hello

this post will be way different than my usual content but i feel obliged to raise my voice in this matter.

This might be triggering for some people and i'm sorry in advance but please read the whole thing and help me raise my voice and the women of my country's to make this matter known so that the government would start taking us seriously and start taking measures for women's safety.

I live in Turkey and i love my country but i cannot deny the fact that as each day passes i become more scared for my life, just like the rest of the women in my country. I'm writing these as the women are protesting yesterday's murders right now.

Yesterday, 2 women were brutally murdered by the same man at Edirnekapı, Istanbul. The murderer first killed Ayşenur (19) in his home and called the cops to report the murder then, he went to kill İkbal (19). Semih Çelik murdered those two 19 YEAR OLD girls, İkbal Uzuner and Ayşenur Halil. He slit Ayşenur's throat and dismembered İkbal Uzuner on top of the city walls and he THREW İKBAL'S HEAD IN FRONT OF HER MOTHER. He then committed suicide by jumping from the very same place he dismembered İkbal. And he did all this IN BROAD DAYLIGHT.

He had been stalking İkbal for over a year, his own father had reported him several times, a disturbing drawing made by him and a video of him filmed last year talking about how he wanted to kill İkbal (quoting the exact words from the video: "...The day you saw me, I had come to kill you. I wanted to take a life with me when I left this life, and it was more valuable for me if that person was you. To cut out your heart, your eyes…") were uncovered recently but NO MEASURES WERE TAKEN. That psychopath took two innocent lives and the only thing that the government did was to impose a broadcast ban.

So as a woman who is afraid, i am asking you to spread this and to make this known. We, turkish women, hope that making this matter known globally will help us.

Why do we need help to raise our voices?

>In 2021, Turkey became the first and only country to withdraw from the Istanbul Convention, a human rights treaty of the Council of Europe opposing violence against women.

>Women's complaints are not taken seriously, and offenders are repeatedly let go without any consequences. Our prisons are filled to the brim with journalists and political prisoners, however repeat sexual offenders, abusers, p3d0philes and murderers are released.

So this means, even if that murderer did not commit suicide he might've not been punished properly for his crimes.

Please help me make this matter known.

The images below are the details.

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Animal cruelty. Mass murder of stray animals. Child abuse. Child murder. Femicide. Rise of incel groups. All of them are rampant in Turkey (Türkiye) right now and each new day brings yet more news of cruelty and murder of all kinds. The reason is simple: The passing of new laws and legislations that openly encourage abuse and cruelty. Perpetrators are congratulated let alone persecuted. Crime and violence are climbing due to shit economy. We are unable to process current events because they are happening at a dizzying pace. Please help the world hear our voice.

Bunny and otter

(via)

So adorable 🥰🥰🥰

“As we implement our new strategy of replacing tents based on areas and encampments most in need, we want to share with you this story of a family in dire conditions - this is the brother of the honorable martyr Refaat Alareer.

We have known about this extended family and the area they live in since mid July. However, it was not until this week that we could come in and serve this encampment of destroyed and makeshift tents.

Just to show you that no one in Gaza is immune to the suffering and pain, Refaat Alareer’s family, despite his magnitude as a Palestinian scholar and activist, is living in some of the worst tents we have seen.

It was our honor to assist them and respect the legacy of the man who we are so fortunate to have been given permission to name our camp after. Check back later in the week to see how we provided tents for Refaat’s brother’s family and supported the encampment that needed so much help.”

Please continue to give so we can serve these communities with shelter this winter. The Tents, Cash Aid, and Medical campaign:

This pinned post contains some of the difficult events and important posts that will help you understand what is happening to the Iwais family, also the ways to help are found below.

- “ The home ”

- “ Displacement journey ”

- “ Injured ”

- “ Responsibilities ”

- “ History (past&future) ”

- “ Nightmare ”

- “ Winter is coming ”

- “ life changing180 ”

- “ One year ”

- “ Memories of a year ago ”

- “ Hope of Evacuation “

- “ several days I have been disconnected ”

Vetted 🇵🇸

for those who can't donate via the gofundme link above i have paypal

Paypal

shut up

thing is, if I read a hyper-accurate description of this in a roald dahl story I would believe it was awesome and magical but completely impossible IRL.

and yet.

The biggest physical adjustment was the constraints of the costumes. [Janie Bryant] favored doll-like pastels that spoke to Betty's desire to maintain perfection, and the undergarments and girdles forced a certain posture and even gait that was uncomfortable at first but also lent an amazing detail to the character. It turned how tied-in and implosive Betty was into a literal fact. - January Jones

Misa no Uta is an underrated masterpiece that changes Misa's whole characterization fr fr

Misa no uta is one of the most compelling moments in the entire Death Note series, within one of the most compelling episodes of the series (if not just outright the best). 

To cement his return as Kira, Light plans to kill L. Light requires Misa to be at risk for this, throwing her under the bus if the plan fails and REM weren’t to save her but guaranteeing the deaths of L and REM both if it succeeds, and it's very likely to do so.

As Misa walks the streets of Japan, she sings this song to herself and the audience that immediately stands out, being the sole musical number in the series. 

