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The Far, Bright Center

@the-far-bright-center / the-far-bright-center.tumblr.com

The barest flicker of persistent light.
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Welcome! This blog is dedicated to the original six Lucas Star Wars films, aka the Real Skywalker saga.

What I consider CANON (aka the complete Lucas saga):

  • The Prequels x Original Trilogy (+ certain deleted scenes and novelizations)

What I consider EXPANDED UNIVERSE (aka optional supplementary material that is informed solely *by* the Lucas saga):

  • Lucas-era Clone Wars, including the 2D Tartakovsky series as well as the 3D animated series (2008-2013 seasons ONLY).
  • Other Lucas-era EU material, including various tie-in novels, comics, concept art, art books, and so on (but only that which aligns with and/or supports the primary canon).

Occasionally, I may reblog the odd bits of 'new canon' I watched prior to distancing myself from Disney's Star Wars (ie Rebels and Rogue One).

**PLEASE NOTE: I do NOT accept Disney's version of Star Wars as canon and regularly share anti-Disney views.

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More lighting experiments with my CW 2003-inspired Anakin and Padme figures. Imagine they are on a secret mission to Ilum, exploring an ice cave, then get snowed in….and 'have' to spend some quality time together. 😉✨

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STAR WARS: CLONE WARS (2003-2005)

⇒ Like fire across the galaxy, the clone wars spread. In league with the wicked Count Dooku, more and more planets slipped. Against this threat, upon the Jedi Knights falls this duty to lead the newly formed army of the Republic. And as the heat of war grows, so too grows the prowess of one most gifted student of the force…

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wlwanakin

every time i post abt the jedi a bit too much my for you tab gets flooded with awesome jedi apologist posts arguing things like “child soldiers are okay if the children have superpowers” and “anakin wanting his wife to be alive was possessive and selfish”

and i’ll never understand why so many people make these borderline antisocial arguments for the sake of defending the jedi cuz like. woobification is an understandable instinct to me bc it’s directed towards characters bc characters are people with motives and backstories and depth that makes you want to justify them. but woobifying a fucking RELIGIOUS INSTITUTION!? is it really so hard to just say “the space wizard samurai are cool and didn’t deserve to get slaughtered en masse” without writing multi-paragraph meta about why indoctrinating toddlers is actually really cool and ethical

I agree there is something really baffling about certain parts of SW fandom's obsession with the Jedi ORDER, specifically. It's a religious institution, ffs. It's a militarised monastic order, much like others in history, such as the Knights Templar, who likewise had quite the memorable 'fall' (which served as an inspiration for Order 66). Even just at a surface level, you can still separate the individual Jedi characters from this. You can even separate the Jedi religion (or at least its more esoteric/spiritual teachings) from the Order, if you want. The Force (and the Light side of the Force) is something that exists with or without a religious institution. It's common in the history of our own world for such insitutions to fail and dissolve, and yet the religion manages to survive, just without that particular organisation. And sometimes these religions evolve, shedding outdated laws or other teachings that are no longer relevant to daily life. (See: Love and family saving the day, despite not being permitted to Jedi by the Old Order. The implication being that this rule is no longer relevant to Jedi life, as proven by the outcome of the PT x OT Skywalker saga.)

So, it's a little strange that SW fans can be so staunch in idealising the Old Jedi Order even in the face of its many long-established flaws. It often seems like they can't distinguish between the Old Jedi Order of the Prequels era and the more general Jedi religion that likely existed long before the Order was founded. Or between the Old Order and the Light Side of the Force. (To me, it's like if people were constantly equating the Knights Templar with the entirety of Judeo-Christian history and with the concept of 'Divinity' itself.) Perrsonally, I am not a Jedi-hater, and I am fine with the Jedi religion continuing in the SW universe. It's how I interpret the ending of Luke's arc in RotJ, that he's re-established the Jedi, just in a new and improved form. A version of the Jedi where the precise manner of Anakin's fall could NEVER happen again, because Jedi will not ever be denied love and family in the New Order. However, I am a huge critic of the OLD Jedi Order. Their servitude to a corrupt Senate was simply not sustainable, and many of their teachings and practices seem to have become dogmatic. They no longer truly served 'the Will of the Force', but rather the will of a corrupt government. I believe strongly they were doomed to fall eventually even without Anakin Skywalker's presence. Their time had come. It just didn't necessarily have to be so violent and horrible, but something had to change.

