Aizawa shouta in My Hero Ultra Impact.
Present mic bonuses because I loved his.
@superbunnytothemax / superbunnytothemax.tumblr.com
Aizawa shouta in My Hero Ultra Impact.
Present mic bonuses because I loved his.
Here’s the whole video. It’s called “Don’t Be A Sucker” and it’s 17 minutes long.
don’t just scroll past this actually watch it, it’s only 2 minutes long. If you re-recorded this today word for word with modern actors and places, it wouldn’t even look out of place as a PSA
300,000 notes and i can’t find a transcript
Transcript: (sorry for the language!)
Speaker: “I see negroes holding jobs that belong to me! And you! I’ll ask you, if we allow this thing to go on, what’s gonna become of us real Americans!”
Hungarian man with clear foreign accent: “I’ve heard this kind of talk before, but I never expected to hear it in America.”
Young man: “This man seems to know what he’s talking about.“
Speaker: “What are us real Americans gonna do about it? You’ll find it right here in this little pamphlet—the truth about negroes and foreigners! The truth about the Catholic Church! You’ll find…” [audio grows quieter as camera shifts to the onlookers]
Hungarian man: “You believe in that kind of talk?“
Young man: “I dunno, it makes pretty good sense to me.“
Speaker: “And I tell you, friends, we’ll never be able to call this country our own until it’s a country without… without what?“
Other man: “Yeah? Without what?“
Speaker: “Without negroes, without alien foreigners,”—the young man is nodding, following along—“without Catholics, without Freemasons! You know these…“
Young man: “What’s wrong with the Masons, I’m a Mason.” Looks to European man worriedly, “hey, that fellow’s talking about me!“
Huungarian man: “And that makes a difference, doesn’t it.“
Speaker: “These are your enemies! These are the people who are trying to take over our country! Now you know them, you know what they stand for. And it’s up to you and me to fight them!” A bunch of the onlookers in the vicinity wave him off like he’s crazy and turn away, “fight them and destroy them before they destroy us!”
Speaker: “Thank you.“
One man in the now somewhat awkward crowd: “claps“
Young man: *is visibly uncomfortable*
Hungarian man: “Before he said Mason, you were ready to agree with him.”
Young man: “Well yes but, he was talking about… what about those other people?“ *the pair sit down on a park bench*
Hungarian man: “In this country, we have no ‘other people.’ We are American people, of course.“
Young man: “What about you? You aren’t American, are you?“
Hungarian man: “I was born in Hungary. But now, I am an American citizen. And I have seen what this kind of talk can do. I saw it in Berlin.”
Young man: “What were you doing there?“
Hungarian man: “I was a professor at the university. I heard the same words we have heard today. But I was a fool, then. I thought Nazis were crazy people, stupid fanatics. But unfortunately it was not so. You see, they knew that they were not strong enough to conquer a unified country, so they split Germany into small groups. They used prejudice as a practical weapon to cripple the nation.”
A film created for folks in case Martin Niemöller was too subtle.
“They used prejudice as a practical weapon to split the people.”
90% of Denmark’s Jews survived the Holocaust, because starting at the top, Denmark’s government and prominent citizens and all the way down emphasized this.
And all this was openly supported by King Christian. He did not, contrary to popular myth, ride his horse through Copenhagen wearing the Star of David, but he did make it clear, as he wrote in his diary, that he considered “our own Jews to be Danish citizens, and the Germans could not touch them”.
Denmark had, in essence, inoculated itself against Nazi propaganda because its citizens believed that Jews were not “other people.” As Bo Lidegard writes in Countrymen:
The Danish exception shows that the mobilisation of civil society’s humanism and protective engagement is not only a theoretical possibility: It can be done. We know because it happened.
Being a Jewish Dane or a Danish Jew might have made you a little different, but it didn’t make you other people.
Unlike Niemoller, they didn’t have to see atrocities visited on a series of Other People and only start caring when it happened to themselves. They understood it as happening to themselves from the start. Because their Jewish neighbors weren’t Other People.
