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Lord of the Things

@superbunnytothemax / superbunnytothemax.tumblr.com

Just a mashup of all my interests. Mostly gay and The Hobbit/LOTR(25, INFP)
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Here’s the whole video. It’s called “Don’t Be A Sucker” and it’s 17 minutes long.

don’t just scroll past this actually watch it, it’s only 2 minutes long. If you re-recorded this today word for word with modern actors and places, it wouldn’t even look out of place as a PSA

300,000 notes and i can’t find a transcript

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sky-squido

Transcript: (sorry for the language!)

Speaker: “I see negroes holding jobs that belong to me! And you! I’ll ask you, if we allow this thing to go on, what’s gonna become of us real Americans!”

Hungarian man with clear foreign accent: “I’ve heard this kind of talk before, but I never expected to hear it in America.”

Young man: “This man seems to know what he’s talking about.“

Speaker: “What are us real Americans gonna do about it? You’ll find it right here in this little pamphlet—the truth about negroes and foreigners! The truth about the Catholic Church! You’ll find…” [audio grows quieter as camera shifts to the onlookers]

Hungarian man: “You believe in that kind of talk?“

Young man: “I dunno, it makes pretty good sense to me.“

Speaker: “And I tell you, friends, we’ll never be able to call this country our own until it’s a country without… without what?“

Other man: “Yeah? Without what?“

Speaker: “Without negroes, without alien foreigners,”—the young man is nodding, following along—“without Catholics, without Freemasons! You know these…“

Young man: “What’s wrong with the Masons, I’m a Mason.” Looks to European man worriedly, “hey, that fellow’s talking about me!“

Huungarian man: “And that makes a difference, doesn’t it.“

Speaker: “These are your enemies! These are the people who are trying to take over our country! Now you know them, you know what they stand for. And it’s up to you and me to fight them!” A bunch of the onlookers in the vicinity wave him off like he’s crazy and turn away, “fight them and destroy them before they destroy us!”

Speaker: “Thank you.“

One man in the now somewhat awkward crowd: “claps“

Young man: *is visibly uncomfortable*

Hungarian man: “Before he said Mason, you were ready to agree with him.”

Young man: “Well yes but, he was talking about… what about those other people?“ *the pair sit down on a park bench*

Hungarian man: “In this country, we have no ‘other people.’ We are American people, of course.“

Young man: “What about you? You aren’t American, are you?“

Hungarian man: “I was born in Hungary. But now, I am an American citizen. And I have seen what this kind of talk can do. I saw it in Berlin.”

Young man: “What were you doing there?“

Hungarian man: “I was a professor at the university. I heard the same words we have heard today. But I was a fool, then. I thought Nazis were crazy people, stupid fanatics. But unfortunately it was not so. You see, they knew that they were not strong enough to conquer a unified country, so they split Germany into small groups. They used prejudice as a practical weapon to cripple the nation.”

A film created for folks in case Martin Niemöller was too subtle.

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idhren

“They used prejudice as a practical weapon to split the people.”

In this country, we have no ‘other people’.

90% of Denmark’s Jews survived the Holocaust, because starting at the top, Denmark’s government and prominent citizens and all the way down emphasized this.

And all this was openly supported by King Christian. He did not, contrary to popular myth, ride his horse through Copenhagen wearing the Star of David, but he did make it clear, as he wrote in his diary, that he considered “our own Jews to be Danish citizens, and the Germans could not touch them”.

Denmark had, in essence, inoculated itself against Nazi propaganda because its citizens believed that Jews were not “other people.” As Bo Lidegard writes in Countrymen:

The Danish exception shows that the mobilisation of civil society’s humanism and protective engagement is not only a theoretical possibility: It can be done. We know because it happened.

Being a Jewish Dane or a Danish Jew might have made you a little different, but it didn’t make you other people.

Unlike Niemoller, they didn’t have to see atrocities visited on a series of Other People and only start caring when it happened to themselves. They understood it as happening to themselves from the start. Because their Jewish neighbors weren’t Other People.

As Denmark’s Jewish population sprang into panicked action, so did its Gentiles. Hundreds of people spontaneously began to tell Jews about the upcoming action and help them go into hiding. It was, in the words of historian Leni Yahil, “a living wall raised by the Danish people in the course of one night.”

Many of them didn’t even see it as “resistance work” on behalf of the Jews because it was simply fighting back against an attack on their own community.

Though there was anti-Semitism in Denmark before and after the Holocaust, the Nazis’ war on Jews was largely viewed as a war against Denmark itself. After the war, most Danes refused to take credit for their resistance work, which many had conducted under false names. Ordinary people who never considered themselves part of the Danish Resistance passed along messages, gathered food, gave hiding places or guarded the possessions of those who left until they returned home from the war.

Communities in which there are no Other People save lives.

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I found this drawing prompt a few days/weeks ago and it was the PERFECT prompt for my Welcome Home AU XDDD It captured my versions of the neighbors perfectly!

I also poured a lot of effort into the artwork this time around. I think it paid off!! :))) So colorfulllll 💞💞💞

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Bruce is a overprotective and kind of strict parent, but he is very lax in some domains where other parents wouldn't. Here are some examples:

  • His kids stealing money from him. You will never catch Bruce Wayne lecturing his kids for taking his money. In the Arkhamverse, Jason steals 5 millions from Bruce's bank account to buy his army, and the problems for Bruce are: he didn't know it was Jason so it stressed him a bit, and Jason used it to buy an army.
  • Stealing from him in general. What is his is theirs. Unless it's dangerous. (Cars are death machines for his anxious self, which is why buying another batmobile for the young justice is not acceptable, or is kids taking it for a ride. He did made Redbird for Tim as a gift for when he got his license.)
  • Stealing from the cops (he has done it himself so many times)
  • Stealing money from rich people. In Knightfall, Bruce meets a British vigilante named Hood who steals from the rich to give to the poor, and Bruce had NO problems with that. He likes the young man. Stealing possessions is an issue tho. (Dick should follow his Robin Hood's dream, his father is fine with that)
  • Hacking into government facilities or anything really. Unless it's to harm an innocent civilian, like a classmate, he will not say anything. Hacking the FBI? Good. Hacking a russian mafia? Ok. As long as they do it safely and follow Barbara's instructions, it's fine.
  • Lying to him. Bruce is always impressed when he realizes one of his kids lied to him and he believed them. He's the Batman, after all, they have been able to fool the Batman. When he learns that Tim invented a fake uncle, he is proud of him and he tells him such, because he made the Batman believed it.
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love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded

we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up

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hickeyknife

"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”

And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."

Oskar Eustis on ArtBeat Nation

I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.

This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."

I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)

  1. Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.
  2. Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.
  3. King Lear. Edmund has a speech in which he asks whether he should marry “Goneril? Regan? Both? Neither?” Again, the actor was legitimately asking the audience, and again he’d prepared for the audience to respond in favor of any of those choices. What makes it even cooler was that the next line is “Neither can be enjoyed while both remain alive,” which works as a response to any of those options. One night, though, Edmund got his answer as “KILL THEM BOTH AND TAKE THEIR MONEY!” To which he gleefully agreed, “Neither can be enjoyed while both remain alive!!”
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rionsanura
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sting-raes

Saplings.

I read this fic where a widowed Elliott finds a secret orchard of pomegranate trees planted for him by the farmer and I CANNOT for the life of me remember who wrote it but, it served as inspiration for this piece :')

also yeah ik im far behind sdjvdskhf I'm gonna be catching up!! Just wanted to get this out of the way first!!

stardew inktober prompt list under the cut as always!

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