Why this is so difficult for some to grasp is beyond me. The only way anyone can presume 'the Jedi' are flawless white knights is if they take Obi-Wan's description of them in A New Hope at face value. Obi-Wan, the completely biased fellow who likes to speak in half-truths and hyperbole. I mean... ha! The 'cynical reveal' in the Prequels that the Jedi were actually quite flawed by that point in their history was one of the BEST things about the Prequels films. It made the PT x OT saga even better and more meaningful. People seem to forget that the main characters of Lucas' Star Wars are the Skywalker family, NOT 'the Jedi'. And the Jedi Order being flawed makes the SKYWALKER's story even more compelling. Maybe some SW fans are stuck in the mentality of idealisation due to being into the EU books prior to the release of the Prequels? Idk. It still doesn't explain the reason why some of the younger Disney-era SW fans seem to think this way, though..

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I have this random Anidala headcanon that they leave the Order and the Senate, but still become a power duo that fights off crimes and forms their own resistant organizations like the rebellion movement and Anakin makes his own tribe of Force sensitive people that he can train like the Jedi do but this time there’s no rules about love and attachment. One time when Anakin and Padmé are on a mission (with Luke and Leia left in care of Bail for the time being.) all they had to eat was snacks, pastries, sodas, and hot cups of coffee.

Once they return home, Anakin tells Padmé “the first thing we’ll do is take a hot bath and I’ll cook us a warm home cooked meal, how does that sound, Hatari?” and Padmé’s “a bath and a warm cooked meal with you? I couldn’t want anything more ❤️”

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All of Anakin/Vader's thought bubbles say "Padmé Padmé Padmé"

And always did. I want you all to know thaT facT.

Indeed. In case anyone didn't know, that second image is Original Trilogy-era Ralph McQuarrie concept art. Vaderdala has been canon since the beginning!

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On the importance of Qui-Gon as a character, and the purpose of his role in the story:

It’s been a while now since I’ve written about this character, but recently my husband and I were discussing the Prequels (and especially The Phantom Menace), and we both heartily agreed that Qui-Gon Jinn is a truly brilliant addition to the saga, both from a storytelling and ‘in-story’ perspective. Not only is he a compelling figure to watch on-screen (thanks to the mesmerizing Liam Neeson), but he is also an ingenious way of introducing us to the Twilight of the Republic-era Jedi—via someone who is, by that point, considered a ‘maverick’ in comparison to the rest of the Jedi Order.

This is a very clever approach, because it means that we actually experience the entire first half of The Phantom Menace from Qui-Gon’s perspective. Throughout our journey with him—during which time he comes to the aid of many beings, from the hapless Jar-Jar, to Queen Amidala, to a slave-boy and his mother on Tatooine, all while simultaneously on a spiritual quest of his own (aka, to find the Chosen One)—we come to admire a Jedi who is everything that we, as viewers who had only ever seen the Original Trilogy, would expect a Jedi to be.  It is only after Qui-Gon’s arrival on Coruscant (when we are met by the comparatively cold, closed, and standoffish Jedi Council), that we realize that…ohthis wonderful, warm, openly-caring, and compassionate Jedi who we ASSUMED must certainly be the norm’, is actually anything but.

And so, the fact that the very first part of the saga is shown to us almost entirely from Qui-Gon’s perspective is extremely significant, not in the least because it evokes sympathy for his character and his so-called ‘maverick’ views, and, in turn, has the effect of helping us be all the more sympathetic and understanding towards little Ani.

