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Dreams Of Stars

@somnastra / somnastra.tumblr.com

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So our cat Ravioli sometimes does this thing we've started calling a Ravioli jumpscare where he'll hide next to a door or behind a piece of furniture and wait for us to pass next to him and jump at us lifting both his front paws in the air. So sometimes I'll be working on the living room while my husband is in the bedroom and he'll notice the cat crouching down next to the door and he'll be like "babe can you come in for a sec? The cat wants to jumpscare you"

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valtsv

you'd think that demons would have a lot more sympathy for the virgin sacrifices and a lot less for the guy holding both of them captive against their will

guy wearing a hooded robe and holding a tome of ancient magic: o foul demon, i have summoned you here to -

the demon, walking straight past the sacrifice and towards the guy who summoned them with murderous intent: is this guy bothering you queen?

OH MY GOD, THIS IS THE BEST THING EVER

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voyagerprobe

types of stard

  • mu
  • ba

this is oddly close to real ‘ard’ is a real suffix in the english language just like ‘ly’ or ‘ify’, it just isnt common enough for us to notice its usage. ‘ard’ means ‘too much’ or ‘too easily’ so ‘mustard’ is something that is ‘too pungent’, just as ‘wizard’ is someone who is too wise, ‘coward’ is someone too easily cowed, and ‘drunkard’ is someone too often drunk

this implies that ‘bastard’ is someone who is too ‘bast’ and this needs experimentation and research

Are you fucking serious omg

This is pretty much correct. According to the OED bastard is from Old French and the bast- part means “pack saddle” which was used as a bed by mule drivers, giving the phrase fils de bast, a child conceived on the pack saddle instead of the marriage bed. In English it becomes bastard, the -ard being a pejorative. It is the same one as wizard and coward and drunkard.

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ritavonbees

types of ard

  • must
  • bast
  • wiz
  • cow

my brain feels Expanded

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somnastra

You cannot convince me the wizard is not pejorative, now.

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the white suit tho

Great thought, but for those unaware, Kate Mulgrew’s gorgeous tux from The Killing Game was 100% a reference to Dietrich’s suit in Blonde Venus (1932) with Cary Grant, a pre-Code film directed by Josef von Sternberg. It’s hard to tell in Killing Game, but Mulgrew’s lapels are also sequined. So is the stripe in the trousers. It is basically a replica of Dietrich’s suit, no question.

Okay, so I have a PhD in queer fashion and media. So this is something I happen to know a lot about. So let me explain a few things.

For starters, You cannot get a more explicitly queer-coded woman than Marlene Dietrich.

Cary Grant (another closeted Queer in Hollywood) is also in Blonde Venus, and although their chemistry is great, their romance is unbelievable because it’s very clear that they are both absolutely queer. Hattie McDaniel appears in this film, another Queer in Hollywood (and the first Black person ever to win an Oscar). In both Blonde Venus and Morocco (1930), Dietrich flirts with both men and women. Dietrich was considered a Drag King in her day. She famously proclaimed, ‘I am a gentleman at heart.’

Dietrich often refused to wear trousers, and openly declared that she had plenty of women lovers. She is an iconic staple for queer sexuality even today. She famously kissed a woman in Morocco whilst wearing a tuxedo- with an audience watching and cheering. She then kisses a man, the audience applauds, and she exits. This scene (below) was added at Dietrich’s own behest. The scene was extremely controversial, and they had to defend it against the censors for months.

This very scene is one of the many reasons The Hays Code was enacted (rules from a super-Catholic man who bribed his way into Hollywood and forced the religious ideologies onto the screen), and this scene was one that The Hays Code often pointed to as ‘immoral’ and ‘perverted’ and ‘sexually explicit.’ You can thank the Hays Code for the split beds Lucy and Ricky had, for rules that a kiss must not last longer than a certain amount of time, that, absolutely, NO queer ANYTHING could be acknowledged to exist. Everything had to be subtext, and that’s why so many old black and white films feel really queer.

But Dietrich openly proclaimed herself queer, dressed in men’s clothing, kissed women on screen- and became a Queer icon not just in fashion, but in sexuality, decadence, and identity. The so-called famous ’Dietrich’s Sewing Circle’ (of which Hattie McDaniel was a member) was essentially every Queer woman in Hollywood who all had affairs with each other. Books have been written on this. Here’s a brief article about one of those books that goes through some of the basics.

Okay, Queer Fashion Film Academic, what’s your point?

The point is that by wearing a duplicate of a Dietrich suit- one where she openly flirted with women, no less–Janeway is 100% coded as queer in The Killing Game.

