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#tumblr fics – @ssskye8 on Tumblr
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S. S. Skye

@ssskye8 / ssskye8.tumblr.com

Freelance editor, proofreader, and writer
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reblogged

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

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meraarts

Might I add:

The defeat of the wizard who made people choose how they’d be to be executed

The woman who raised the changeling alongside her biological child

The human who died of radiation poisoning after repairing the spaceship

The adventures of a space roomba

Cinderella finding Araura (and falling in love)

I don’t know a snappy description but the my nemesis cynthia story certainly lives in my head

I am in love with you /p

What about the one with the princess locked in a tower learning to become a wizard? That’s lived in my mind for years and I haven’t seen it in a long time

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adamskiiii

Wow! @writing-prompt-s contributing to like half of these!

I can hardly take any credit for these stories! But I love sharing them. Unfortunately I cannot read all the prompt responses so please tag me if you want me to reblog a story that resonated with you so I can give it a little boost :)

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A story within a story where a mother sits her rowdy children down and tells them a story about a the world's sweetest, kindest mother who never lost her temper, never cursed and never yelled at her children, no matter how rowdy they could get. She would only gently, kindly told them to not do the dangerous things. One day she sweetly, kindly told her children to not go play at the riverbank, because it's dangerous and they might slip on the rocks, fall into the water, and die. Her children do not listen. They go play at the riverbank, where they slip on the rocks, fall into the water, and die.

And the sweet perfect mother of the story comes to the riverbank, sees that all her children drowned, and starts crying so bitterly that angels overhear her, and the angels say to each other, "she does not deserve this, this woman has never done anything wrong in her life, this should not have happened to her", and feeling great pity for her, bring her children back to life, and after that they always listened to their mother and lived happily ever after.

And the storyteller's children, who at this point are familiar with the concept that these stories are supposed to have some sort of a moral or lesson in them, interject to point out that their mother hasn't always done everything perfectly, she isn't always sweet, curses a lot, and as a matter of fact loses her shit at her kids all the time. She isn't like the mother of the story at all.

And their mother agrees: Her children are correct. She is not a perfect mother who has never done anything wrong. Angels will not have pity on her, and they will not bring her little shits back to life if they go to the river and die. So they better fucking not go get themselves killed in the first place.

this was forwarded to me by my kid and i gotta say that adds layers to the interpretation

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otherwindow

This is how the golden age of piracy ended.

The first mermaid to get tattoos :)

“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”

“kill it,” the captain says, but the ice is melting in his eyes.

“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”

“i know.”

x

“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”

her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.

“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.

“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.

x

“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”

“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”

she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.

x

“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.

“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”

she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.

“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”

x

her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”

the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.

“why not?” the mermaid asks.

“he’ll win,” the first mate says.

the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.

x

the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.

“don’t worry,” she says, with a bright laugh, “it was fun.”

x

the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.

“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”

they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.

she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.

the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.

x

she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.

x

“you know we are dying,” the captain says, looking down at her.

she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.

“i know,” she says, “i can feel it coming.”

the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.

“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.

“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.

“guard the ship,” the captain says. “you always have but you know they’re lost without you.”

“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”

“i don’t know,” the captain says. “but you’ll help them, won’t you?”

“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”

x

the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.

“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.

the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.

“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”

“and now?”

“they were right,” the new captain says. “how did they ever befriend you?”

the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

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Write a horror story in the format of an Internet search history

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reblogged

Breakfast Time

My son’s stuck in a time loop again.

He thinks I don’t know, of course. He’s never told me that this happens to him (or that he can do this, possibly; I’m not sure which it is.) Maybe I’m a bad mother, if I haven’t proven myself worthy of that trust. But there is only so many times that one can watch their son trudge through a day with bored impatience, anticipating everything you say just a little too quickly and showing no surprise to even the most surprising event, and then come downstairs the next day disoriented but rejuvenated and with a new zest for life and a tendency to get blindsided by even the most predictable things, before one makes the obvious connection.

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Why did you give the last of your food to that poorly disguised mimic? You were finally at peace with letting go, but now this odd thing won’t leave you alone and is even turning itself into various items in an attempt to aid you.

The mimic is a young one, and you knew that from the moment you laid eyes on it. It was disguised as a crate, but the angles weren’t quite right. The corners were a little lopsided, and if you looked hard enough you could make out the creature’s mouth.

A sigh escapes you as you toss over the last of your rations, not even bothering to stand up as you do so. What’s the point? You think. I’ve been trapped in this cave for days, nobody is looking for me, and the monsters are closing in. Why should I bother even trying? I could just fall asleep now, and let this little mimic eat me too.

The thing is… it doesn’t. It eats your rations, but when you lay down and try to sleep, it doesn’t attack. You do hear it move closer, but you don’t open your eyes until you feel something nudge your hand. As you barely open your eyes, you can see that the mimic has morphed itself into a crude sword. You can’t help but chuckle.

