Maurice (1987), dir. James Ivory, cinematography by Pierre Lhomme.
Alone again. Down into the back of the skull. Imagining and dreaming and beyond the edge of the frame, darkness. The black night invading. The soot from the candles darkening the varnish, creeping round the empty studio, wreathing the wounded paintings…smudging out in the twilight.
Caravaggio (1986) | dir. Derek Jarman
Caravaggio (1986) dir. Derek Jarman, cinematography by Gabriel Beristain
Superimposition 2: Dissolve edits in Maurice (James Ivory, 1987): Maurice’s dream(s)
‘He wonders whether the gentleman wished to bathe between innings, sir. He has just bailed out the boat.’
‘A wonderful man, wonderful cameraman, absolutely brilliant.’ – James Wilby, 2017
Self-reblogging in honour of Maurice’s Director of Photography Pierre Lhomme, who died on 4 Jul 2019, aged 89
Pierre Lhomme, Legendary French Cinematographer, Dies at 89, Hollywood Reporter, 5 Jul 2019
Superimposition 1: Dissolve edits in Maurice (James Ivory, 1987): Risley’s arrest
Self-reblogging in honour of Maurice’s superb Director of Photography Pierre Lhomme, who died on 4 Jul 2019, aged 89
Pierre Lhomme, Legendary French Cinematographer, Dies at 89, Hollywood Reporter, 5 Jul 2019
During his long career, cinematographer Lhomme was responsible for the look of more than 80 films. Maurice was the second of his five credits for Merchant Ivory, following Quartet (James Ivory, 1981), adapted from Jean Rhys’s autobiographical novel and starring the young Isabelle Adjani. His wider credits included Chris Marker’s Le joli mai (1963), Jean-Pierre Melville’s Army of Shadows (1969), Bruno Nuytten’s biopic of the artist Camille Claudel (1988), again starring Adjani, and Jean-Paul Rappeneau’s Cyrano de Bergerac (1990).
*leaves a ladder outside my window*
i sure hope a handsome gamekeeper doesnt climb up here and kiss me
@kiev4am:
#to be quite fair to maurice he didn't leave the ladder there#that was all alec
#maurice just wandered out there onto his balcony/roof and gave the ladder a totally innocent not-intended-as-a-come-on shake
#cough
#i love how totally unsubtle it all is
#alec 'i am just leaving this ladder here at the end of my working day for NO REASON'
#'i have no idea whose window it is *cough*
'#sure jan
#maurice just wandered out there onto his balcony/roof and gave the ladder a totally innocent not-intended-as-a-come-on shake
Making sure to unbutton his pyjama shirt enticingly down to the waist first
While also sweating in the rain, not signalling INCREDIBLY AROUSED at all
Then bangs the ladder HARD, absolutely nothing phallic to see here
Basically: don’t get me started on this scene
Superimposition 2: Dissolve edits in Maurice (James Ivory, 1987): Maurice’s dream(s)
‘He wonders whether the gentleman wished to bathe between innings, sir. He has just bailed out the boat.’
It's Monday morning, so Maurice is me and the girl is the job I used to love and is now killing me slowly but surely, and that coffin-boat could well be the exact metaphor for my life right now... (I'm usually not this dramatic but it's the last week of this school term and it's raining paperwork)
Superimposition 1: Dissolve edits in Maurice (James Ivory, 1987): Risley’s arrest
A Room with a View (1985) dir. James Ivory
‘I used to bathe there too, until I was found out’ *
I want to be like others. Normal. It’s a bit too late for that.
Bande de filles (2014) dir. Céline Sciamma
Girlhood/Mädchenbande is a coming of age film that focuses on the life of Marieme (Karidja Touré), a girl who lives in a rough neighborhood right outside of Paris.
Prime example for all black cast directed by female queer woman. Also, gorgeous. Diversity at its finest. Empowering story. Highly recommended.
I must look for these. I miss French films!
Maurice (1987) dir. James Ivory
Bram Stoker’s Dracula (1992) Directed by Francis Ford Coppola
A Room With a View (1985) dir. James Ivory, cin. Tony Pierce-Roberts