The importance of this cannot be overstated, because of course, when The Phantom Menace was released, everyone already knew that Anakin Skywalker would eventually become ‘Darth Vader’. So it was absolutely crucial to introduce him to us from the perspective of a ‘wise Jedi’ character who had a firm belief in (the positive nature of) his future potential, and who held a deeply compassionate view toward him, or else the tension and dramatic irony would be greatly reduced, and the impact of the overall story would be lessened. Seeing Anakin through Qui-Gon’s eyes makes us all ask the burning question—how could an innocent and loving little boy like this ever become Darth Vader? Qui-Gon’s presence in the story introduces this question—and this tension—at this early stage, and makes it almost impossible for us not to seek for answers as we go. 

In this vein, the mere existence of Qui-Gon as a character helps to inform our view of the state of the Jedi Order at this point in the story. I feel the need reiterate this very obvious point because some people seem to be mis-reading ‘the text’ here and coming to the erroneous conclusion that Qui-Gon (and his views and actions) is somehow representative of the Jedi Order as a whole, and that could not be farther from the truth. Such an interpretation is completely missing the entire point of his character and his role in the story. Qui-Gon is meant to embody the True SPIRIT (his name ‘Jinn’ even means Spirit) of the Jedi religion that has, at this stage, been ‘lost’ or at least largely forgotten in favour of a more ‘letter of the law’ approach. Nowhere is this more clearly embodied than by the Order’s strict adherence to their (often flawed) interpretations of the Jedi Code, as well by as their role of servants of the Republic—something that has led them to this place where they must often put said Republic’s political and military needs above service to ‘the Will of the Force’. (Note how Qui-Gon explains the *ideal* role of a Jedi to Padme when he tells her “I can only protect you. I cannot fight a war for you.” – a role that, only ten years after his death, will be completely overturned by the Jedi Order’s direct participation in the Clone Wars on behalf of the Republic.)

And thus, upon Qui-Gon’s arrival on Coruscant, we experience the realization that many of the things he has said throughout (such as “*FEEL*, don’t think, use your instincts”), and the approaches he has taken (his openly warm manner toward little Ani and his mother) are very likely things that only he, and maybe a few choice others, would say or do or think or feel, rather than the typical mindset or approach of the entire Order. Qui-Gon’s singularity in this respect is necessary for the story to establish, because it likewise establishes him as the ONLY person who could have provided the very particular guidance that Anakin so sorely needed, the only person who could have potentially helped him navigate the more difficult to follow aspects of the Code, the only person who (if he had lived) might have stood at least some chance of equipping Anakin to withstand the machinations of Sidious….I could go on. It supports this notion of Qui-Gon as the ideal teacher of (and father-figure to) Anakin, and even adds weight to the idea they were indeed brought together by the Force, as Qui-Gon himself states (“Finding him was the will of the Force”).

And then, it is this that likewise that renders his sudden death such a ‘fateful’ (hence the name ‘Duel of the Fates’) blow. A loss that is shattering to Obi-Wan *and* Anakin both—one that they of course both feel keenly in the immediate aftermath, but one that also proves even more tragic later on in the course of events. (In the RotS novelization, it even states that the seemingly-endless war that had come to define their lives had, for Obi-Wan and Anakin, begun not with the inception of the Clone Wars, but rather “on Naboo, when Qui-Gon Jinn died at the hand of a Sith Lord.”) In other words, the loss of Qui-Gon removes this irreplaceable Jedi who was very much a ‘True Jedi’, but who nonetheless regularly felt the need to stand up to the Jedi Council’s decisions; this Jedi who was still a much-needed source of council to Obi-Wan, and who was so uniquely poised to guide little Ani—either within, or outside of, the Jedi Order.

Qui-Gon Jinn is a highly underrated character, and the importance of his role, both from a storytelling perspective and an in-story perspective, cannot be emphasized enough. I would go so far as to say that his inclusion into this early part of the saga is intended to form our understanding of it—because, through him, we are shown an example of a True Jedi, one who is warm, tender, caring, and demonstrative of emotions, as well as just as heroic and ‘mystical’ as we’d expect a Jedi Master of that era to be. Through him, we come to sympathize not only with his views, but also with little Ani’s plight. Through him, we are thus primed to view young Anakin positively (or at the very least with an open mind), and to bristle at the Jedi Council’s swift dismissal of this fearful yet still-innocent child, so far from home.

