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GQ Mexico: Best Dressed Men of the Week

5 November 2019: Seville, Spain, saw the ex-boybander Horan on the red carpet of the MTV EMAs. The best part? Aside from his striped suit, we think it was his performance on the stage with ‘Nice To Meet Ya’.

16 December 2019: Nothing ties together a look like a white t-shirt, especially if the pants are high. Niall shows us how an outfit always goes perfectly with shoes in the same tone. The ex-directioner gives us the perfect example of how to do it in the streets of Manhattan. 

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A Pleasure, Mr Horan

GQ Mexico & Latin America, February 2020

With ‘Nice To Meet Ya’, Niall Horan evolves in pop music, and opens the way to a promising second studio album

We’re witnessing the musical evolution of Niall Horan. Yes, Katy Perry’s favourite ex-member of One Direction and his debut single as a solo artist, ‘Slow Hands’, gave us the number one album Flicker in the final week of October 2017. The album, co-written by him in its entirety, had a pop-folk sound, from which the pop blueprint with which he started his second cut has evolved.

‘Nice To Meet Ya’ is a huge pop tune, that intro with piano and hand claps…

It’s what you have to do, to keep people interested. I was in a really good mood, I took the microphone, and that chorus just slipped out. It felt like a party.

How do you do this?

With a good melody, and lyrics that others can sing along with me. I’ve realised that we have this idea of how something should sound or think a lot about the lyrics, but the reality is people want to have fun and dance like crazy.

That’s exactly what you did. And is it about anyone in particular?

I wrote it about a wild night out, although nothing much happened [laughs]. My first album was exactly what I wanted in that moment, things that were passing through my head. This time, I opted for something more fun, to reflect my 26 years.

For you, coming from the One Direction phenomenon, it must be easy to flirt. Or is it the complete opposite?

It’s very difficult, I’m very picky when it comes to meeting people. I can’t just start flirting straight away, I need to chat, to be aware of what’s happening to be able to get to know someone the right way.

Let’s talk about your new album. Where are we at with it?

I’m going to show you my inbox, so you can see it’s full of masters of the songs we’ve chosen to give finishing touches, but it’s ready. It will be out this month or in March.

 Which song are you most proud of?

There’s a couple. It was really hard to put this album together, because I ended up in love with so many of the songs, but ‘Put A Little Love On Me’ is a very sad ballad, it’s the most vulnerable I’ve been. People can say it’s the worst song, but for me, it’s the best I’ve written and I love to listen to it now.

How do you think pop music has shaped you as an artist?

I’ve loved it since I was a kid. I grew up with 70s rock and that was my first love, but I’ve always been interested in pop music, and my favourite thing about doing what I do is to make something a little different to traditional pop music, although not so rebellious, like what Billie Eilish is doing, in her way, and this helps to work in the sphere of pop music.

There’s a huge growth both vocally and sonically from Flicker to your new material. How do you see it?

For me, it hasn’t been so wild. I think ‘Nice To Meet Ya’ is a natural step forward from ‘Slow Hands’. It has been almost three years from one to the other, and in this gap, lots of things have happened to me as a person and as an artist, and in my musical tastes, and that’s what’s made me grow organically. It might sound crazy if you’re not inside my head, but I don’t think I’ve made music removed from who I am. Or at least, that’s what I think. 

