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The Sexy Asstronaut (formerly Blackcatula)

@spacevixenmusic / spacevixenmusic.tumblr.com

***ADULTS ONLY***
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Call me Cat or Vixen [she/they].
This blog is **blatantly nsfw**, and for the fellow kinksters following me, yes I'm an adult (in my 30s). On this blog: cartoons, anime, queer history, music, pinups and porn (if it even makes it past the tumblr censors), and various kink stuff.
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Not knowing that you have a villain inside you, a hero, and a bystander is a lesson that everyone should learn.

What is the quote from Jingo, by Sir Terry Pratchett, to the effect of "when someone does something terrible, we want it to be one of Them, because if it isn't Them, then it is Us?"

“It was because he wanted there to be conspirators. It was much better to imagine men in some smoky room somewhere, made mad and cynical by privilege and power, plotting over the brandy. You had to cling to this sort of image, because if you didn’t then you might have to face the fact that bad things happened because ordinary people, the kind who brushed the dog and told their children bedtime stories, were capable of then going out and doing horrible things to other ordinary people. It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone’s fault. If it was Us, what did that make Me? After all, I’m one of Us. I must be. I’ve certainly never thought of myself as one of Them. No one ever thinks of themselves as one of Them. We’re always one of Us. It’s Them that do the bad things.”

Jingo. 1997. Pratchett, Terry. NY, London, and Ankh-Morpork: Harper-Collins. p. 205

"Evil is unspectacular and always human, And shares our bed and eats at our own table ....” ― W.H. Auden

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I’m beginning to realize a lot of Discworld plots sound like those short fantasy stories tumblr makes up

“Death hires a peasant boy to be his assistant”

“A wizard who can’t do magic goes on buddy cop adventures with a tourist in a flower-print shirt”

“A woman disguises herself as a man to join the army, only to slowly find out her entire troop is also made up of disguised women”

“Macbeth but the witches are the protagonists”

Anyways go read Discworld and GNU Terry Pratchett

Not to mention one of my personal favorites:

“Santa Claus goes missing so Death fills in for him while his daughter tries to figure out what happened.”

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It is said that, during the fantasy book in the late eighties, publishers would maybe get a box containing two or three runic alphabets, four maps of the major areas covered by the sweep of the narrative, a pronunciation guide to the names of the main characters and, at the bottom of the box, the manuscript. Please… there is no need to go that far. There is a term that readers have been known to apply to fantasy that is sometimes an unquestioning echo of better work gone before, with a static society, conveniently ugly ‘bad’ races, magic that works like electricity and horses that work like cars. It’s EFP, or Extruded Fantasy Product. It can be recognized by the fact that you can’t tell it apart form all the other EFP. Do not write it, and try not to read it. Read widely outside the genre. Read about the Old West (a fantasy in itself) or Georgian London or how Nelson’s navy was victualled or the history of alchemy or clock-making or the mail coach system. Read with the mindset of a carpenter looking at trees. Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works. I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense. You are allowed to make pigs fly, but you must take into account the depredations on the local bird life and the need for people in heavily over-flown areas to carry stout umbrellas at all times. Joking aside, that sort of thinking is the motor that has kept the Discworld series moving for twenty-two years.

“Notes from a Successful Fantasy Author: Keep It Real” (2007), Terry Pratchett. (via the-library-and-step-on-it)

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madebyabvh

THIS IS WHAT ATHEISTS ACTUALLY BELIEVE

I REMEMBER THIS WHAT IS THIS FROM HOLY SHIT SOMEBODY TELL ME PLEASE

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taiora

It could be monty python.

For those who don't know:

1) I think there's an old Indian myth that the world rests on the back of four elephants who stand on a turtle in space, but since in this picture the world is flat, it's most likely from...

2) Terry Pratchett's "Discworld" series takes place on "a flat disc balanced on the backs of four elephants which, in turn, stand on the back of a giant turtle, Great A'Tuin."

By the way, if you've never checked out a Discworld book, you probably should. Think of it like JRR Tolkien meets Douglas Adams by way of Monty Python - a skewering of all things fantasy that is both faithful to it's fantasy roots and lovingly brutal in its deconstruction of common tropes.

Favorite books in the series so far: The Color of Magic, Carpe Jugulum, Thud!, Thief of Time, Night Watch, Pyramids, Wyrd Sisters.

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