Likewise, through Qui-Gon’s staunch belief in the existence of the Chosen One—a belief that he dies professing—we are shown an example of a Jedi who has unwavering faith in, and dedication to, ‘the Will of the Force’. And yet, through him we are *also* shown that such a Jedi stands on the ‘fringe’ of the Jedi Order, a fact that in and of itself illustrates just how far removed that institution has already become from its original stated purpose (which is, purportedly, ‘to serve the Will of the Force’). Qui-Gon’s death—and with it, the removal of such a defiant-yet-wise figure both from the Jedi Order and from Obi-Wan and Anakin’s lives—is the first ‘herald’ of the tragedy that is the story of the Prequels. 

This, in my understanding, is the purpose of Qui-Gon Jinn as a character, and the main reason for his inclusion into this early part of the story. He is a character who is meant to be viewed positively and sympathetically. An admirable figure of great kindness and foresight, a source of warmth, wisdom, and, above all, compassion, whose sudden loss is a heavy blow to all. And as such, he is NOT meant to be representative of the Jedi Order as it exists in its flawed state at the point of the Twilight of the Republic—rather he represents the TRUE *spirit* of the Jedi religion.

This is excellent. The only thing I would add is that Qui-Gon represents the Order as it *should be* and Obi-Wan represents the Order as *it is*.

As viewers, we do not fully understand this, because we see the two in isolation from the Order for the first half of TPM, until they arrive on Coruscant and Obi-Wan sides with the Council against Qui-Gon.

Obi-Wan’s love of The Rules and lack of empathy for beings he does not know/has decided are beneath him can at first be mistaken for the pitfalls of youth. But when we see him in the full context of the Order we realize nope, this is in line with the Order itself.

This set up of Qui-Gon as what a Jedi ought to be and Obi-Wan as what the Jedi have instead become sets Anakin on his doomed trajectory at the end of TPM. The Order, and Obi-Wan as its personified avatar, is not equipped to care for this child.

Anyway, TPM is brilliant and I will fight the whole fandom if necessary. And Qui-Gon is literally The Most Important.

Thank you for the insightful added commentary, as always! I completely agree with your point re: Obi-Wan siding with the Council (and not with Qui-Gon) and how that is intended to come across, especially since we don’t really know much, if anything, about the Council or the structure of the Order prior to those scenes on Coruscant. And yes – I do feel that Obi-Wan’s character in the Prequels is indeed meant to embody the role of the ‘ideal Jedi’ of that era, this ’white knight’ of all white knights. From an in-story perspective, he is this way because he truly believes it is the right thing to do and that it is for the good of all. Obi-Wan’s tragedy is that he does everything he can to sincerely follow the Code and be the best Jedi Padawan/Knight/Master he can be, only for the Order to fall anyway, and for it all to be (seemingly) in vain. And for him to realize all of this, too late. (“I have failed you.”)

And what you say about Qui-Gon representing the Order *as it should be* (and perhaps as it once might have been, long ago) is what I was attempting to convey with the term ’True Jedi’. I sometimes forget when I talk about ‘True Jedi’ that my understanding of that concept is based largely on my own personal headcanons, so apologies if my meaning was a bit unclear. :3 

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shorelle

 Sometimes I catch myself staring into space Counting down the hours ‘til I get to see your face ♪

Anakin & Padme, a quiet moment before another long day of Saving The Galaxy on the battlefield and Fighting Against Corruption in the senate C:

My half of an Anidala art trade for the loveliest @arbutus-blossoms, (I’m sorry this is over a month late!!) who is always so fun to chat to and makes the most creative art and AUs *u*

Drawn while listening to Hey Julie Ani a lot, because it’s somehow fitting for this stressed-out power couple… X) 

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fialleril

I don't know if you had been asked this before but what are your views on Padmé? Her character, her role. Also, what do you think about her relationship with Anakin (Anidala)?

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Okay well first, thank you! You are the first person to ask me about Padme! I have just been waiting here lol.

And this is a really broad set of questions, so I’m just gonna run with it - who knows where this will end. It’s gonna be really rambling, though, so apologies in advance.

All right, so, TPM is unquestionably my favorite of the prequels, and mainly for three reasons:

1. Padme

2. Shmi

3. Tatooine

Padme is just an utter delight in TPM. It’s really her movie, which I think gets overlooked a lot because the next two movies in the trilogy…aren’t. But she is the central character and the driving force behind TPM, and she’s a fourteen year old girl, and I think that’s wonderful.

Everyone underestimates her. The Trade Federation, obviously, but the Jedi (and in particular Qui-Gon) underestimate her, and most importantly, Palpatine underestimates her. Drastically.

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An excellent and insightful commentary as always. I had to highlight several parts in particular:

I’ve thought a lot about what Palpatine’s original plan in TPM must have been, and obviously part of it was to make himself Chancellor, which clearly succeeded. But I don’t think that could have been the whole plan. Why get Maul involved at all, if it was? Why alert the Jedi to the possible return of the Sith, if he was planning to bide his time for quite a while longer?
Because he wasn’t. The more I think about it, the more certain I am that Palpatine originally intended to start the war that would lead to his Empire in TPM. And to do so in a way that made it obvious that the Sith were involved. Because Darth Maul would have been the perfect distraction for the Jedi. He was dangerous, but he was also obvious. He was more like what they would expect the Sith to be. And Palpatine could continue working in the shadows while Maul kept the Jedi distracted.

Yes, this, THANK YOU. This is such an important point that so many people seem to miss. I bring this up often myself because am tired of seeing Anakin receving the sole blame for the Fall of the Order and the Republic in RotS, when the architecture had already been in place for years. Palpatine already had a Sith apprentice. He he was on the brink fulfilling all of his big plans, and he had to delay them because of Anakin and Padme.

Except Padme ruined all of that. His plan was foiled not by the Jedi, or by the Senate, but by a fourteen year old girl Queen (one he had explicitly written off as “young and naive” and therefore easily manipulated and ultimately irrelevant) and a slave boy. That’s awesome.
(It’s also, I think, the seeds of both Padme and Anakin’s downfall. Yeah, Palpatine wanted to control the Jedi’s Chosen One. But I think he also wanted revenge on the two children who had so completely devastated his plans and made him wait a whole decade to get his empire. Nute Gunray wasn’t the only one out to get Padme following TPM.)

Exactly! When people think of Palpatine’s scheming, they think of it with regard to Anakin, but the ‘revenge’ part of Revenge of the Sith refers to Padme’s fate as well. To Palpatine, Padme is not merely a way to get to Anakin, she is also a legitimate political adversary. The parallels between them even frame them as such: Padme’s double identity as Queen Amidala vs. Palpatine’s secret identity as Sidious, and Padme’s use of her decoy to deflect attention from herself vs. Palpatine’s use of Dooku as the ‘decoy Sith lord’. And even on an in-story level, Padme presents a real threat to his rule. Sure, Palpatine underestimates her in TPM, seeing her merely as a stepping stone towards gaining power, but by AotC he is already trying to have her assassinated. Why bother, unless he feared her popularity and influence? It’s true that many of Padme’s political scenes were left out of AotC and RotS, but they do still appear in the novelizations and deleted scenes, and are thus canon in my book. ;) And during the Clone Wars era, we see additional glimpses of Padme’s political prowess when her powerful speeches in the Senate directly thwart Palpatine’s plans. He recognises that so long as she stands in his way, democracy and the Republic will not be so easily extinguished. While it’s true that Palpatine wants Padme out of the picture so he can fully enslave Anakin to his will, he also wants her gone because he has recognised for a long time that she is a genuine political rival. We’re meant to envisage an alternate outcome where Padme becomes Chancellor and Anakin faithfully serves her, instead. I think Palpatine saw that potential as well, and feared it.