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I was just so excited to perform [Nice To Meet Ya at the EMAs]. The perfect place to perform is somewhere where the crowd is passionate, and especially in places like Spain, it was perfect for it. The crowd were really on side. The line-up was great. The show was amazing. And for some reason — I usually get like to the point of nearly wanting to vomit before I go on stage for those live performances. Because you get 3 minutes to do the best version of that song. Mabel was on before me, and then there was a 7 minute gap between my performance and hers. And I was really nervous before I went out, and then they were putting the stage together, and I just said to the stage manager: can I go out and mingle with the crowd with a few minutes to spare before we start? And he was like: yeah, if you want. And I went out, and the crowd were doing their screaming, I was getting them wound up. By the time it started, I was kind of more relaxed than I've ever been. And then I was able to go out and put on a confident-looking performance, I think. I just had a lot of fun, the crowd were great.
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reblogged
“I remember playing the show in LA and a family that I work closely with, the Bunettas, Julian Bunetta who did all the 1D stuff and who I wrote Slow Hands with and On the Loose on this record, I’m good friends with him and his family, they’re a big family in the music industry around America, and his dad [producer Peter Bunetta] called me after the show – or I called him and I said: what did you think? And he said: I cannot wait for your next record. And I said: so did you enjoy it or not? And he said: no, I don’t care about that. He said: your voice on the next record, because you’re doing so many shows and you’re playing, he said: I just can’t wait for your next record, it just seems to be getting stronger. And I thought that was the best compliment I’ve had all year – that he’s excited about my next record, because he’s heard me sing live, and I’m like: that’s exactly what the whole aim is.”
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Anonymous asked:

When do you think Niall's going to do tv performances?? We need those..

your guess is as good as mine! hopefully in the next couple of weeks, synced with the song rising on radio and streaming playlists. am keeping an eye on Graham Norton, 1 November would be ideal. 🤞🏽

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Anonymous asked:

What happen to your account? Pls come back. We need you. You are reliable & informative

I deactivated. Someone was being bullied by Niall stans because of something I tweeted. If I can find a way to be on Twitter which doesn't risk harm to others, I will reactivate. But I don't want to be part of a fan community which tolerates bullying and malice.

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I've had a lot of D in my time, but 1D is still my fave. I recently interviewed my husband Niall Horan on Hits Radio, and my favourite Irish lad has promised us some Adele-style break-up bops on his next album - yass. He's working with the Rolling In The Deep star's songwriting partner Greg Kurstin. And we can breathe a sigh of relief after fans misread his album cover art for 'Flicker' as 'Fucker'. Niall confirmed he's picked out a better font this time. His new single is about that moment your eyes follow someone around the club, and Niall hopes the song's upbeat stadium sound surprises people.
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Am I the only one genuinely surprised and a little impressed by Niall's move with Nice To Meet Ya? A pivot from a blatant Fleetwood Mac throwback to late 90s dance-rock should provoke whiplash, but it's striking how well Niall sticks the landing - the minor key piano line riding the firm bass groove into the blown-out storm of guitars that still sounds well-balanced and produced, it's inspired comparisons to U2's 90s run, although what it reminds me more with the effortless vocal charisma and traces of elegance is someone like Robbie Williams. Hell, it might even be better given how much Niall doesn't oversell this song, trying to lean into the hope of preserving some connection with this girl before she takes off after the night, and he's suave enough to pull that off. Of course, the big question is whether this'll actually last, given the throwback is to a sound of the late 90s that I actually haven't seen much attention given - I'd say the closest parallel to this era is The 1975's People and even that's playing to a very different vibe in retro dance rock - but I kind of hope it does, because it kicks ass! Great song.
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Anonymous asked:

OMG I've been thinking about Capitol Congress too!! Like, I don't want to get my hopes up, but, I kind of DO too. lol I'm actually just ready for any NH2 news. All the things he's let slip about his new music has me really excited!!

I like the strategy of drip feeding tidbits about the process/progress with the album, especially as it feels like it is actually leading somewhere (unlike some other artists I follow, who have been teasing their next projects for years). But seeing the Capitol team start the promo push would definitely add an extra layer of reassurance that it's coming soon soon! 🤞

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Anonymous asked:

Is it too soon to get excited about Capitol Congress? It's too perfect of timing for him not go!

gosh, I hope it all lines up and he does participate this year 🤞

any more hints about what to expect from the album (and when to expect it) would be most welcome 🙏

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Anonymous asked:

I really am a bit astonished by your twitter comments. Why are we entitled? Twitter bullies Niall into responding to him. How are they better?

clearly #notallfans on Tumblr are entitled, so I wouldn't take it too personally... unless the shoe fits? 🤷‍♀️ but in the two minutes I spent scrolling through posts on Tumblr about the leak, I found the tone and reaction on Tumblr to be very different to Twitter.