Especially with that tuxedo scene and the way she’s talking to Seven. In fact, most of the scenes in those episodes where she is talking to Seven, you will notice that Mulgrew plays Janeway with a bite- her eyes linger on Seven just a bit longer, her body language is just a bit more open and fierce than usual.

Even in Paris, for a woman to wear what Mulgrew/Janeway is clearly coding herself as a Queer person through that specific outfit. She is wearing a giant billboard that says I AM QUEER.

By putting Kate Mulgrew in a replica of a Dietrich 1940s tuxedo, Janeway is visually coded as queer through replication and imitation of one of the most Queer icons in cinematic history. That suit is too famous, too iconic, too specifically loaded with subtext and text of queerness through Dietrich.

I am convinced that the costume department 100% knew what they were doing, and part of me wonders if Kate Mulgrew herself had pushed for that suit. Why? Because Kate Mulgrew herself was the one who pushed for Janeway to have a same-sex relationship.

Watch Blonde Venus. Watch Morocco. Then, watch Kate Mulgrew in The Killing Game. She imitates Dietrich’s body-language, her mannerisms, the smirk, in that opening scene. There is no question- Janeway has been possessed by Dietrich’s characters.

Funnily enough, for the rest of those two episodes, Kate Mulgrew is also very clearly imitating another Queer woman through her voice intonation and mannerisms, general fashion and hairstyles: Katharine Hepburn.

Because of her absurd visual and voice similarity to Katharine Hepburn (another Queer in Dietrich’s sewing circle), Mulgrew once played Hepburn in Tea at Five.

Like Dietrich (bisexual), Hepburn was very clearly Queer coded, as she was a lesbian. She was also famous in Hollywood for her male-coded attire, though she preferred regular suits to Dietrich’s tuxedos.

She, like Dietrich, had the same problem whenever they teamed up with Cary Grant- watch Philadelphia Story and tell me that the real ending of that movie is not Hepburn’s character, Grant’s character and Stewart’s character all ending up in a thruple together. The movie makes no sense if that’s not the real ending.

Hepburn wore trousers on film sets and this upset the studio so much they literally stole her trousers, trying to force her into a skirt. Hepburn just walked around in her knickers, refusing to wear the skirt. Eventually, the studio gave her back the trousers.

Okay, I’m going off tangent. Here’s your takeaway:

Kate Mulgrew, (because she’s an absurdly amazing talent), is very heavily is influenced in mannerism, voice, accent and appearance by two of the most Queer-Coded women in cinematic history in The Killing Game. Through fashion and performance, she embodies Dietrich’s Blonde Venus and Morocco characters, and through appearance, voice and body language, she gives that image an additional layer of of Hepburn’s fierce, Queer persona.

Conclusion: Arguably throughout all of Voyager, but specifically In The Killing Game, Kathryn Janeway is visibly Queer.

By the way, although she never got credit for it, the person who wrote Blonde Venus was Dietrich herself. Both she and von Sternberg were suspended for several months because the movie was considered too salacious by the Hays code, and it caused production problems for over a year.

The BFI has a great write-up on Dietrich’s queerness and fashion, you can read it here: https://www.bfi.org.uk/features/my-best-girlfriend-queer-dietrich-screen

That white suit means so much more than you thought.

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dashlit

in sixth grade my homeroom teacher caught this kid stephen saying, “that’s so gay.”

so he told the class that for the rest of the week, anytime you wanted to express something negatively, you could say, “that’s so stephen.”

and it started out as a joke, where even this stephen kid was going around using it, laughing at it, not really caring. it was funny, i guess.

but then one of his friends got a bad mark on a test and said, “that’s so stephen.”

we had a blacktop recess and everyone kept saying, “that’s so stephen.”

and when we got too loud doing groupwork and had to separate and work silently, everyone in the class kept muttering, “that’s so stephen.”

and the weirdest part was that even though it was just a word we were using, even though it had nothing to do with stephen, we all sort of blamed stephen.

and as everyone kept using “that’s so stephen,” all week, you could see stephen himself finding it less and less funny. we played a game called “pamplemousse” in french class and everyone got stephen out right away if they could. someone literally went and found one of stephen’s art projects when nobody else was around and ruined it so he had to start over.

and when my homeroom teacher found out about it, he sat everyone down and told us that it wasn’t okay to say “that’s so stephen” anymore. that the things we’d been blaming him for weren’t his fault and the things we’d been doing to him weren’t fair.

he told us that stephen couldn’t help it that he was stephen. he didn’t choose to be stephen. he was born stephen.

and that’s when it clicked.

we all felt pretty stupid, i think, for sort of falling for it, but i’ll be damned if i’ve ever had a teacher get a lesson across so utterly and completely as mr. bernard did.

it hadn’t even been the full week.

