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Speaking of Doorknobs

@speakingofdoorknobs / speakingofdoorknobs.tumblr.com

AKA @effulgentinara - A vivid assortment of fancy-catchers and objects of shininess. (aka a firehose of my current fixations) Everything queued unless tagged otherwise. Likes/comments will be from my main/original works blog effulgentinara
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https://www.tumblr.com/marella-moon/755407722923655168/an-old-disco-holdover

inspired by this gorgeous take by @marella-moon on young/older Harry, I've been thinking about Harry's clothes, given the suggestion that he only started dressing disco a little bit before his Total Obliteration Event, as part of his latest downward spiral. but that's not the first time he's dressed that way — it's just the first time since he was young. in his twenties, disco was cool, and so was he — and disco, while very gay, was also a space for straight men to express heterosexuality through sequins. pre-RCM, Harry had longish hair and a moustache and he wore either flares or tiny shorts, heeled boots or hi-tops. he looked both absurdly gay and absurdly heterosexual in the way of all the greatest 70s hotties. of course, when he joined the RCM all that got toned down. some of the change was intentional and some of it was quiet erosion.

but almost twenty years later, that space for experimentation with the allure of bright colours and slippery satin is closed. the clubs all went bust, coke is prohibitively expensive, if a man walks down the wrong street in heels he's liable to get a beating. and as Harry spirals, he starts dressing a little bit more like he used to, groping clumsily for the things that used to make him feel good. remembering when he was loved and beautiful, knowing everything he does to try and reclaim those moments makes him sadder, more pathetic. a remnant, a hangover, a faded glory.

and then he meets a guy who comes to work in a painstakingly hand-altered vintage military surplus jacket from a failed revolution

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Sci-fi shows nowadays are dramatic and realistic. Give me the artistic lighting, give me awkward fight scenes, let aliens wear drag queen level eyeshadows, convince me that the same decoration in every episode is a different planet, make a whole Alice in Wonderland subplot just because you found a big bunny costume in the garage, let the space pirates wear pirate costumes, dress the dog in the secondhand unicorn costume and say it’s an alien species, give me the most angsty episode I’ve seen right after the episode about some moving mama rock, give me the bROMANCE, give me HONOR, LOYALTY, DIGNITY, and some cool unrealistic but beautiful spaceships, give me flip phones as the coolest device ever, give me dramatic zoom-ins, give me thoughtful stares in the distance with dramatic music. Then we’ll talk.

marryinf you instantly

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omgthatdress

First of all, if you're going to accuse The Menswear Guy of snark based on moral judgement, it's worth noting that the Duke of Windsor was an unequivocally AWFUL person. He struck a deal with Hitler to let Germany conquer Britain so he could be king again. But he was one dapper motherfucker.

A lot of times, I ask myself a lot why it is someone like Ben Shapiro would come begging to you for fashion advice like there's some x+y=z secret code to being fashionable. (Yes, The Menswear Guy has shown screenshots of Ben Shapiro's assistant asking him for fashion advice.)

When the fact is there is no real formula to being fashionable, you have to express yourself and take genuine pleasure in what you're wearing. Ben Shapiro has never felt pleasure in his life without hating himself afterwards.

When you treat fashion as a status symbol and not something you love and find joy in, you will never be a fashionable person, which is something that respectability and conformity-minded conservatives will NEVER understand.

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Mario games: The world is grand and open, colorful and friendly! There are plenty of dangers, but there are also kindly residents all around willing to give you a word of advice or encouragement. You are light and springy, filled to the brim with joy and enthusiasm! There is a job to do, but the path on the way is a veritable playground. The horizon is the limit and the world is your oyster.

Luigi games: You're forced into tiny rooms and narrow hallways where everything is dark and ominous. The claustrophobia of your surroundings is emphasized by the heavy piece of machinery tied to your back, rendering you unable to climb or jump. The best you can do is run, and run you will, because everything wants you dead except for a morally grey old scientist who cares more about research than survival, and a ghost dog who doesn't even comprehend how much danger you're in. Good luck, fucker.

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Disney is in a unique position where it can – via its films – create the culture that enables us to accept its questionable business practices...

Disney’s own messaging... encourages the values that secure its own existence...

The cultural critic Henry Giroux, author of The Mouse that Roared: Disney and the End of Innocence (1999), believes that Disney is a “teaching machine” that articulates “strategies of escapism and consumerism that reinforce an infantilised and utterly privatised notion of citizenship”. Disney films, by and large, are not about shared responsibilities, the social contract, human rights struggles, democracy, protests, boycotts or the evils of shopping too much. “Disney cultivates a kind of agency that fits into its market plan,” Giroux tells me. When the company does tackle social issues, it often favours tales of hyper-individualistic heroism over collective action. “Saving people always comes in the form of superhuman powers.”

Giroux believes that Disney purveys a wholesome image while “shaping the identities, desires and subjectivities of millions of people across the globe as ardent consumers and deskilled citizens”. Some might argue that Disney films should not be concerned with social issues – after all, they’re for kids. But who placed these limits on our children’s imagination? Disney did, when it sanitised the dark and gruesome fairy tales that have entertained youngsters for centuries.

When asked what they liked most about the Walt Disney Company, the second-most popular answer in my survey was it “makes me feel happy”, but the first was far more telling. By far the most common answer – selected by 81 per cent of respondents – was, “It offers an escape from an increasingly troubled world.”

“What is going on in both the UK and the United States that makes entertainment one of the few places left that people can escape into?” questions Giroux. “People’s lives are so fraught with anxiety, with poverty, the lack of housing, and debt,” and that the only way people have to relieve their troubles is to use the services of companies that may have contributed to those problems in some way.

If Disney adults – by their own admission – are seeking escape from a troubled world, then who told them entertainment, not collective action, was the best option? Who told them to seek escapism instead of an escape?

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lillagrim
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relelvance

In what world is tall muscular man not conventionally attractive

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piedude

We've all been down here too long. I truly think there's a chunk of tumblr's population that can no longer survive sunlight.

women will say “hear me out” and show u a photo of pyramid head and then tumblr users will go “this is a perfectly normal man and an ice cold take”

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penny-anna

what if instead of being under the impression that Darth Vader killed his father someone told Luke that Vader killed his mother and then Luke hit him w that accusation in the middle of their confrontation and Vader just started crying

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