@striderdrawsstuff / striderdrawsstuff.tumblr.com
Get out of your hot chocolate rut this year and try out one of these 10 amazing combinations! My personal Favorite? The Aztec! http://www.sheknows.com/food-and-recipes/articles/1054517/delicious-hot-chocolate-recipes-infographic
A stormy night at the laboratory………………..Frankenstein (1931)
Hello-ween!
Trick or Treat!
HEY TUMBLR STAFF YOU DICKWEEDS
SOME OF US HAVE EPILEPSY
SOME OF US ARE SERIOUSLY AFFECTED BY BRIGHT, FLASHING GIFS
MOST TUMBLR USERS ARE COURTEOUS AND DON’T POST BRIGHT, FLASHING GIFS, OR POST TRIGGER WARNINGS, BECAUSE PEOPLE HAVE FUCKING SEIZURES
I DIDN’T ASK TO FOLLOW YOU
I DIDN’T WANT THIS SHITTY UPDATE
AND BECAUSE OF YOU I HAD A SEIZURE.
EVERY SEIZURE I HAVE MEANS ANOTHER 6 MONTHS I CAN’T DRIVE. FUCK. YOU.
staff see this, this is a problem. STOP THAT.
Okay, so, I went to the website announcing the collab between Pokemon and Junji Ito, and I’m looking at this page, which contains what look like Pokedex entries accompanied by things we rarely if ever see: Ghost Pokemon in action, in all their terrifying glory. Plus ridiculous commentary from me in the captions.
Those Pumpkaboo are giving me flashbacks to the opening of Batman TAS
Um excuse me Pokemon and Junji Ito? Why was I not informed what is going on
Son of Dracula (1943)
Claude Rains and Gloria Stuart
The Invisible Man (1933)
The Mummy (1932)
Boris Karloff in THE BLACK ROOM, 1935.
Psycho (1960)
“Hitchcock recognized that he couldn’t send shaken customers home immediately after the mental/physical seizure of Norman Bates (Anthony Perkins’s inspired career-killing performance, after which he could never again play a normal guy). The audience needed a few minutes to catch its breath, and in those days movies didn’t end with six-minute credit rolls. So he added the sequence in which a comically adrenalized psychologist explains things the audience already understood, but appreciated having spelled out all the same. Maybe Hitchcock had a secondary motive as well: the shrink augurs the numberless critics who have long since explicated every gaze, gesture, and prop in his films.”
Gary Giddins, Warning Shadows