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reblogged

dracula is considered a classic because it covers timeless human emotions such as "this food is not good for me but I'll eat it again because it's delicious" and "i ran to the train and of course it was late"

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coughloop

A little brown bunny was so kind and sweet it stretched its whole body out and got long enough to go to sleep

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memorycycle

can u pls leave the discussions to the scholars

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averagefairy

old people really need to learn how to text accurately to the mood they’re trying to represent like my boss texted me wondering when my semester is over so she can start scheduling me more hours and i was like my finals are done the 15th! And she texts back “Yay for you….” how the fuck am i supposed to interpret that besides passive aggressive

Someone needs to do a linguistic study on people over 50 and how they use the ellipsis. It’s FASCINATING. I never know the mood they’re trying to convey.

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feynites

I actually thought for a long time that texting just made my mother cranky. But then I watched my sister send her a funny text, and my mother was laughing her ass off. But her actual texted response?

“Ha… right.”

Like, she had actual goddamn tears in her eyes, and that was what she considered an appropriate reply to the joke.I just marvelled for a minute like ‘what the actual hell?’ and eventually asked my mom a few questions. I didn’t want to make her feel defensive or self-conscious or anything, it just kind of blew my mind, and I wanted to know what she was thinking.

Turns out that she’s using the ellipsis the same way I would use a dash, and also to create ‘more space between words’ because it ‘just looks better to her’. Also, that I tend to perceive an ellipsis as an innate ‘downswing’, sort of like the opposite of the upswing you get when you ask a question, but she doesn’t. And that she never uses exclamation marks, because all her teachers basically drilled it into her that exclamation marks were horrible things that made you sound stupid and/or aggressive.

So whereas I might sent a response that looked something like:

“Yay! That sounds great - where are we meeting?”

My mother, whilst meaning the exact same thing, would go:

‘Yay. That sounds great… where are we meeting?”

And when I look at both of those texts, mine reads like ‘happy/approval’ to my eye, whereas my mother’s looks flat. Positive phrasing delivered in a completely flat tone of voice is almost always sarcastic when spoken aloud, so written down, it looks sarcastic or passive-aggressive.

On the reverse, my mother thinks my texts look, in her words, ‘ditzy’ and ‘loud’. She actually expressed confusion, because she knows I write and she thinks that I write well when I’m constructing prose, and she, apparently, could never understand why I ‘wrote like an airhead who never learned proper English’ in all my texts. It led to an interesting discussion on conversational text. Texting and text-based chatting are, relatively, still pretty new, and my mother’s generation by and large didn’t grow up writing things down in real-time conversations. The closest equivalent would be passing notes in class, and that almost never went on for as long as a text conversation might. But letters had been largely supplanted by telephones at that point, so ‘conversational writing’ was not a thing she had to master. 

So whereas people around my age or younger tend to text like we’re scripting our own dialogue and need to convey the right intonations, my mom writes her texts like she’s expecting her Eighth grade English teacher to come and mark them in red pen. She has learned that proper punctuation and mistakes are more acceptable, but when she considers putting effort into how she’s writing, it’s always the lines of making it more formal or technically correct, and not along the lines of ‘how would this sound if you said it out loud?’

the linguistics of written languages in quick conversational format will never not be interesting to me like it’s fascinating how we’ve all just silently learned what an ellipsis or exclamation mark implies and it’s totally different in different communities or generations or whatever

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curlicuecal

We had a running joke about how many times our grad PI’s emails scared us because they were uncharacteristically terse. (You’d get like “We need to talk about your paper.” and then the actual talk would be “It’s great!”)

And he heard us talking one day and started adding smiley emojis to his emails, and honestly it really helped

Can we also have a support group for all of the people who’ve had to do the “Please do not send me a text that says ‘call me.’ unless someone is dead. If no one is dead, you need to delete the period and add a lighthearted emoji” workshop with their boomer parents? Because I know about 10 people who’ve had that exact conversation.

Texts from my mom look like this now:

Call me! 👻

call me 🥑 🥭

Call me. (No one’s dead I just want to talk.)

CALL ME! 🎏🐹🌴💅🏼🎷🌺👒

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tiptoe39

Book rec if you are interested in this kind of language stuff: Gretchen McCullough’s book BECAUSE INTERNET. It goes into these topics in detail along with a bunch of others and is really fascinating.

Thank fuck for Tumblr and my 21yo friend who keep me from sounding like the old lady I am.

