(Video Source: Jim Moriarty221b. Footage from A Scandal in Belgravia by Steven Moffat.)
Representation of Womyn in BBC One’s Sherlock
Every femayl character in BBC One’s hit series, Sherlock fits into the tropes of “bitch”, “emphasized femayl”, “mother”, and “sex object/love interest”. The main characters of focus in this essay will be Molly Hooper, Mrs Hudson, Sally Donovan, Irene Adler, and Mary Morstan, plus the League of Furies. Their portrayals serve as the show’s representation of womyn for the approximately twelve million viewers of BBC One’s Sherlock. Because characters are incapable of making autonomous decisions, each of these femayl characters will be evaluated based on her portrayal of womyn as depicted by the male writers of Sherlock.
The first femayl character we meet is Molly Hooper, a pathologist in the morgue of St. Bartholomew’s Hospital. Though she has a college education and a satisfactory job—though she has worked to gain the position she has—though she is a grown, able-bodied, capable womon, her character revolves around the male lead, Sherlock Holmes. The first time we meet her, she asks Holmes out for coffee, and he replies, “Black. Two Sugars. I’ll be upstairs” (Moffat and Gatiss 2010). Although Sherlock’s rejection is crass, it is not until Sherlock comments on Molly’s removal of her lipstick that the androcentric core of the show is revealed:
(Images’ Source: Vladmirsdaughter n.d. Original footage from A Study in Pink by Mark Gatiss and Steven Moffat.)