Pensive Mood, Harlem 1970s - Jan Yoors

Untitled gelatin silver contact print from in progress portfolio. Ilford HP5+ 400 4x5 film. Ilford Art 300 fiber paper.

André Kertész, Fortune Teller, Paris, 1930

Anni Albers, Under Way, 1963. 

Woven fabric on cloth, mounted on wood. 29⅛ x 24⅛ in (73.8 x 61.3 cm). The Joseph H. Hirshhorn Bequest, 1981. 

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Photo: Cathy Carver. © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York and DACS, London 2017

Artists Sketching by Charles Demuth, Barnes Foundation

Medium: Watercolor and graphite on thin wove paper

Barnes Foundation (Merion), Gallery, G30, Flat File, Drawer 7

https://collection.barnesfoundation.org/objects/6818/

WM Turner

Clothes on a line   -    Stuart Davis , 1910.

American, 1892-1964

Oil on canvas,  76.2 cm (30 in.) x 96.52 cm (38 in.)

The Little Mermaid: Dissolving into Foam, Edmund Dulac

PARIS REVIEW (MOMA 567/VIII) LOUISE BOURGEOIS // 1994 [aquatint & drypoint with white acrylic stencil additions on smooth wove somerset paper | 36 1/2 × 28 1/4"]

Giotto, Madonna and Child, c. 1320 or 1330 (detail)

(via touba)

Vernügen der Augen und des Gemüths, in Vorstellung einer allgemeinen Sammlung von Conchylien welche im Meere, im süssen Wasser und auf dem Lande gefunden werden - Georg Wolfgang Knorr - 1790 - via Internet Archive 

Plate doily. Self Instruction In Modern Lace Making. 1916. 

Alabaster pointed alabastron, Greek and Roman Art

Medium: Calcite (alabaster)

The Cesnola Collection, Purchased by subscription, 1874–76 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/243978

The Chair, Edgar Degas

1860

Joan Miro .Goutte dʼ eau sur la neige rose (Drop of Water on the Rose-Colored Snow) March 18, 1968 Oil on canvas

Kees Van Dongen - La Chimère-Pie, 1895