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annlarimer

My sister is ten years older than me and reading her texts sends my anxiety through the roof. “Ha ha… Long time no see…was gonna have the police do a welfare check!” JFC.

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taraljc

holy shit there’s two of you? It’s really hard for me to picture more than one larimer at a time

There were five of us, nearly six. I’m the youngest. Try to imagine a clown car where all the clowns have 140+ IQs, undiagnosed depression, various mystical bents, each is fascinated by a different set of weird objects/ideas, and we get into loud arguments about honking shoes that lead to unending grudges.

Now imagine two more generations wandering around out there, including at least two indie bands.

Annie, you just described the entire internet.

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notemily

In case you wanted to know how the demise of Verification over on Twitter was going

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hellkatsally

These dudes are fucking legit.  They don’t just show up one day in court, either, they actually make friends with the kids and let them know they have a support system and that there are people in the world who care about them and will always have their back.  And less important, but also cool, is that the few times a couple of them have come into my cafe, they’ve been super friendly and polite and when I told one of the guys that I noticed his Bikers Against Child Abuse patch and wanted him to know how awesome I thought he was because of it, he got kind of shy and blushed and said, “The kids are the awesome ones, we just let them know they’re allowed to be brave.”

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bebinn

The source is long, but so, so good. These men and women are available in 36 states, 24 hours a day to stand guard at home, in court, at school, even if the child has a nightmare. Many of them are survivors of childhood abuse as well, and know what it’s like to feel scared and alone.

In court that day, the judge asked the boy, “Are you afraid?” No, the boy said.
Pipes says the judge seemed surprised, and asked, “Why not?”
The boy glanced at Pipes and the other bikers sitting in the front row, two more standing on each side of the courtroom door, and told the judge, “Because my friends are scarier than he is.”

Actual tears.. hnngh

Show me more of people like this, world. I give up on humans too easily.

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groovypirate

where do i sign up for this,i want to be in this gang

This is fucking amazing. It may be out of character for me to say this but rock on

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clatterbane

Bikers Against Child Abuse was founded in 1995 by a Native American child psychologist whose ride name is Chief, when he came across a young boy who had been subjected to extreme abuse and was too afraid to leave his house. He called the boy to reach out to him, but the only thing that seemed to interest the child was Chief’s bike. Soon, some 20 bikers went to the boy’s neighborhood and were able to draw him out of his house for the first time in weeks.

Chief’s thesis was that a child who has been abused by an adult can benefit psychologically from the presence of even more intimidating adults that they know are on their side. “When we tell a child they don’t have to be afraid, they believe us,” Arizona biker Pipes told azcentral.com. “When we tell them we will be there for them, they believe us.” ( Article)

More about BACA, from their site

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uriesays

My parents are a part of this organization and they are metal af

They go on runs to protect the child if they feel even the slightest threatened no matter where. If the child needs them to go on vacation with them, they do. Bikers come from across the nation to watch over and take shifts for these kids. And the best part is once you’re adopted into this family as a BACA kid, you’re always one. Even when you’re 40 and the perp gets released from jail, they’ll come meet with you and find your best options for avoiding the person and maintaining the life you’ve built for yourself. Once a BACA child, always a BACA child. In Florida, there’s 100% rate for identifying the perp based on the child’s testimony. Why? Because BACA stands with the child and supports the child so they feel comfortable enough to point out their attacker.

What’s better than a badass biker gang being on your side???

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kikithegirl

NATIVE AMERICAN CHILD PSYCHOLOGIST WHO IS A BIKER AND NAMED HIMSELF CHIEF HELL YES I’M HERE FOR THAT AND BIKERS BEING BAD ASS TO PROTECT KIDS. HELL YEAH.

it’s back! I will always reblog BACA

Damn good people.

I know they wouldn’t consider themselves such, but these people are freaking heroes and the world is a better place because of them. 

Hey folks, it talks about this in the article but its not mentioned in this post, BACA is a 501 © (3) charity that depends in part on donations to help pay for stuff like gas for their bikes. If you want to help, consider donating. 

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drgaellon

@copperbadge You like posting about heroes, Sam. Seems like this would be up your alley.

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copperbadge

I love these folks! I’ve reblogged them before but it’s wonderful to see the donation information has been added. 

Always reblog. Keep doing what you’re doing y'all.

