorry for the late upload!!! it's my 10th anniversary and my husband took me skydiving 🥳🥳 plus i've just finished my third phD!! anyways here's 30k"

Yeah…I’m not a teen lol

"Why is your fic so good"

I have a bachelor's in creative writing, a mortgage, and a working knowledge of which cleaners you use to lift grease stains. I am unstoppable.

“Your writing is so good!”

Thanks, my first fanfic had been old enough to serve in the House of Representatives for the past two years.

"I love your fics!"

Thanks! I've literally been writing for over half my life, have several published novels and have worked in a creative field for nearly a decade :D

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

other things I'm bitching about but which could still be useful as writing advice for 1 eyed characters:

2. they're going to favor their sighted side, obviously, but it doesn't always manifest in the way you think. when I walk down a hall I walk much closer to the wall on my sighted side than on my blind side. which is the opposite of how it might seem logical to do that bc it means the world at large is on your bad side, but the reason is I can't fucking See the wall if it's right next to me in the blind side and I end up knocking into it.

3. door frames and poles are my enemy. If your character is smart this will not be a problem but for me it is. I am King of walking into shit I could absolutely see but couldn't tell how far away from me it was. on this note, their blind side hand is getting bashed into every jutting out thing in a 5 mile radius.

4. having 0 depth perception is less of a big deal than you'd think it is. Especially with driving. I've become a Much safer and more wary driver because I can't tell how far the other cars are from me. however I fucking suck at parking now. because I can't tell how far the lines are from me either.

5. you know how people who lose limbs get phantom pains? that happens with eyes too but like. phantom sights. for me it's like. a lot of bugs. like every so often my brain will just put something suddenly skittering beside me there. hate that.

6. it is completely possible to "get stuck" somewhere because your ability to tell how wide a space is is just Gone. shopping isles especially where bumping something or Someone is matter of embarrassment or potentially breaking something. it can be legitimately paralyzing and also irritate everyone around you because they can tell there is Plenty of space for you to get your cart through even if you can't.

7. if the eye is still in their skull it can still be the normal kind of painful. Glares off of shiny surfaces causing weird sharp pains you can't figure out the cause of are genuinely one of gods greatest tests of my patience.

its unreal how all of my favorite characters have exactly the same traits and hobbies and diagnoses as me

oh, have you been tricked into loving yourself?

oh my fucking god is that what just happened

Humans are unstoppable...Until they aren’t.

I’m not the most eloquent writer, but I’ve had this idea kicking around for a while and figured I’d put it out into the universe.

A lot of the basis for the “humans are space orcs” stuff is the idea that we’re pretty durable compared to many species, yeah? When it comes to physical trauma, we can bounce back from most things that don’t kill us outright, especially given the benefit of hypothetical space-age technology, and adrenaline is one heck of a drug when it comes to functioning under stress. 

But that doesn’t make us unkillable, and even though we can survive debilitating injuries and not die from shock, it doesn’t mean it’s fun. Dying of shock sucks, but at least it’s probably quick.

So - Imagine a ship, adrift in space, slowly being drawn into a star or something. In order to save the ship, someone has to repair the hyper-quantum-relay-majig on the hull or in the engine or whatever. Bit of a problem though- there’s a ton of deadly, deadly radiation (Wrath of Khan style) or poisonous fumes or, I dunno, electrical current, between the crew and the repair. Like, enough to kill most species instantly, so the crew is just like, ‘welp, guess we’ll die then’. But then.

BUT THEN

They ask the human. Because everyone’s heard the stories - you’re basically unkillable, right? Could you survive long enough in there to fix it? And their human goes real quiet for a second, but still says ‘Yeah, I could fix it’. And the rest of the crew is like, ‘Whaaaaaa, it won’t kill you?’ and the human repeats “I can fix it” (which isn’t an answer, but no one catches that, not yet at least), so they send ‘em in. And the human fixes it, they come back, the ship flies to safety, and the crew is thrilled to survive. If the human is a little quiet, well, they’re entitled after pulling off a miracle. Everyone else is just excited to get to the nearest station’s bar to tell their very own human story, cuz, ‘those crazy humans, amiright?’.

The good mood keeps up until the human is late for their next shift. At first it’s just faint unease, but- but they earned a bit of a lie-in, right? No reason to begrudge them some extra rest, even if it is a little weird for them to oversleep. They’ll be fine. Humans are always fine. 

(Right?)

(…Wrong.)

