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#stede bonnet – @temporal-discounting on Tumblr
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I'm in the blanket fort. Door's the blue cushion

@temporal-discounting

Ruth, she/her, 40s. I'm just here for the gay pirates. Fandom newbie - be kind to me (even if I fuck up now and again)
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I'm actually really glad the Stede makeover storyline for ep6 was scrapped. It's a rom-com trope that has always sat really badly with me.

And besides the general issues I have with the trope, it just feels like it would have been a particularly odd choice for Ed and Stede, given that Ed's request to take things slow was not because he didn't find Stede attractive, but because he was still feeling very vulnerable and wasn't ready for sex yet. The idea of the crew intervening to hasten the process just leaves me feeling kinda uncomfortable. (And that's aside from the fact that it would have also felt a bit out of character - the crew seem to be mostly indifferent to whatever the heck is going on between the captains)

I dunno, maybe the writers were going to do something really incredible with the idea - perhaps subverting the trope in an interesting way. And we'll never know, of course, but yeah. I'll take the pushed together by a near death experience plotline over a makeover plotline any day of the week.

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I was just musing on the cake toppers. It's interesting that they chose to put the Stede topper not in his iconic teal, but in this peachy suit.

This suit looks remarkably similar to the one Stede wears in 1.08 - y'know, the one where Jack shows up and everything goes sideways. As Ed is looking at this figure, is he thinking about Stede's 'I don't like who you are around this guy'? Is he thinking about 'you were always gonna see what I am?'

Is he thinking that the scales really did fall from Stede's eyes that day, and he ran the first chance he got?

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Look, when Ed leaves with Jack it isn't Ed choosing Jack over Stede as the better partner/love interest. This is what Stede thinks is happening. Stede hasn't even entirely admitted to himself at this point that his investment in Ed is romantic, but he does treat it as a breakup, he sees Jack as a rival for Ed's attention/love, so from Stede's perspective, yes, Ed is leaving him for Jack.

Stede thinks he is in the romance novel plot and has to compete with his love interest's ex for his affections.

This is also what Jack is intending to make Stede feel.

Jack is playing a con. He is actively working towards Stede coming to the conclusion that Love Triangle Business is happening, but Jack's motivation isn't winning back Ed as a boyfriend from Stede. I don't think Jack does boyfriends. Jack does dalliances. He would probably agree with Lucius's "we don't own each other". And this would apply if Jack happened to randomly come across the Revenge and decide to fuck with Ed's new crush for kicks and giggles (which is what Anne and Mary do when in that situation!). But Jack doesn't come across the Revenge by accident. He is on a mission, given to him by Izzy. We don't know if Jack gets paid for it or if he does it because he's worried about Ed and doesn't want the Navy to get him, or some combination of both, but Jack is the only one in this equation who actually knows what is happening, and what is happening is a plan to drive a wedge between Ed and Stede to make Ed leave the Revenge so he's out of the picture when the Navy shows up.

But neither of this is what's going on from Ed's perspective. (This entire episode is a masterpiece in the "characters completely misunderstanding each other and what's going on" trope.) Ed doesn't really figure that he's been cast as the pivotal point of a love triangle. Ed isn't spending the episode trying to choose the better boyfriend candidate and then leaving with him.

Ed is busy having a personal identity crisis.

This crisis has been ongoing for a while when Jack shows up. With Izzy's pressure to pirate a certain way gone, Ed is freer to explore what Ed wants to do now and how he wants to live and who he wants to be. He is tired of the traditional pirate life, he wants to try something different. He also isn't ready to fully do a hard cut. He just figured out Stede might return his feelings during the treasure hunt. They just decided to co-captain. A lot of things are changing for Ed.

And then comes by a very old pal. Jack and Ed have history, they used to sail together, they survived their difficult youth under a cruel captain together. Jack represents a different type of pirate life than Izzy. Jack is fun. (Everyone but Stede thinks Jack is fun, and that's in no small parts because Jack is actively working towards making Stede uncomfortable but everyone else have fun and take Jack's side - this works on everyone in the crew including Ed!)

