That moment when your inner 11 year-old self who watched Joe Wright's Pride and Prejudice for the first time with mesmerised eyes and dreams much bigger than herself tries to burst through at every turn around Pemberley - and forcing you to repeatedly shriek something along the lines of 'PERMBERLEYYYYYY' at that - while you're trying to film a serious literary podcast. How did I end up in Darcyshire all of a sudden?! #prideandprejudice #chatsworth #janeausten #literature #howtodeal (at Chatsworth House)
"But neither Homer, nor Shakespeare, nor Austen, nor any other writer worth their salt believed that people think only strategically. Great literature has the power, through painstaking art, to fashion a convincing representation of human behavior in all its inextricable, mysterious, and endlessly ramifying mixture of sources. That is why it never becomes obsolete." (Anonymous writer) -- I feel like this quote perfectly summarised my somehow increased admiration for Austen's writing after watching the new and first adaptation of Lady Susan, #loveandfriendship 👌🏻😁 #literature #janeausten #perioddrama
Me: *has to write an essay assessing some critic’s view of characters and their desires in Stendhal, Proust and Dostoyevsky*
Me: I mean, I could do that, but since this guy subtly lets on how he thinks Romanticism is nothing more than sentimental bullshit, wouldn’t it be an original argument to completely reject his views and just defend the romantics instead?
Me: Oh, and I could casually throw some Austen in there, nothing much, just two or three of her heroines max
Me: okAY BUT ANNE ELLIOT IN PERSUASION COMPLETELY DEFIES THAT IDIOT’S CONCEPTION OF THERE NOT BEING SUCH A THING AS ROMANTIC, AUTONOMOUS, SPONTANEOUS DESIRE
Me: *writes a completely different essay altogether*
Me: IN CONCLUSION, THERE IS NOT A SINGLE ARGUMENT PUT FORWARD BY THIS SKEPTICAL MISERABLE SOUL THAT REMAINS TRUE AFTER TAKING PERSUASION, PRIDE AND PREJUDICE, SENSE AND SENSIBILITY, NORTHANGER ABBEY AND EMMA AS CONTRASTING CASES
Me: ps: to the interested reader, you might like to read Mansfield Park as well while you’re at this - it’s got absolutely nothing relevant to the discussed topic above but it’s a fantastic read in any case. Go read it. Now.
A small selection of great women writers from across the centuries.
Sometimes I’m like “ancient greek plays are so old, how am i going to relate to the characters?” but then
The best part about shipping Shakespeare characters is that, somewhere out there, there is a published scholar who agrees with you.
On why Killian Jones is not only a HERO, but a Romantic one
Is Killian Jones Once Upon a Time's version of the Byronic Hero archetype?
With all the recent hatred towards Killian that’s been going around in the fandom and a certain argument of how he will always be a villain, I felt a mighty need to defend my baby with some Literature parallels. So here you go.
Lord Byron is generally acknowledged as one of the most influential poets of English Romanticism. His ideas can be traced on many works by other Romantic writers, as well as on a great deal of all literature produced thereafter. Hence why the Byronic hero became a famous variation of the original model for the Romantic hero.
The historian and critic Lord Macaulay describes the Byronic hero as "a man proud, moody, cynical, with defiance in his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection". Sounds a bit like our Killian, doesn’t it?
I mean, let’s break that down into bits - for science, aye?
"a man proud,
cynical,
with defiance in his brow,
and misery in his heart,
implacable in revenge,
yet capable of deep and strong affection”
If that alone wasn’t already pointing all the arrows towards Killian, there’s also the fact that one of Byron’s most famous heroes is the pirate captain Conrad, from The Corsair. This pirate-hero is thus described on the following verses from the tale:
He knew himself a villain - but he deem’d The rest no better than the thing he seem’d; And scorn’d the rest as hypocrites who hid Those deeds the bolder spirit plainly did. He knew himself detested, but he knew Those hearts that loath’d him, crouch’d and dreaded too. Lone, wild, and strange, he stood alike exempt From all affection and from all contempt. (x)
Now as much as I love literature, I should warn you I am no expert here, but this is my humble interpretation of those lines.
Captain Conrad is clearly haunted by a strong sense of self-loathing due to those deeds [his] bolder spirit plainly did.
Episode 3x17 - The Jolly Roger showed us just how deep Killian’s self-loathing lies, as even Zelena, disguised as Ariel, was easily able to play with his guilt for having murdered a man in (apparent) cold blood, which he did just to prove himself a ruthless pirate in front of his crew.
