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#horror films – @the-october-country on Tumblr
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the october country

@the-october-country / the-october-country.tumblr.com

A blog for darker evenings and misty days, full of autumn leaves and apples, ghosts and witches, folklore and fairytales. I update all year round, but most frequently at this time of year, and the blog is both an outlet for my love of autumn and Hallowe'en and a gathering place for art, from horror films to medieval woodcuts, that evokes the sinister, the mysterious and the otherworldly. This blog has a winter counterpart at now-winter-comes-slowly. Formerly cloudsinvenice, these days I use @tealightcandles1794 to admin my various special interest sideblogs, and you can always message me there if you need to get in touch.
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marypsue

There's something about seventies horror that reminds me of live theatre, actually. The sets and costumes are often cheap, and when it comes to period pieces, more 'inspired by' than accurate; the makeup is big and visible; even when the effects are really good, the blood is usually unnaturally red. The acting tends toward the broad and stagey.

And yet, it's also clear that realism is not the goal. Rather, the movie works to draw you in to a unified fiction, to get you to share in its nightmare. The best seventies horror I've seen has a dreamlike, Vaseline-lensed quality, a sense that it doesn't matter whether or not everything that happens in the movie is likely or even possible in real life. We've stepped outside of real life into a self-contained bubble with its own logic and its own sense, a dark fairy tale where the corpses of young girls might transmute into hares or eternally hungry floating heads, or the night of All Hallows might summon a stalking, unkillable masked evil from the past, or a ballet studio might be entirely controlled by witches. Even the lowest-budget, most exploitative Hammer flicks don't escape the touch of that dreaminess, that velvety, enfolding unreality. The movie suggests a world, and we, if we are wise, gladly succumb to the power of that suggestion.

Eighties horror, on the other hand, is all about the goo.

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goryhorroor

in the silent era of horror, the word "horror" began to be used as a generic signation, and more often instead used was the words "weird" and "mythical and mysterious." this is a time when adaptions were so rapidly made like frankenstein and edgar allan poe's works dominated this era. horror as a genre wasn't specifically "created" or the word wasn't used until dracula in the 1930s.

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"...Guillermo del Toro’s 2021 film about carnival life in the 1940s, addiction, and the human need to be understood, drives the point home in a way that rips you open more than it offers comfort. The movie is a warning about what happens when you achieve everything you’ve ever dreamed about without healing the wounds that let it all leak right back out."

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