sousa calling peggy “peg” when peggy is already a nickname has the exact same energy as steve calling bucky “buck” when bucky is also already a nickname

this is also the energy tony has when he calls pepper “pep” when pepper is already a nickname.

bucky couldve been the one to put the stones back in place and then change his other timeline so he can get to live a normal life without 70 years of gruesome torture and brainwashing and dehumanizing but sure marvel give steve some parallel universe pussy thats a satisfying ending for sure

“There are really only two relationships in Tony’s life that he’s been willing to assume a lower status. One is with Pepper Potts, obviously. And the other is with Captain America.”

Natasha Romanoff: master of deception, espionage, world class assassin, agent of shield tinder.

they really gave us steve & tony bantering about how good steve’s ass looks in his uniform. they really did that. that’s canon. wowie. 

The Avengers (2012) dir. Joss “Thanos” Whedon

# like godmother like godson

Yeah, that is America’s ass

the day i don’t reblog this is the day i am deceased

# the glorious stealth suit is back

Steve, redraw inspired by a concept art of “The Nomad” - (2018)

According to a concept art from the book The Art of Infinity War (and from what artist Ryan Meinerding posted at his Twitter), this is what Steve could have looked like in the movie. (You also have Bucky HERE)

goat fight. non-negotiable.

#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)

Thank the Russo brothers for a) shooting outside in a real setting with practical effects not CGI, for going with a shaky cam that actually added to the sense of immediacy and wasn’t annoying as fuck.

Let me tell u what makes this scene so great. It’s the fact that Steve has a match, an equal. He mows down the goons on the Lemurian Star, escapes SHIELD HQ by fighting 15 people in closed quaters, jumps off a buliding and blows up a plane, then within hours he meets up with Natasha and survives a missle strike. He has no match, no equal in this world. That’s what happens when Batroc challenges him - this scene shows us that men think they can go toe to toe with Steve but they simply can’t. And then this scene is a rare beast. It’s an action scene that is actually a character building scene. We saw the WS blow up Fury’s car and shoot him, but that could have been any common soldier. Sam could have deployed the mine. Natasha could have taken the shot a Fury. None of them could survive in no holding back fight with Steve. Within seconds, Bucky has Steve off of him (usually if Steve is close enough to hit you, it’s game over for you), then disarms him and uses his weapon against him. Bucky dictates the speed and the path of the fight, and while Steve tries to attack, most of the time he is dodging. This tells us the audience, several things: a. Steve is in actual danger, b. Steve, judging by his face, is scared (remember what beatings he has taken up unitl now) and therefore c. for the first time in 3 movies, Steven Grant Rogers, Captain America, is not safe. The stakes are real. You are feeling the adrenaline Steve is feeling, even if you are not sure why. That’s what makes this scene a masterpiece.

If it was the other way around, and it was down to me to save your life, now, you be honest with me, would you trust me to do it?