The Moral Vision of The Last Jedi: Forgiveness
When I saw The Last Jedi, I was fresh off of a course on shame, guilt, and forgiveness. I noticed that the progression of Rey’s relationship to Kylo Ren followed the process of forgiveness identified by researchers very closely. In contrast to something I read that said Rey would never forgive him for killing Han, it was quite obvious to me that she already had.
To forgive is not to say that what the person did was justified, didn’t matter, or didn’t really hurt, nor is it simply to choose not to pursue vengeance or punishment. (Nor is it necessarily to reconcile with the person or allow them close enough to hurt you again.) To forgive is simply to cease feeling angry at someone and to feel empathy for them instead. In the words of a couple researchers:
“Forgiveness is the overcoming of negative affect and judgment toward the offender, not by denying ourselves the right to such affect and judgment, but by endeavoring to view the offender with compassion, benevolence, and love while recognizing that he or she has abandoned the right to them.” Robert Enright*
“Forgiveness is defined as the emotional replacement of (1) hot emotions of anger or fear that follow a perceived hurt or offense, or (2) unforgiveness that follows ruminating about the transgression, by substituting positive emotions such as unselfish love, empathy, compassion, or even romantic love.” -Everett Worthington*
Step one of forgiveness is to recognize that a wrong has been committed, to blame the wrongdoer for it, and to feel hurt, angry, and desirous of revenge. Without understanding and acknowledging the anger and pain, without blame and vengeful feelings, the person who has been hurt is not forgiving but really just excusing or justifying the offense.
Accordingly, we see in Rey and Kylo Ren’s first two interactions that Rey is obviously quite angry. The bigger question is what exactly she is angry at him for. What does she feel was his offense?
Contra those who seem to continually want to put Rey in the role of the victim and paint Kylo Ren as an abuser, Rey does not seem to be angry about him kidnapping, restraining, and interrogating her; at least she never mentions it. She says in the first Force bond scene, “You’re going to pay for what you did,” which is obviously ambiguous. It could refer to his treatment of her, of Finn, or even perhaps of his apparent involvement in the obliteration of the Hosnian system.
However, in the second Force bond scene, she gets more specific, calling him a “murderous snake.” Combined with her question in the third Force bond scene about why he killed his father, it’s clear that what she is angry about is his having killed Han. Rey’s anger is not just general moral indignation at a wrong committed against someone else (which in this field of study would not be considered an occasion for forgiveness proper). Han’s death is an injury to her because it meant the loss of someone who (as Kylo Ren already knew when he killed him) Rey was becoming attached to as a father figure.
Furthermore, Rey feels it as a personal insult and offense that Kylo so casually (to her mind) dispatched his father who loved him, when she has been denied that relationship and longs for it. It seems deeply unfair to her, and almost spiteful, since he knew how lonely she was.
Step two of forgiveness is Understanding and Empathy—understanding the offender, the family background and experiences that have shaped them, seeing them as human instead of demonizing them. It is especially significant here that Rey goes from calling Ben a “monster”—the epitome of demonizing/dehumanizing language—to calling him by his given name, the name that connects him to his family, rather than the name he took on as a persona along with his mask and heavy clothing, which all really function (purposely) to obscure his humanity and his connection to other people.
Speaking of clothing, Kylo loses some in the third Force bond scene, which establishes some things about the mechanics of the Force bond and creates sexual subtext, but also contributes to humanizing Kylo in Rey’s eyes. It’s not only that she sees his skin and body instead of the costume; she also sees his scars, a reminder that he’s someone who has experienced vulnerability and pain—not only physically, but emotionally too, at the symbolic level.
Most significantly, she learns the truth about Kylo’s family background, which is that he was betrayed long before he ever betrayed anyone, and that he was abandoned by his caregivers just like she was. She understands how his life since then has been driven by loneliness.
When Rey speaks with Kylo in the fourth Force bond scene, she has already reached a place of understanding and empathy for him. It says in the novelization that she wanted to talk to him specifically because she knew he would understand “how solitude and loss could eat away at you until there was nothing left.”
You can also see in the movie scene how her expression and posture doesn’t really change before and after he tells her she is not alone and she reciprocates. She’s not surprised at this intimacy and mutual understanding and she’s not scrambling to figure out what to say. She has already decided (even before he reassures her that she’s not alone) that she wants to reach out to him and that she believes it’s not too late for him.
Worthington defines empathy as “feeling with another person based upon a deep understanding of his/her emotional and mental states.” Their finger touch, besides being the closest thing we’ll get to a sex scene in a Star Wars movie (bless you, Rian), is the perfect image of empathy. Kylo loses a bit more clothing. Their seating arrangement means their faces are pretty close to the same height (more than they are when standing), and their hands meet in the middle, rather than one of them going all the way over to the other. This indicates the deep equality and mutuality of this relationship. They are equally disclosed and vulnerable with one another.
Step three of forgiveness is Decision—committing to forgive, giving up retribution, and pursuing reconciliation if it is safe to do so. As I mentioned, it seems that Rey goes into the fourth Force bond scene already feeling empathy and trust for Kylo; I think she has already decided to forgive him. The vision they have while in this deep state of empathy further convinces her that reconciliation is possible, not only between the two of them (which has basically already happened) but also between him and his family and between him and the Light side of the Force.
Although Rey does somewhat misinterpret the vision and naively assumes that his decision will be easy, as the novelization puts it, I think she is basically correct in believing that reconciliation is possible. I don’t see her going to him on the Supremacy as a cynical, purely strategic move to “save” him and bring him back to the Light simply to help the Resistance, just as his killing Snoke is not just a power grab for the throne. They are motivated primarily by their empathy for one another and their desire to be together. Rey doesn’t want him as a pawn in a war; she wants him to experience connection, love, and belonging, just as she wants for herself.
This is why reconciliation ends up not being possible at this stage in the story, because while he obviously wants connection, love, and belonging with her, he asks her for it at the expense of her other relationships. And he indicates that he’s not interested in reintegrating with the other relationships in his life. He has not yet forgiven his parents and Luke.
(ETA: Although by the end of the movie, Kylo has wracked up some fresh offenses against Rey and/or her friends, and in their final Force bond scene she seems somewhat stern with him, I think that the foundation of empathy she has built with him is so strong that it will eventually replace whatever new anger she has against him without too much trouble. On the other hand, whatever anger Kylo had against her for rejecting and abandoning him has already been replaced with love and longing–i.e., forgiveness–in the final scene.)
*Robert D. Enright and the Human Development Study Group, “The Moral Development of Forgiveness,” in HANDBOOK OF MORAL BEHAVIOR AND DEVELOPMENT, vol. 1, ed., by W. Kurtines and J. Gerwirtz, 1991, p. 126
*Everett Worthington, FIVE STEPS TO FORGIVENESS: THE ART AND SCIENCE OF FORGIVENESS, 2001, p. 32