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Rebel Scum

@tardisinapokeball / tardisinapokeball.tumblr.com

Holly/Twippit. 30, queer, transfem. Read my writing at www.reddit.com/r/Twippit_Writes
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Lately I've seen a lot of people using "Star Trek ending" as a shorthand way of saying "cheesy 60s ending where all the characters get together and laugh at some shitty one-liner until the freezeframe in order to wrap things up with a neat breezy bow" and, well. They're not wrong... but that's only half the episodes.

The other half of the episodes end you staring at the TV in haunted existential silence because the story's thesis was "Don't delude yourself that waging war with technology is any less brutal than committing murder with your bare hands. You are a mortal and an animal like any other and if you think you have a justified reason to kill you had better be prepared to face your enemy, and recognize him as an intelligent equal, and smash in his skull with a rock."

This is the episode, by the way.

The one we all laugh at for looking silly and awkward and dated because the fight choreography is terrible and the man in the rubber costume clearly can't see through his mask.

And yes, it is those things. But by that point in the episode I was so enraptured and distraught by the premise of the story that I genuinely wasn't seeing the meme.

Through voiceover Kirk reminds himself, and us, that despite its appearance, the Gorn is also a starship captain-- a being just as clever as Kirk, and just as desperate to save its crew. They're being forced to fight to the death with sticks and rocks, and the loser's ship and crew will be blown up.

And the show demands: Why is this so appalling to you? Ten minutes ago they were chasing each other in starships and shooting each other with lasers. Ten minutes ago Kirk was willing to risk every life on the Enterprise by pushing Warp 8 in order to catch and destroy the Gorn. It was righteous. You were cheering for him. Don't you dare be appalled that now they're being made to beat each other to death with bare hands, that the crewmembers who didn't participate or even get to choose their own course of action will be executed just because their leader lost. This is what battle is. This is the brutality of war when you don't get to dissociate behind technology. Is it still worthwhile?

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Half-LIfe 2's 20th Anniversary Update is Almost Here!

And the game is currently Free on Steam for everyone to keep if you get it by the 18th. If you've never played HL2, now's the time. Or maybe wait until the update drops tomorrow. Up to you.

Seriously. Go. RIGHT FUCKING NOW, SOLDIER! THAT'S AN ORDER!

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eebie

girls love him for his poor posture and pathetic demeanor

geologists talking about shield volcanoes

i love you. this post is only about shield volcanoes 🌋 now. everyone else fuck of❌

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demilypyro

Just watched the banned Moon Girl episode.

>the episode addresses the topic of trans kids in sports >the entire episode is about how bigots will always move the goalpost, and playing by their rules is pointless >the solution is not to play their game and break the rules >it also states that trans people should never feel like a burden >the character Brooklyn is explicitly stated to be trans >there is also an explicitly nonbinary character >multiple mentions of pride and depictions of pride flags, trans flags and progress flags

I'm not at all surprised this didn't get past the censors but I'm so mad that it didn't, because this could've been something really special, and the fact it was canned after being fully finished is downright painful. This episode was wonderful and I'm grateful to all the people who worked on it, and angry that their hard work was wasted. Disney did not deserve you.

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exigencelost

I maintain that Hey There Delilah by Plain White Tees is a 450% better song if it’s about a guy who’s lost custody of his daughter

Literally every lyric has so much more Energies if it’s sung to a child I’m gonna die on this hill. “Hey there, Delilah /Don’t you worry about the distance /I’m right there if you get lonely /Give this song another listen” and “Hey there, Delilah/ I know times are gettin’ hard /But just believe me, girl / Someday I’ll pay the bills with this guitar / We’ll have it good /We’ll have the life we knew we would / My word is good” like? He’s trying to get his daughter back? Idk if she’s with the other parent or in foster care or what but it’s So Much I have a lot of feelings about this. The repeated promises, “I’d walk to you if I had no other way” and “I’m right there when you get lonely” when, like, obviously, he’s not, and he’s just sort of desperately hoping that she still understands that he loves her, and that she doesn’t feel abandoned. And then, “Delilah, I can promise you /That by the time that we get through / The world will never ever be the same /And you’re to blame” that’s so fucking sweet? That’s such a sweet thing to say to your daughter. Romance is over. Noncustodial parental love songs are where it’s at. 

This is what “death of the author” means. We know that’s not what the song was written about, but what if it was? What if we explored the lyrics as though the speaker was a heartbroken father missing his daughter? It changes EVERYTHING. And it’s so good.

Anyway, OP you are wonderful and I love you.

Have always thought that “Hey there Delilah / you be good, and don’t you miss me” is a little creepy and infantilizing if sung to a romantic partner.

But if it’s a father, and he’s saying goodbye to the daughter he never gets to see, and he’s trying so hard to put on a brave face for her, then “You be good, and don’t you miss me” is shattering.

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