- What is… help. Help!-

- ake up! You have t-

- been days. You need sleep, you-

- nother transfusion. We could-

- out of sedatives!-

A week later, the crew finally reaches the station. They stumble into the bar, haggard and haunted. And over the next months and years a new rumor about humans starts to make its way through space. A rumor unlike any before.

‘Be careful with your humans’ it whispers. ‘Their strength is not always a blessing. Be sure they don’t do something they can’t come back from, because when a human dies… they die slowly.’

The thing is, humans can be tricky. And if they’re sufficiently pack-bonded with a ship’s crew? And that crew is in danger? They’ll willingly offer themselves up to make sure the crew survives.

They won’t tell their crewmates that whatever danger it is will just kill them slowly, that they can endure the exposure but not the long-term effects.

But the idea that humans can be fragile? Can die later from exposure to radiation or toxins or electricity or even smoke inhalation?

It seems preposterous!

There are too many stories about humans surviving all sorts of conditions that would kill their other crewmates. A human dying slowly, later, lingering and in agony? It’s a creepy story but of course it’s not true.

But then… another crew shares their own story. Their human volunteered to go into the danger zone to fix what needed to be fixed. Or maybe she had to retrieve a critical component or resource. And she lingered. Wasted away. Later the human doctors told their medical team there was nothing they could do but make sure she was comfortable, ease her pain before the end.

And yet another crew, whose human plunged through smoke and ash to make sure his crew could escape. He choked and coughed and couldn’t get enough air. Their medical commander performed an autopsy and found his lungs and throat and sinuses all coated in black soot and blackened mucus and red blood.

So the stories spread. Just because they don’t die of shock, just because they don’t die right away doesn’t mean it won’t kill them. They linger in agony or unconscious or waste away slowly.

But what’s most horrifying of all?

When other humans hear the stories from the traumatized crewmembers?

They aren’t surprised or horrified.

They say “Of course”

They say “I would have done the same”

They say “it was the Right Thing to do”

And they’ll smile (what the crew’s human would have called a sad smile) and toast to the dead. For making “The ultimate sacrifice for the folks they loved” and every human listening will say the name and drink a shot of liquor.

Look I know Rapunzel paints and Tiana cooks, but if you guys don't think Mulan is the Most Creative Disney Princess, you're wrong.

She's literally introduced in this perfect scene that highlights her whole character, flaws and strengths:

The first time you see her she's:

BUT LISTEN. That last one is the first hint you have that she's the Most Creative Disney Princess. Because guess what? She's not the first young woman to cheat at the matchmaker test. The Matchmaker specifically checks to see if she's cheating when the test begins. But the rest of them wrote their cheat sheet on their fans.

The Matchmaker was prepared for the usual kind of tricks. But Mulan's full of her own ideas, not everyone else's.

You guys know the rest. She dresses up like a soldier—nobody suspects her because the idea that someone would do that never occurs to everyone else. She climbs the pole by tying the medallions around each other when none of the other recruits can figure it out. She lights the cannon by grabbing Mushu instead of searching for flints. She creates an avalanche instead of just taking Shan Yu out. She tricks the Huns by dressing her friends up as concubines. She defeats Shan Yu with his own sword and a bunch of fireworks.

But even beyond problem-solving, Mulan never does things like other people do. She doesn't even do things like other women do.

She doesn't just walk across a bridge, she jumps from pillar to pillar. She doesn't just bring her father tea, she puts a spare teacup in her sleeve because she knows she's clumsy.

Mulan is creative. But you know what that moment proves? That she's not just a representation of all women-versus-men. Mulan is representative of a human, who sees where she has strengths, and sees where she has weaknesses. She uses her strengths to her advantage and works to improve or make up for her weaknesses. She doesn't try to be exactly like a man. She just tries to use what she's got to do the right thing. And finding ways to use what you've got, even if it's not like what everyone else has, is creativity.

The Princess Bride is such a funny book to read after ONLY seeing the movie. Like Goldman made up a fake author from a fake country and proceeded to write the book as an abridged version of what the fake author wrote... and then he proceeds to add in notes to the "abridged version" mentioning all the boring world building stuff he skipped because it was boring.

Like shout out to William Goldman, man really did make an entire book that is just "the cool scenes you thought of in your head" and then made up a fake author to abridge so he doesn't have to connect them.

And it slaps

I used to work at a used bookstore, and had a group of three teenage boys come in wanting the "Unabridged Version" of Princess Bride.