The song is about her relationship with Light and Kira, her place by his side as the loyal follower turned God herself. It’s about love, trust, fanaticism and the danger of allowing yourself to know something for a fact or to choose the version of reality that provides you the most happiness, whether it’s the full truth or not. Her powerlessness in the face of what he is is not something she’s ignorant to, and the ways he continually takes advantage of this drain her of life a little further everyday, and yet she wouldn’t give it to anybody else. How could she? She is indebted to him, in her eyes. 

“Hold my hand in the dark street for if you do I know that I’ll be safe” Kira saved her. He ensured the death of the man who killed her parents and nearly killed her in one of those dark streets she so fears. Misa never recovered, she ran open armed into the belly of the beast before she could ever begin to do so. By the time the consequences of her actions became clear, and Kira's nature was startlingly apparent, it was too late to attempt to stop this. So she lies to herself, and justifies this all with the guarantee of safety she's been provided.

“Even if I'm far away and alone, I can be sure that you’ll find me there. This, I know.” and this is the indisputable fact of the matter, isn't it? That even if she forgets, surrenders the Death Note and lives her life, it is simply the illusion of control. She knows she’ll be back, she knows she’ll be brought to Light’s side again by herself with no memories of what he turned out to be. Then, even if she isn’t? What becomes of her? Surely Light would never let her simply walk away, and she knows that. So the lies she tells herself are cemented by that, and her fanaticism surrounding Kira becomes a pillar of who she is. For if that is lost, if she doesn’t believe that he is attempting to achieve good anymore, then how can she love him despite the way he treats her?

“You draw me close for a while, so quiet, you tell me everything” at the start they operated somewhat as equals, with Misa having the upper hand of REM on her side. Light does keep her informed, does treat her as an equal (outwardly, at least). Yet once they are imprisoned, once the tide shifts entirely, this changes inalterably and in a way Misa has no time or opportunity to change. 

“If i forget what you say then you’ll come to me and tell me again, yes you’ll tell me once again…”  This once again is cementing her handling of the aftermath of this shift, her now regaining her memories entirely and seeing the forest for the trees. There is no escape for Misa, and any ticket out was lost before she could do a thing. REM will die, though I don’t know if Misa knows of this at this point. I'm certain she couldn’t have been fully ignorant to it being highly likely, and she will serve Kira until her dying breath. She has made her peace with that long ago, deciding it’s for the greater good and serving the life debt she believes she owes him.

But then there’s the question. The one plaguing her throughout the rest of the series, I’d say–The truth that she continuously makes the conscious decision to avoid looking in the face.

“But what happens when I know it all, what should I do after that? What then?” 

This is where the fact that this scene has played out as almost a funeral procession, ending with her standing on the very rooftop where she will eventually meet the answer to her question, cements this as an eerie, gorgeous, perfect scene. Misa will have nothing to live for, is the answer. If all she has done has been in the name of helping a madman who not only doesn’t love her, but actively dislikes her? If this life debt was unwanted, if Kira wasn’t all that good at all? If he’s not a god, if her parents were simply a number amongst the many hundreds of thousands Light kills… then why did she survive any of it? Why is she still here? 

I’m also fascinated with the choice to have at what point in time this scene takes place in, be somewhat impossible to fully discern. This is the same outfit, the same sunset, the same ledge that Misa’s story ends with. When she kills herself at the end of the series, is that moment one we’ve long ago witnessed already? Is this meant to indicate that anything of Misa truly died then? Or is this the moment she reflects upon when she makes that fateful walk, years from now? Is this the moment she wishes she could go back to? To change?

In all reality, I truly wish that more of the intricacies to Misa's character that are implied heavily would've been made somewhat more text than they ever are in canon. Many people's opinions of her character are somewhat justified, although I think that some of the way that people react is a tad misogynistic at times as well but the way she exists as a woman in service to Light who wants for nothing and lives for nothing else is, too, in it's nature a misogynistic thing. I think that Misa is fascinating as a character and would be infinitely more fascinating if the subtext heavily implied in this scene were made more canonical than it was.

great question. while a lot of these gofundmes started to fund evacuations, since the border will not open they have shifted to covering the costs of daily survival in gaza

the cost of food alone in gaza right now has been reported by journalists on the ground (including @siraj2024) to be 20 times the normal price.

and it varies based on location. the north is currently being starved by the IOF so food prices are higher

and there is a lot of evidence on tumblr that proves that these fundraisers do help

@ma7moudgaza2 was able to buy a tent for his family and is currently trying to pay for a solar panel

@siraj2024 was able to secure rent for a (bombed out, but still) apartment for his family over the winter

@mohdiwais was able to fund medical care for his sister after she was shot by the IOF using funds he raised on tumblr

a gaza-based charity called care for gaza has also been directly assisting families with funds used from their gofundme. they even post videos of themselves giving out food

and those are just a few examples. hope this helped!

Photographer, Lassi Rautiainn, tracked a female grey wolf and a male brown bear, in FInland, for 10 consecutive days. They spent time together playing and even sharing food. "It's unusual for a bear and a wolf to agree in this way," the photographer said.

The blending of shades between yellow & black in ombré stripes gives the impression that this early 1890s tea gown is glowing, fired by some unseen force to blaze across the skirt. It is a tea gown that cries out for an audience. Emile Pingat. National Gallery of Australia.

i feel like im in the sims where it takes 5 hours to make pasta and then u have to immediately go to bed