From the beginning on, Ed is struggling to make Stede and Jack get along and like each other. He's trying to somehow combine his old life and his new life because he doesn't want to choose between one of them. He wants to have the best of both worlds. He wants his old friend and his new friend/his ex and his crush to be friends and get along. He wants to keep what was fun about traditional piracy (as represented by Jack) but also move on to Stede's new brand of doing things. He wants fancy breakfasts, and then has to realise that Jack pours alcohol into his teacup. He wants to play coconut war like the old times, but has to realise Stede hates the idea. A big part of this episode, from Ed's perspective, is about trying to reconcile these two worlds and failing.

Ed's main problem, through both seasons, is that he doesn't really know who he is or who he wants to be. He struggles massively with self-worth and self image. He views himself as an unlovable monster and spends his entire life bending over backwards and wearing masks to cater to what he thinks other people want him to be. He plays up Blackbeard for Izzy, Blackie for Jack, and he isn't sure if who he is being with Stede is actually Ed or not. Ed thinks nobody can possibly like him, so he constantly tries to perform to whatever expectation his direct peers have of him.

Next to this main crisis, Ed is having another secondary crisis called "fuck I'm in love with this guy" and "does my crush like me back". This secondary crisis is heavily influenced by the first, because Ed thinks he is a terrible unlovable person, remember, so "does this guy who I think is the bee's knees return my feelings" becomes a lot more fraud than it would be for a person with a modicum of self-esteem.

Ed, who struggles with "who/what am I as a person", sees Jack as a person who is similar to Ed. They have a lot in common. They share a lot of backstory. They are both pirate captains. They used to do the same things. Ed always played Yardies and Whippies and Turtle Vs Crab, because really that's just pirate culture. The main difference between Jack and Ed is that at some point Ed outgrew this life, and Jack didn't. But Ed, who is bad at recognising himself as a person and to define his identity, is only sorta vaguely aware of that. In Ed's perception, him and Jack are very much alike.

So when Stede, Ed's new friend and crush who he already thinks is too good for someone like Ed, starts rejecting Jack and Jack's behaviour, and says things like "I don't like who you are around this guy", what Ed hears is "I don't like who you are". Ed hears Stede thinks Jack is a bad person, and because in Ed's head a) he and Jack are the same and b) Ed is a bad person anyway, Ed hears "you are a bad person".

"You were always going to realise what I am", says Ed, as he is leaving with Jack after Stede tells Jack to leave the ship. Note the dehumanising "what" instead of "who" Ed used for himself. Ed, who thinks he sucks and is an unlovable monster, thinks this is the other shoe dropping, and he's been waiting for it to drop all along, because someone great like Stede isn't for a guy like Ed. Stede was always going to see what Ed is.

Ed's leaving the Revenge/Stede is 100% down to Ed's abysmal self-worth. It's a self-perception born from childhood trauma that fucks Ed over several times during the show (and ultimately leads to his suicide attempt).

Ed is so busy having All That going on that he mostly fails to notice that Jack is playing him, or what exactly happens between Jack and Stede, that Stede perceives Jack as a romantic rival for Ed's attention/affection or that Stede too struggles with self-worth and that Jack is hitting him where it hurts all the time. Ed's headspace in this episode isn't "oh, two sexy guys I like, which one should I choose to be with". It isn't even "oh my old pal is being a real dick to my new friend who is feeling really insecure here". Ed's headspace is "I'm a terrible person and Stede is seeing it now and Jack wants me to do more pirate party stuff but Stede hates that so now they both hate me and I probably deserve that because I'm a monster".

Ed leaves for Jack as much as Stede an episode later leaves for Mary. It's the exact same situation. For Stede, his own trauma and self-worth issues show up in the form of Chauncey Badminton, telling him he is a monster and ruins beautiful things, and Stede's reaction is to agree because he already thinks that of himself, so he takes his horrible ruinous monster self away from beautiful things (Ed) and back to where it belongs (to a miserable life he was hoping to leave behind). And for Ed, no Chauncey Badminton is required, because he's already constantly thinking these things about himself anyway. From Ed's perspective, Stede tell him he is a bad person (just as Jack), so Ed agrees and takes his horrible self away from beautiful things he doesn't deserve (Stede) to a miserable life he was going to leave behind.

Neither Jack nor Mary actually feature into the leaving much. Neither situation is "leaving the new guy for the ex". They're both situations of "I have a fuckload of trauma and self-hatred and it destroys my actually pretty nice new relationship".