“You’re cute, but I don’t have anything left to give you.” You don’t have anything left to give for yourself either, but you don’t say so.

The mimic doesn’t seem to take no for an answer. It becomes a dagger, then an axe, then a staff, as though it’s trying to determine what your preffered weapon is.

“Listen, I don’t know what you’re trying to do, but it’s not working. I’m not going to pick you up and take you into some other part of this stupid cave system. Nice try, though.”

You turn away from it and attempt to sleep again. As you do so, you find yourself shivering. You really wish, as you doze off, that you had a blanket.

When you wake, much later, you’re surprised to find yourself covered with the warmest blanket you’ve ever had. You quickly sit up, eagerly hoping that someone had cone for you, but the cave is empty. When you look at the blanket, you notice the imperfect edges and the janky seam across the middle.

“…why haven’t you eaten me yet?” You ask the little mimic that’s now laying on top of you. “What’s wrong with you?”

The mimic, still in the form of the blanket, slithers off of you, but it does not respond. Instead, it begins taking the form of weapons again. When it turns into a crooked staff, you reach out, despite yourself. Your fingers wrap around it and you use it to haul your aching, injured body to your feet. “I guess there are probably nicer places to die.”

You know you won’t get far. And you don’t. Especially not without light. The mimic doesn’t seem too bothered, though. When you collapse again, it scuttles off. Perhaps this was simply where it wanted you to take it. Perhaps now you can finally succumb to your exhaustion.

Then, a few minutes later, a misshapen clay cup bumps against your hand. It’s full of water, and there’s a crack in the middle like a jagged mouth. You pick up the cup and you drink, telling yourself it’s only out of desperation. When you set the cup down, that little cracked mouth seems to smile.

This goes on for what feels like days. The mimic helps you limp along through the tunnels, transforming into whatever you may need at any given time. Every time you fall asleep, you expect not to wake up. Yet, you do, usually with a mimic blanket wrapped around you. It brings you food and water when you can.

The biggest surprise comes when one morning, you find you’re pleased to have survived another night. You’re happy to have the mimic keeping you warm. It’s a new feeling, and a confusing one, but it’s not unpleasant.

The other monsters that you know are down here seem to leave you alone for the most part. You aren’t sure why. It crosses your mind that maybe it has something to do with the mimic. Then again, maybe they’re just waiting for you to die. Death is gradually beginning to sound less and less appealing.

The day you catch a glimpse of sunlight down a long and narrow tunnel is the first day you finally feel like your old self again. Your pace quickens, and you don’t need to lean on the mimic’s staff form quite so much. The illusion shatters when you reach the light’s source. A small gap, high above. You curl up on the floor and cry. When you finally have the strength to look up again, your mimic has become a ladder.

Getting up is hard, in your state. Climbing, even more so. But the ladder is the biggest and best transformation the mimic has done so far, and if it wants you to get out, then you can’t let it down.

You feel it push up under you when you reach the gap. It helps you squeeze through, and then… freedom. Fresh air, and sunlight. You lay on your back on the stone, and you pass out.

You wake up at sunset, with a blanket draoed over you. A blanket with a jagged seam down the middle.

Danger. Fear. hide. Become rock. wait… calm. Hungry. find food. Smell food. See light. Dying fire.. Adventurer! Danger! Become box! Imperfect. Noticed. FearFearHumanRaisedHandFearThrowingBracing….

Not hurt. Human sigh. Near food. Danger? Prey?

Gift?

Eat. Filling.

Near human. Human resting. Danger? Observe.

ApproachFearFearFear. Observe. Become sword. Wait.

Nudgefearfearfear. Human sound. Imperfect? Become knife. No? Imperfect. Become axe. No? Imperfect. Become staff. Human sound. Human sound. Human turn. Imperfect?

Wait. Observe.

Human resting…. Human shaking. Puzzle. Human scared? No? Imperfect. Human cold? What do? Fear. Become fire.PainNO. pain. Imperfect. Human shake less. Human cold. Puzzle. Recover. Ideafear. Become blanket. Fear. Touchfearfear.

Touch.

Cover. Warm. Rest.

AwakeMovingFear! Fear! human. Human noise. Retreat. Imperfect.

Observe. Not danger.

Become sword? No? Imperfect. Become weapon? No? Imperfect. Become tool? Become warhammer. No? Imperfect. Human weak. Become small knife. No? Imperfect. Become walking stick. Human reaches. Brace. Touched.

Support. Move.

Human tired. Human injured? Imperfect. No blood. No angles. Darkness? Bad Idea NONONO. Human dry? Unknown. Human stop. Human collapse! Observe. Human in safety. Fix human dry.