Guys? This post changed my life. I saw this post. Forever ago. And thought it was only in america… and wished desperately that they could help me. But then I saw it again, during a bad episode, and checked their site. They aren’t just in the USA

They’re in Canada as well and probably other countries. I met and talked with a native guy who runs the place near me. His name is Shaman. I got in, and I’m considered a BACA child now. Despite being 17, turning 18 when I talked to them. They spent time with me when my abuser was over, they gave me therapy resources. They give you something called a ‘level 1′ where they go to your house with as many bikers as they can, i shit you not a solid 20-40 bikers came from even out of province, and met me. I got to choose my biker name and I got a vest with patches on it and my name on it. They all hugged a Teddybear before giving it to me, and told me if I ever felt the BACA bear was running out of love, to give them a call and they’d refill it for me, and then I got a ride on one of their bikes. Just a day or so ago I went to an annual party with them and they we ate food one of them cooked and had a lot of laughs. 

I’ve never felt as loved as I did being a part of the BACA family. They also gave me dog tags with the names, and phone numbers of my 2 workers.  So I can call them whenever I feel scared. 

BACA is an absolutely wonderful group that will do everything in it’s power to help any child whos been abused. 

And it doesn’t end when you’re 18 either. As long as you get in contact/get your level 1 before you’re 18? you’re ALWAYS a BACA kid. I’m 18 now and they still invite me to parties, ask me if I’m okay, and are there for me. They’re still trying to find me resources for therapy. 

BACA has changed my fucking life. 

I hope you all can read this, and reblog it knowing from someone who fucking been with them, that they are absolutely amazing. 

If I ever don’t reblog this, it’s because I am physically being restrained against my will.

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gasdiver2

Supporting your local hero’s.

FUCKEN AMAZING what these Bikers do!!!! This is why I don’t give up on humanity…

💞🖤💞 Carpe Diem 💞🖤💞

Links the International BACA Chapters:

B.A.C.A’s Byline: “Keepers of the Children.” B.A.C.A.’s Motto: “No child deserves to live in fear.”

Not all heroes wear capes, some wear biker vests.

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humanjoy

Had seen this before, but never realised that this is on an international level - there’s even a contact address close to where I live (in Germany), very cool (though hoping the only use I’ll ever have to make of it is for donations) ❤

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bettsfic

listen. padme amidala is a freak, okay. ever since aotc i’ve had to listen to bullshit arguments about how awful the prequel romance is, how anakin’s a red flag, blah blah blah. that’s a smooth brain take. first of all, of course he’s a red flag. that’s the point. you think padme doesn’t know anakin is ten pounds of mommy issues in a five pound bag? you think she looked at soggy weeping anakin begging her to love him and didn’t immediately think “yes i definitely will peg him” ?? you think just because she’s a queen turned senator that she isn’t just as horny and feral as he is? anakin wasn’t even pushy about it. he was just “oh btw i’ve been obsessed with you for a decade and live in a perpetual state of emotional agony but thats okay whatever you want is fine with me haha” and padme goes “yea okay i’m into that.” two minutes after he’s assigned to be her bodyguard she gives an obligatory little “i have a bad feeling about this” and then just fucking marries him. this is a woman who wore white to a blood bath. come on.

#I like the prequels more now that I’ve decided to stop trying to shoehorn any character’s behaviors into normal boxes #and instead just asked myself ‘what kind of person would make these choices’ and see the characters as that #Padme seriously wore a black corset to tell him she was very into him but they would not be fucking #instead of saying oh my god who DOES that #I just instead ask myself ‘who does that’ and realize that explains a lot more #here is this wealthy educated and perhaps a little vain woman who sees her childhood hick charitycase friend grew up as a hot goth jock #and oh no he’s still space racist and awkward and yet she goes harder for him after finding that out #she’s absolutely a freak #her being a freak is actually the most polite way to interpret her character #because it intersects so interestingly with this virgin child queen who crowned the emperor shit that’s her actual legacy #to be honest I still have no clue what Lucas intended to say with these characters but tehyre a lot more fun once you turnoff preconceptions #the OT trilogy are adorable and iconic but the PT trio are great because theres something fucking wrong with all of them #just comically tragically the dumbest combination of disordered behavior from a group of protagonists #the OT trio are unlikely but largely successful heroes! The PT trilogy are hyper-competent child geniuses who grew up to be #heavily decorated and famous heroes who break the entire setting forever and I love that for them!

shout out to @superstardestroyer for having the most correct star wars opinion on this website

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villainesses

@itspaolomontalban: It’s been 25 years and I remain equal parts humbled and grateful to have witnessed how @cinderellamusical has connected and uplifted so many communities over the generations. To every child (and impossible dreamer) out there… Remember. You can be whatever you want to be. ✨

It's less a sequel and more "they chose this version of Cinderella and the Prince for the next Descendants movie" but I'm still here for it!!!

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