In which Cass is the anonest anon that ever anon'd

the red means I love you

1/40

Hoop for Episode 161 - Dwelling, for @sutterkeely, who kindly donated to RAICES. Thank you!!

"TIM

Well, after the party, at least. Wine, anyone?

ARCHIVIST

Tim, it’s eleven in the morning.

[THE CORK POPS.]

TIM

Pfft, yeah, at your birthday party.

[HE BEGINS POURING.]

ARCHIVIST

I really don’t think it’s appropriate –

MAGNUS

(overlapping) I’ll allow it. In fact! I’ll join you.

ARCHIVIST

(surprise) Oh! O-kay, um, a-al, alright then?

[SOUNDS OF CONTINUED POURING BEHIND ALL THIS.]"

Just. ;0; you know?

We're BACK, woo! Account reinstated.

Hoop for Episode 162 - A Cozy Cabin, for @dioneedoodles

"GERRY

Can I use your wastepaper bin?

GERTRUDE

Yes, it’s just –

[SHE CUTS OFF – JUST AS THERE’S A CREAK FROM A DESK OR CHAIR, LIKELY GERRY BEGINNING TO GET UP.]

GERTRUDE

Wait. Surely you didn’t bring it here!

GERRY

Well, yeah, I, uh –"

Embroidering goth gear is an experience.

I’m behind one day uh oh

Yeah idk I can’t look at this anymore

stressed season 2 jarchivist for @dudeiwannasleep’s dtiys

“That wasn’t fear, it wasn’t even anger. It was envy.” 

[Basic image ID in the alt text, more elaborate below the cut]

I do have some kind of  justification for why Jon would show up weird on polaroids (as opposed to digital media, when in tma it’s often vice versa) but to be honest, the actual justification is “because it’s funnier”. 

Bonus: 

[Image ID: Jon is frowning, trying to grab the photo, which Martin has passed to his other hand. Martin is smiling, eyes closed. Jon: “I… I’m sorry it’s ruined. I’ll just, toss it-” Martin: “No, its - I want to keep it. I think it’s a good photo.” /End ID]

Keep reading

“I wonder, Gertrude, whether you are truly as fearless as you seem, or if you are simply a master of disguising your terror. I suppose I’ll never have a chance to find out. I rather hope it was the former. However much I disagree with some of your methods, it feels good to believe there are people in this world who can stare down the Devil without flinching.”

I’ve been thinking a lot about Gertrude lately. 

About what it would be like to devote your entire life to stopping one apocalypse after another only to learn in your final years that none of it had ever really mattered. 

About what it would be like to receive that final letter from Dekker, ‘the only real hero in TMA’, in MAG 157, a man of raw conviction and hope. 

About what it would be like to know in your heart you were the latter – faithless, tired and destined for an equally grisly end, and to carry on with the work anyhow and never let the monsters know.

“Goodbye, Gertrude. May you find your rest where no shadows are cast, and no eyes may see you slumber.”

don’t mind me just dealing with the finale

the first drawing is the first ever jonmartin i’ve ever drawn, back in january 2020.  i thought about redrawing it as is but i think it’s much more interesting to draw it again as the finale, makes for a really fun contrast imo! Look How Far We’ve Come and all.

anyway, thank you tma, this show has meant a lot to me, and has helped me both improve a lot art wise as well as make some connections w some really cool people i definitely would never have met otherwise. but most importantly thank You for all your support and love this past year!! it truly means a lot and i appreciate you all immensely! thank you! i love you!

they’re gonna be alright

And the Wild Things cried, “Oh please don’t go— We’ll eat you up, we love you so.”

Hugs? Hugs for the Archivist?

(Tma is ending this week so I give you much needed embraces)

Archivists are all the rage this Halloween!!

Lil bonus: