sophie thatcher source

“I don’t know if this is setting the bar too high or if I’m allowed to say this, but people should be expecting answers,” she says. “It’s coming back to where the pilot was, which I think is perfect timing for that. It’s just becoming more and more unhinged, and Natalie goes through more than anything. And I said this last season, but I’ll keep saying it: Now you see what has made Natalie so messed up. There’s a bit more of that connection between me and Juliette now, even though now she’s gone. It was a fun season, but it was really fucking draining.”

SOPHIE THATCHER ON NATALIE AND YELLOWJACKETS SEASON 3 Rolling Stones

“It works with the movie because Hugh Grant goes on a spiel about religion and Christianity, [and how] they’re all iterations of each other. And the same goes with music. He goes on this tangent about Radiohead. ‘Creep’ comes from the Hollies’ ‘The Air That I Breathe.’ They were sued. And then Lana Del Rey’s ‘Get Free’ copies ‘Creep.’ So it’s this ongoing discussion where there are only so many chord progressions. And within this cover, it was essentially ‘Fade into You’ but ‘Knockin’ on Heaven’s Door.’ It was clever, and it works well at the end of the movie to put a little ribbon on it.”