"exempt / from all affection" Just like Killian’s perception of himself, Captain Conrad believes that for all he’s done he would never be entitled to have any sort of affection in his life. He seems to believe the opinions of those who loath’d him, crouch’d and dreaded too to such an extent that he can’t see himself being surrounded by real affections, for who could love someone like that?
Killian recently showed us just how much he wishes he could be a better man for Emma in that heartfelt confession he left on her voice mail.
Killian risked everything and made a deal with that actual devil Goldemort I mean Rumplestiltskin, because he feels that he needs to be a better man to be worthy of Emma. Because even though he spent the last two seasons trying to prove to himself and to Emma that he is a man of honour, he is still afraid the darkness that lies beneath won’t ever leave his heart. Speaking of which, Smash The Mirror gave us visual evidence of just how worthy of love and affection Killian is, by showing us his untainted, bright red heart.
Despite having a past filled with darkness, an implacable thirst for revenge, and far too much misery in his heart, Killian has not only redeemed himself for his past deeds, he has gone beyond that to truly change his old ways. He has risked his life to save others who are dear to him. He has turned away from every tempting path back into darkness (remember Pan constantly testing his real character in Neverland? Exactly.). He has allowed *ahem* TRUE *ahem* love to shine so bright through his being, that his heart is fully regenerated into a pure, glowing red without a single shadow in it.
Killian has come the full circle of the broken Byronic Hero, despising and loathing himself for having succumbed to darkness, and then moving past that stage on to letting deep and strong affection restore the man of honour that was forgotten part of his self.
Therefore, Killian Jones is, incontestably, a true hero.
My dear Mr. Bennet, have you heard that Netherfield Park is let at last?
—Lewis Carroll, Alice’s Adventures in Wonderland (via bookmania)
A portrait of a lady reading a book. William Oliver II (British, 1823-1901). Oil on canvas.
Oliver often painted female figures depicting the British Victorian era. His lifetime generally followed the reign of Queen Victoria (1837-1901) and his work depicted British high society, prosperity, social and fashion finery which was popular during the great expansion of the British Empire during Victoria’s reign.
Pardon me for only managing to post my ashamedly overdue today, it has been a hectic week with the new job and everything, so let’s just get on with it. #SPOILERALERT ~ As lovely, heartbreaking, and plain honest as the story undoubtedly is, I would give it no more than 3 out of 5 stars. I really enjoyed Gayle’s narrative from Mia’s at times confusing, at times surprisingly wise point of view, which to me describes perfectly accurately the mind of any 17-year old girl in her position. However, it was quite a let down as I felt that it didn’t develop enough into one of the crucial points of the novel - Mia’s reasons for opting to stay. Of course Adam, the unrealistically-perfect-boyfriend, gives her quite a nice speech on how she should not put him first and foremost in her decision, but it still seems that it is precisely what she does. In my opinion, Gayle Forman fails to develop on the rest of Mia’s family as her grandad has a very short, though, clearly, highly impacting, role in talking to her about it. It must be said that Kim’s touching message that Mia still had a family nevertheless, was brilliantly done. A great read overall, I can only the film does it justice - sadly, I haven’t managed to see it yet *sniff*
How To Build A Girl, by Caitlin Moran (via that-first-glance-feeling)
My life. #poetry #prose #verse #novel #books #literature #me
"There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then, if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere." ~Jane Austen, Mansfield Park
'He was in love, very much in love; and it was a love which, operating on an active, sanguine spirit, of more warmth than delicacy, made her affection appear of greater consequence because it was withheld, and determined him to have the glory, as well as the felicity, of forcing her to love him […]. He had so much delight in the idea of obliging her to love him in a very short time, that her not loving him now was scarcely regretted.'
~Magnificent writing, thrilling plot, wonderful Austen ❤️📖💖
👉📖 Mansfield Park, by Jane Austen
'He was in love, very much in love; and it was a love which, operating on an active, sanguine spirit, of more warmth than delicacy, made her affection appear of greater consequence because it was withheld, and determined him to have the glory, as well as the felicity, of forcing her to love him […]. He had so much delight in the idea of obliging her to love him in a very short time, that her not loving him now was scarcely regretted.'
~Magnificent writing, thrilling plot, wonderful Austen ❤️📖💖