Observe. Smell water. Distant. Follow.

Danger. Direwolf in water. Puzzle. Observe. Have height. Idea.

Become stone. Tumble. Pain. Imperfect. Direwolf flee. Perfect enough.

Pause. Recover. Observe. Become bucket. Fill. Climb back up. Spill some. Imperfect. At top. Some water. Perfect enough. Return.

Not back. Smell Direwolf. Fear. Have water. Caution. Observe. Crevice. Pour. Direwolf sound! Fear! Spill! Imperfect! Fear! Become stone! Direwolf approach! Become hard. Direwolf approach water! BadBadBad! Become Problem! Surprise! Bite nose! Bite! Direwolf sound. Direwolf leave. Calm.

Obtain water? Become bucket. No. Imperfect. Large. Become cup. Some water. Perfect enough. Careful. Return.

Brace. Human lift. Human drink. Human resting. Become blanket. Warm.

Time.

Split path. Human confused. Smell. Stagnant. Fresh? Follow fresh. Lead human. Support.

Time.

Smell prey. Hungry. Shake. Human sit. Quiet. Find prey. Split. Support human. Return. Human resting. Feed. Become blanket. Warm.

Time.

Light! Exit! Rush! Approach. Observe. Puzzle. Height. Hole in roof. Problem. Human noise. Human collapse! Human turn. Human noise… problem. problem. problem.

Puzzle? Puzzle. Observe. Climb wall. Difficult. Impossible? No. Approach roof. Reach hole. Puzzle. Observe. Human mimic mimic? Imperfect. Become rope? Imperfect. Human weak. Become staircase? Imperfect. Size.

Puzzle. Puzzle. …Create? Become StaircaseRope? Become… StaircaseRope. Imperfect. Shift. Shift. Puzzle. Shift. Become StaircaseRope.

Human turn. Human pause. Human rise. Human approach. Support human. Human climb. Imperfect. Perfect enough. Human rise. Human pause. Human noise. Human climb.

Human reach surface!

Become blanket. Cover human. Become… friend?

Dude this is an awesome addition. That the mimic thinks so much in terms of ‘perfect/imperfect.’ It makes total sense for something whose schtick is mimicking things as accurately as possible. But the first time it said ‘perfect enough’ was a gut punch at my own perfectionism. So ow

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reblogged

As punishment for your crimes you are thrown into the Labyrinth to be a living sacrifice to the Minotaur that lives inside. However nobody seemed to put together that since he is half bull; the Minotaur is actually a vegetarian.

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badolmen

“What do you eat then? Down here? There’s no sun.”

“There are roots. Here, let me show you.” It would be hard to follow him in the darkness, if not for the soft clatter of his hooves. The flickering torchlight makes him seem too small, too fragile - too much like an unweaned calf taken from its mother’s milk too soon.

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A polyamorous thruple are taking a hike through the forest when they find a weird rock and lift it. From under the rock a pixie comes out.

"Thank you for freeing me. I am a pixie of love, and as thanks I'll give a gift of gold to each of you. But the gift will only go to the one you love most."

The first member of the thruple says "but I love both my partners equally."

"Then I cannot give you the gift." the pixie replies.

"I'm okay with that. My love is more important."

The second member also says "I also love both my partners equally"

"Then I cannot give you the gift either."

"I'm okay with that. My love is more important."

Finally the third member says "I love this one the most." much to shock of both partners.

"Then they shall receive my gift." the pixie says, grants the gift of gold and then vanishes.

After the pixie left, the first member says "I can't believe you don't love us equally!" and the second member concurs.

Then the third member sighs and then says "I love you both equally and very much so, but fucking hell are you stupid."

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raineandsky

Could you do a story where a guard of a Supermax prison befriends a supervillain, because he treats him like a genuine human being instead of an animal; and later, all the power-dampeners suddenly fail; and all these villains just revolt against the guards; but supervillain makes sure he’s safe since he was always kind to him?

Love Ur writing!!

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aaaaaaa this was such a fun idea - im absolutely in love with this lil dynamic!! hope you enjoy reading as much as i did writing it :D

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tw blood, death

Animals. That’s all the agency ever saw the villains as. Animals they could poke and push and test and break into nothing.

So when the jail’s power-dampeners fail, the villains are more than happy to make like the tigers are out of their cage.

The villain to the supervillain’s right is burning the lock on his cell door. The villain on his left has fazed straight through hers. The supervillain steps up to the iron bars across his own cell to look beyond.

VIllains are flooding the corridor, breaking for the stairs one by one. “You,” he snaps as someone passes, and they thankfully slow down. “Open the door.”

Escape might be tantalising, if the villain’s quick glance to the stairs is anything to go by, but no villain ignores a supervillain. They rest their hands against the door for a moment, their brow knitted in concentration for a moment, before the lock clunks open.

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