They would not believe that it was a narrative device and the unabridged version didn't exist. Said no author would credit someone else for their own writing, that was ridiculous, and was there a guy who knew about fantasy they could talk to?

I grabbed a coworker and left him to deal with it. Heard him explaining the concept of a pen name as I walked away.

the unabridged princess bride 🤝goncharov

fictitious works of media that sound very interesting but can never exist in a way that lives up to the expectations built by their nonexistence

dog time AKA the only reason i've been managing not to overwork myself

death of the author except when its funny

exactly what someone who regularly turns into a dog would say

im having a genuine blast this is like a gender reveal party to me

@unsolids-your-snake Make sure to take your dog time

Youre assuming I don't regularly lay on the floor or demand my husband pet me

Please don’t pirate books at least while the author is alive. I’ll make an exception for actual billionaires and wildly expensive textbooks you cannot afford yet need to complete your studies. I can’t make an exception for assholes, because we’re all considered assholes by someone.  I don’t know how many people realise how many writers who created successful, beloved stories and characters still die poor while other people get rich off the same work. I don’t think people realise that in the UK the current average yearly earnings for an author has nosedived over the last fifteen years to £10,500. That obviously is forcing people to quit writing. It increasingly means writing is a job for people who’ve inherited money or have wealthy spouses who can support them. I don’t know if people realise that in general, writers are poor and getting poorer. I’m sorry, but if you think widespread sense of entitlement to free books has nothing to do with that … you’re just wrong. 

I say I don’t think people realise - the truth is I hope they don’t, because the alternative is that they don’t care. That’s certainly the impression I’ve got from Twitter, where a truly horrifying number of people are arguing that copyright on  all books should expire after thirty years, and you should be able to acquire books for  free after that. This … would not just mean that everyone gets free books. It would mean if you write a book at 30, not only do you lose any royalties from it at 60, but Disney can take it, make a franchise out of it, Scrooge McDuck it up in a pool of money while you starve because writers don’t get workplace pensions.

Some threads on the unintended (?) consequences of this. I can’t go over it all again. John Brownlow NK Jemisin Michael Marshall Smith Me Marina Lostetter Kari Dru and others William Gibson and others

There are plenty of others. It’s not that this actual idea will actually happen, but I do think it reinforces the idea that it’s not only okay, but sometimes actually virtuous to search for ways to enjoy writers’ work without paying for it. Like it’s somehow a step towards a better world. Not just at the reader end, to be fair, at the employer end too. And I do see a lot of people here too who are all about supporting workers unless the workers are writers in which case fuck’em. 

Like. If you want to radically change society in such a way that mass-media conglomerates don’t exist and so can’t exploit us and we’re supported to make art in some other way than fine. But can you start the revolution with actual rich people please, not ask us to live right now, in the society we’ve got, without the money we need to survive it. Finally, a plea: I really, really, do not want to debate this. This whole thing genuinely makes me feel tense and shaky and sick. If you’ve got to disagree - unfollow me, block me, vagueblog somewhere I can’t see it. The Twitter version of this already has me feeling like I’ve been kicked in the gut. I didn’t want to write this post. I just felt I wasn’t going to have any peace until I did.

If you don’t want to buy a book outright, please consider getting it from your local public library (or your school library if you’re a student). If the library does not have the book you want, you can usually make a purchase suggestion and the collections staff will consider if it’s possible to procure the item based on availability and budget, or you can just do an interlibrary loan request and the library will try to get a copy on loan for you from another library system. In some libraries I’ve worked for, the ILL staff will actually look at the cost of the item, and if it’s under a certain amount, they’ll automatically just buy it instead of requesting it, because it’s cheaper and involves less work.

Libraries are a great middle ground if you can’t afford to pay for a book but don’t want to pirate the material, and a lot of libraries use apps like Libby/Overdrive and Borrow Box so that there are also materials online.

Publishing companies will use book piracy (ie lack of sale numbers) to excuse paying us even less, so it’s not just our published books we lose money on, it’s our future advances. To put an extremely blunt end on it: the books I wrote on a 6 figure advance (the money was spread out over three years, so it was still >$80K/year) are much better than the books I write at $40K (not just because I have to cram to get that split over 2 years instead of 3, and since $20K/year isn’t enough, I have to get another contract).

The corporations don’t care if you pirate books. It actually *helps* them. But it sure screws writers over.

“Is it okay if I draw fanart of your fanfic?👉🏼👈🏼”

My brother in Christ we shall have a spring wedding

when a character i love and care for has to face the consequences of their previous actions