Kissing for cover.

oh yeh we're drawing on fabric again lol

Hernan Bas (American, 1978), Trying to fit in, 2004. Oil, acrylic and gouache on panel, 31 x 24 in.

Helene Schjerfbeck - The Fortune-Teller (Woman In Yellow Dress) (1926)

Colorized picture of  Claude Monet standing next to paintings from his Water Lilies series, 1923. (by/via)

Muriel Streeter - Self-Portrait (1946)

Whyn Lewis "Lying Low"

Saturn Devouring His Son, Me, BALLOONS, 2021

Lavinia Fontana (Italian, 1552 - 1614): Portrait of a Pregnant Woman, Possibly a Self-Portrait (via Sotheby's)

Phenomena Alter Tide, Paul Jenkins, 1963

Acrylic on canvas 76 ⅝ x 59 in. (194.6 x 149.9 cm) Des Moines Art Center, Des Moines, IA, USA

Madame Helleu Reading. Paul César Helleu (French, 1859-1927). Drawing. Red and black chalk heightened with white on paper.

Helleu often did quick drawings of his wife Alice. The attractive Madame Helleu dressed regularly in fine clothing from leading couturier houses, including Worth and Chanel, and presented to Helleu a delightful subject.

Ana Mendieta: Siluetas Series (1973)

Fever dream, Ridley Howard (because)

Some Worm! Alfred Leete (1882–1933) North Somerset Council

Conversation - Francesco Pirazzi , 2021.

Italian , b. 1994 -

Oil on canvas , 25 x 34 in. 64 x 87 cm.

Henri Matisse, Studios

1&2 -Henri Matisse created his cut-outs in three different studios. In 1946 he developed Oceania, the Sky and Oceania, the Sea on the walls of an apartment at 132 Boulevard Montparnasse, Paris.

 3-Towards the end of his time at the Villa le Rêve, in Vence, where he lived and worked between 1943 and 1948, Matisse covered its walls with vibrantly colored cut-paper forms. 

4, 5.6- From 1949 until his death in 1954, Matisse’s cut-outs grew in ambition, expanding throughout the interiors of the Hôtel Régina, Nice.

MOMA

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