And this is very interesting as a parallel. It doesn't even end there! When Stede returns, and Ed hears where he went, Ed too goes to "you left me for Mary". Same as Stede went to "you left me for Jack". And neither of it is actually what was happening!

Stede doesn't leave Ed for Mary, and Ed doesn't leave Stede for Jack. They both decide, driven by very similar trauma, to leave because surely the other one is going to be better off without them.

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I love the playfulness of the dream reunion in Impossible Birds. The way they're like two excited puppies, just slamming into each other and rolling around giggling in the sand.

'Cos yeah, they're in love and they are sexually attracted to each other. But also, they're besties! They love playing together and being silly and goofy with each other! And Stede has clearly missed that so much.

They just take such immense joy in each others' company - and it's that joy that Stede's sleeping brain goes to first.

(Though I would love to have known where that dream was headed had it not been interrupted by Wee John's farts... 🤔)

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Feeling a little feral about Consent King Stede today. The way he is just so consistently respectful of Ed's boundaries.

It's most obvious in the way that Stede initiates physical touch - especially after Ed makes it clear that he needs to take things slow.

But it goes beyond touch. Ed cuts off his attempt to say 'I love you', drawing a clear line in the sand. And that is a line that Stede continues to respect all the way through season 2, even holding back when Ed says it to him on the beach. One day, Ed will be ready for Stede to say it, and it will be one of the happiest days of Stede's life. But until then, he will respect Ed's wishes and communicate his love in other ways.

The way the consent is depicted in Ed and Stede's relationship is just so beautiful and so carefully done. It's not heavy handed, it's not preachy. It's just... really fucking sexy, actually. Long live OFMD.

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The entire exchange between Stede and Lucius at the end of Red Flags is so beautifully written, and so well acted.

But the part that really get me is Lucius's "Maybe the time he spent with you is the best it's ever gonna get for him", and Stede's response.

The way Stede pauses here, really turning it over in his mind, tears in his eyes.

And that line. "I'm not ready to believe that." This isn't the reckless optimism we've seen in Stede before; it's a more grounded, cautious flavour of optimism.

Stede is clinging to hope that the man he loves is still out there somewhere. He sees the long list of Ed's crimes as evidence of his pain, not as evidence that Ed has been forever lost to the Kraken.

But even so, there is a begrudging acknowledgment in that line that Lucius may be right. He may not be ready to believe it now, but he understands that the possibility does exist that the Ed he fell in love with may not come back to him; that their relationship may be irrevocably broken. And he knows that one day, he may have to accept that.

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So, we know Stede was bullied relentlessly as a child, both verbally and physically. The incident we actually get to see via flashback is, of course, the rowboat incident.

The rowboat incident itself is deeply sad. But what's even sadder to me is Stede's reaction to Nigel's mentioning of it. At first, he doesn't recall it. Only when Nigel keeps going with his 'hilarious anecdote' does a look of recognition cross Stede's face, and we see the flashback.

Why is this so sad? When we experience repeated events, it becomes hard to remember one specific instance. Our memory tends to shift from specific details to the general gist, such that we remember generalities, but we lose the details. We might forget entire instances, or mix up details from different events as they all blur together (a vulnerability of memory that is often used to discredit abuse victims btw).

The implication here is that the rowboat incident was just one experience against a pattern of sustained and repeated abuse, such that this one event is not even particularly memorable to Stede. Indeed, we hear about one other horrific incident (with the horse), and he was no doubt subjected to even crueller acts; ones that even Nigel wouldn't dare to pass off as a hilarious prank over dinner.

My heart absolutely breaks for Stede in this scene - for the man who has shouldered this trauma his entire life, and for the little boy who was relentlessly bullied.

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Gah, I love this scene SO much. Of course, Lucius really shines here. He's so brave, quite rightly pointing out that Ed is acting like a dick.

But what really gets me is Ed's reaction to learning that Stede planned this whole outing for him. The rapid 'For me? Why?' You can almost feel the way Ed's heart starts pounding in his chest as Lucius's words start to sink in. Stede put together this silly little treasure hunt for him. For no other reason than that he likes him very much.

And this right here? This is the face of a man who just learned that his crush likes him back. It's so very sweet.

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