the reaction I saw on Twitter was along the lines of: oh no, this sucks for Niall, who would do this to him, I'm not going to listen/I feel terrible for listening but I couldn't help myself. while the posts I saw on Tumblr were along the lines of: hahaha omg this is amazing! this is what we deserve! here's a download link, reblog away! 1D fans are the best at leaking stuff!

maybe that's not reflective of your experience on Tumblr, but those are the posts which seemed to be reblogged the most and thus floated to the top of the Tumblr search algorithm.

while Twitter has its own demons, there seemed to me to be a greater sense of conscience there, which I found interesting given fans on Twitter skew a bit younger. #notallfans on Twitter are bullies, just as #notallfans on Tumblr are entitled. but if your first reaction to the suggestion of entitlement is to point your finger at another group of fans and say: but! they're so much worse than us!... then you might be part of the problem? 🙄

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Anonymous asked:

How did YOU try to keep it from leakin? How do you have that much power?

why does this sound so accusatory? 😳 I obviously don't have much power at all because I wasn't ultimately successful, but my first instinct when I saw that it had leaked was to report where it had leaked to get it taken down and try to stop it spreading further, and to try to contact Capitol Records to flag the leak, although I doubt they saw my messages. but for a few days it didn't spread any further, and it felt like maybe, just maybe, on this occasion fans would respect that this was something Niall never intended to be shared and keep it quiet. that was clearly wishful thinking.

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Anonymous asked:

I have missed you around here! When I got the notification that you published something I was surprised and happy! I hope we'll see you here more often

oh thanks 😽 but unlikely. come to Twitter, I like it much better there 😘

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Anonymous asked:

Have you heard Niall’s leaked song Wasted?

yes 🙈 I spent 3 days trying to stop it from leaking (further), but that was obviously a losing battle 🙄.

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RuthAnne Cunningham, on writing Slow Hands

Eoghan McDermott: Slow Hands that changed Niall's career, it changed that whole album campaign. It's a good album — it's a *great* album – but without that song, it would have been a very different campaign. That propelled him to a different level. He chose to go down - it's not a country album, but a little bit more folksy route, and without Slow Hands, he doesn't get mainstream commercial radio play, that album, it doesn't do the business it does, he doesn't do the tour he does, all these things, so you and him together changed his career with that song, right?
RuthAnne Cunningham: I'm just happy to be a part of it. I feel like Julian is the producer of that, and I think the production was such a big - because for Julian, it was like: how do we - because he had heard all of the album, and Slow Hands was the last - it was the second last song we wrote for it, it was the day before we wrote - Fire Away was the last one, and I remember when they played me what they had started, I was like: this is *different* from the rest of the record, not too far away. I knew it was something good, but I don't think any of us thought it would be number 1 on American radio or anything like that. But Julian was smart, he was like: OK, we have all these songs, but we need that *one*. And a lot of people have asked me about the production, about the way the vocals sound, and the way the instruments sound, and I really feel like Niall nailed it in the way of just taking that risk, knowing that it was a great sound for him, and not being afraid of that edgier sound, because he had done a lot of more acoustic-folksy stuff for the album. For me, whenever now I see it live and everyone's singing it, I'm like: oh, that's *his song*. And it's so hard, when you've been in One Direction, you know, you're like, are the fans going to be wanting to hear Best Song Ever or Story of My Life, but they're not, they *want* to hear Slow Hands. That's what you aim to do when you work with an artist, is to have that moment.
RuthAnne - the songwriting industry: Deep Diving with Eoghan McDermott podcast, 10 May 2019
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Anonymous asked:

Miss seeing you on here. You were always so insightful about niall and music related things. Hope you're well! :)

awww, thanks for thinking of me!! I’ve been travelling and my phone was stolen a few weeks ago in Jerusalem, so I’ve been especially disconnected recently. but my new phone should arrive this week, and then I’ll be back online - and perched for the NH2 era to officially begin ;) 🙏🤞 hope you are really well too!

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