As Denmark’s Jewish population sprang into panicked action, so did its Gentiles. Hundreds of people spontaneously began to tell Jews about the upcoming action and help them go into hiding. It was, in the words of historian Leni Yahil, “a living wall raised by the Danish people in the course of one night.”
Many of them didn’t even see it as “resistance work” on behalf of the Jews because it was simply fighting back against an attack on their own community.
Though there was anti-Semitism in Denmark before and after the Holocaust, the Nazis’ war on Jews was largely viewed as a war against Denmark itself. After the war, most Danes refused to take credit for their resistance work, which many had conducted under false names. Ordinary people who never considered themselves part of the Danish Resistance passed along messages, gathered food, gave hiding places or guarded the possessions of those who left until they returned home from the war.
Communities in which there are no Other People save lives.
I found this drawing prompt a few days/weeks ago and it was the PERFECT prompt for my Welcome Home AU XDDD It captured my versions of the neighbors perfectly!
I also poured a lot of effort into the artwork this time around. I think it paid off!! :))) So colorfulllll 💞💞💞
This is just a whole year of improvement!! (I think it’s a year?? Who knows-)
ANYWAY!! YAAAY!! I improved I think!💕🌈YIPPIEE!!
I respect everyones right to have what they want on their blog but everyone who hasn’t opted in to Halloween boop
you know when you really want to talk abt your OCs but don’t know what to say so you’re just holding them up like Simba with a bunch of exclamation points overhead?
Yeah.
🎶Talk about your OC’s! Simba holder!🎵
He's armed and (potentially) dangerous, folks!
me every day without fail: I'll do [chore] when I get home
me when I get home:
me every single week: I'll do it on the weekend!
me the entire weekend:
all of us rn
this is literally where i blog from
Bruce is a overprotective and kind of strict parent, but he is very lax in some domains where other parents wouldn't. Here are some examples:
love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded
we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up
"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”
And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."
Oskar Eustis on ArtBeat Nation
I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.
This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."
I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)
#Oh I have SO many stories from peak audience moments at the American shakespeare center#I have been to plays there that legit felt more like rock concerts#And I don't even mean the parts of the show where the cast is also a live band and they play#Covers of songs relating to the show#Fair maid of the west with Ginna Hoben#We were all SO on her side we absolutely lost our whole shit any time she even entered or exited#Knight of the burning pestle where Rick would pick a random audience member to be his lady love he was fighting for every night#And one time (I saw it thrice) he picked an older lady#And there's a part of the show where iirc he like gets almost defeated?#And he calls out to his lady love to like inspire him to keep fighting smth like that#And she Got Up Out Of Her Seat and went over to him and kissed him on the cheek#And no one was expecting that least of all Rick#And we all lost our shit whooping and hollering#They did a hamlet where...I forget who was polonius that year but there's a line where he's like 'what was I gonna say again'#And he paused SO long on that line you were legit unsure if he the actor had actually forgotten it#And once someone in the audience called out the next line and he was like 'oh that's right' and carried on#It was scripted though there were other nights no one said anything and we all sat there#In wonderful horrid awkward silence#Until he resumed#Please go if you get a chance#And sit stateside (via @rootingformephistopheles)
Saplings.
I read this fic where a widowed Elliott finds a secret orchard of pomegranate trees planted for him by the farmer and I CANNOT for the life of me remember who wrote it but, it served as inspiration for this piece :')
also yeah ik im far behind sdjvdskhf I'm gonna be catching up!! Just wanted to get this out of the way first!!
stardew inktober prompt list under the cut as always!
made something as a little profile pic for myself/animation test in the spirit of fall :]
ok wait, reblog if you’ve cried at least once because of math, doesn’t matter which grade i’m trying to prove something
Can't quite cope with how much this looks like me and my dad
It begins
Photo credit to the exceeding bemused sound technician we bribed with two cans of Carlsberg to permit us access to his gazebo.