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Dystopian themes in the Prequels

“Looking back is helpful in understanding his work. Lucas started out in the 1960’s as an experimental filmmaker heavily influenced by the avant-garde films of the San Francisco art scene. Initially interested in painting, he became an editor and visualist who made abstract tone poems. His first feature, THX 1138 (1971) was an experimental science fiction film that presented a surreal, underground world where a dictatorial state controls a docile population using drugs. Love and sex are outlawed, procreation is controlled through machines, and human beings shuffle meaninglessly around the system.”
Anthony Parisi, 'Revisiting the Star Wars Prequels'

The bolded parts in this description correspond with the Coruscant Underworld, the Jedi Order’s code, and the creation of the clone troopers, respectively.

Notably, in THX 1138's setting, emotions such as love and the concept of family are taboo:

I’ve always found it so interesting that Lucas incorporated the dystopian elements of his earlier sci-fi into the Prequels, taking place as they do in the context of the final years of the Repubic, with all its colourful and sumptuous visual spendour. In comparison, the post-apocalyptic ‘Dark Times’ of the Original Trilogy would seem on the surface to be the more outwardly ‘dystopian’ setting of the two—however, the actual story of the OT is a mythic hero's journey and fairytale, complete with an uplifting and transcendent happy ending. The OT's setting may be drained of colour, and its characters may be living under the shadow of the Empire, but as a story it is far from bleak or dystopian in tone. Rather, fascinatingly, it is the pre-apocalyptic era of the Prequels that is presented as the more dystopian storyline:

“On the surface, [The Phantom Menace] is an optimistic, colorful fantasy of a couple of swashbuckling samurai rescuing a child Queen and meeting a gifted slave boy who can help save the galaxy from the slimy Trade Federation and its Sith leaders. But beneath that cheerful facade is a sweatshop of horrors.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

This is referring to the state of the galaxy during the Prequels era, including the fact that slavery is known to exist, but is largely ignored by the Republic and the Jedi alike due to being too economically inconvenient to combat. It also refers to how the Jedi of the Old Order come across as cold and distant atop their ivory tower on the artificial world of Coruscant, far removed not only from the natural world but also from the true realities of the people they claim to serve. And then there is the additional revelation in Attack of the Clones that love and family are 'outlawed' within the Jedi Order, creating an environment in which their own 'Chosen One' is unable to flourish, leaving him vulnerable to the Dark Side. Finally, there's the fact that the characters end up so distracted by fighting a civil war (something that goes against their own principles and involves the use of a slave clone army in the process), that they are blinded to the entity of pure evil that is guiding their every move...until it is too late.

“Without a clear enemy, the Jedi Order, the Galactic Senate, the whole of the Star Wars galaxy bickers and backstabs and slides around the moral scales. But there is one benefit to Palpatine’s pure evil crashing down upon the galaxy; against its oppressive darkness, only the purest light can shine through.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

If anything, the Dark Times allows for the OT generation's acts of courage and heroism to flourish and succeed, because they are not hampered by the Old Jedi Order's restrictive rules, nor by its servitude to the whims of an increasingly corrupt Republic—so corrupt, in fact, that by the time of RotS, it is practically the Empire in all but name. Indeed, one of the key features of the Prequels, and what makes them so tragic, is that the characters are already living in a dystopia...they just don't know it.

There is, paradoxically, a level of freedom to be found in the midst of the Dark Times which had not been possible during the Twilight era, which allows Original Trio to rise above the tragedy that befell their predecessors. They are able to act as free agents (not as slaves of a corrupt government), serving only the fight for the liberation of all the peoples of the galaxy (not just citizens of the Republic), and are likewise free to live (and love!) on their own terms. Free to act on their positive attachments to one another, without having to hide the truth of their feelings. It's particularly telling that *this* is, above all, what makes the Prequels era so dystopian—the characters' inability to freely and openly participate in normal familial human relationships.

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