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Out this week: Project: Cryptid #1 (Ahoy Comics, $3.99):
This anthology series will feature stories about cryptids around the world, starting with a Yeti story by Mark Russell and Jordi Perez and a Deathworm story by Paul Cornell and PJ Holden. It also includes a chapter of the round-robin story “Partially Naked Came The Corpse!” by Grant Morrison.
Here’s a page from a comic Grant Morrison shared on his Substack recently, a science fiction story called “Going Home” that Morrison says he wrote and drew about 40 years ago.
Happy World Beard Day -- and beware of the Beardhunter!
Superman and the Authority #1 marks Grant Morrison’s return to both Superman AND The Authority in a new miniseries with artist Mikel Janín. The elder Superman teams up with Midnighter, Apollo, Enchantress, Natasha Irons, and new versions of Lightray and O.M.A.C. to get to the bottom of what’s happening on Warworld and face off with the Ultra-Humanite.
The first issue is available in comic shops and on digital today. See what other comics and graphic novels are arriving this week!
Tom Taylor, John Timms, Grant Morrison, Mikel Janin and more tell new tales of the Man of Steel, the Woman of Tomorrow and the Son of Kal-El.
The horror miniseries debuts from BOOM! Studios in March.
Proctor Valley Road #1 is out this week. See what else is coming out!
The third and final volume of Wonder Woman: Earth One arrives this week. Grant Morrison, Yanick Paquette and Nathan Fairbairn pit Diana, now queen of the Amazons, against an assault on Paradise Island by Maxwell Lord.
Tom Bondurant on the latest issue of Green Lantern Season Two by Grant Morrison and Liam Sharp:
I’m not one for shipping or OTPs, but I do think that Hal and Carol haven’t had enough outright team-ups where they work together as experienced super-people. The whole issue has that sort of lived-in feel which stops just short of world-weariness, and it’s very appealing. One character sighs loudly, “There’s a Dark Multiverse? while another GL reminds Hal that “when I’m not just a walk-on in your epic life, I actually do stuff!” Morrison and Sharp’s GL hasn’t been the most memorable work from either, and I’m not sure where it falls on the spectrum of quality Green Lantern comics. However, I’ve liked how they’ve tried to marry the feature’s weirder qualities with Hal’s I’m-good-at-my-job attitude, and I will probably revisit it after it has wrapped up.
The horror miniseries debuts from BOOM! Studios in March.
Throughout the 1960s, Justice League of America was the standard-bearer for DC Comics’ superhero teams. In the 1970s, the series boasted an expanded roster and solid, steady Dick Dillin art. The 1980s brought sweeping, lasting changes, from Detroit to the JLI; and the early ’90s turned the League into a franchise. Still, was any of that ever really cool?
I can’t tell you for sure, but I can say this: starting in the summer of 1996, the Justice League was cool enough for Wizard. The breathless self-appointed arbiter of mainstream superhero comics’ cutting edge was all over JLA in the series’ early years, including a 1997 special issue devoted entirely to the title. It was a super-high concept executed by Grant Morrison, one of the era’s hottest writers. Of course Wizard was going to notice.
Because I couldn’t think of an accessible metaphor that was actually from the 1990s
Specifically, after many years DC had finally managed to wrangle the seven “original” Justice Leaguers back onto the team, and matched them with a writer who a) genuinely loved DC’s Silver Age and b) had amassed a ton of critical acclaim, including proto-Vertigo work on Animal Man and Doom Patrol. What probably seemed like a no-brainer to the fan community must have been the product of massive editorial goodwill – compare Batman overlord Denny O’Neil’s very grounded “urban legend” approach to Morrison’s “most dangerous man on Earth” – but it was simple and efficient.
Grant Morrison ‘rewrites reality’ in a new miniseries that spins out of his work on ‘The Green Lantern.’
Hal Jordan gets a solo title that’s about ‘the everyday life of a space cop.”
Today at Comic-Con International, DC co-publishers Dan Didio and Jim Lee welcomed a special surprise guest to their “Meet the Publishers” panel: Grant Morrison, writer of, among other things, the Arkham Asylum graphic novel and the more recent Wonder Woman Earth One graphic novel. And he brought news concerning both.
Is your mind now blown? Grant Morrison hooked us up with his sketch and map of the DC Comics multiverse.
Just like the map of the London Underground. Not.
by Kevin Melrose
While Grant Morrison’s remarks about bondage, submission and eroticism in early Wonder Woman comics may receive widespread attention, his more subdued comments in a new interview may actually shed the most light on his long-awaited take on the Amazing Amazon.
Talking to USA Today about Wonder Woman: Earth One, his 120-page graphic novel with artist Yanick Paquette, the writer explains that, “I’m really focusing a lot more on the mother and daughter story in it between Hippolyta and Diana. I want it to be that kind of book, a story about women.”
by Tom Bondurant
Remember when Batman was a jerk?
Remember when Batman was such a jerk that no less than Mark Waid called him “broken”?
Starting in 2006, writer Grant Morrison aimed to help fix him; and this week, with Batman Incorporated Vol. 2 #13, Morrison concluded his Bat-saga. The issue is a neat encapsulation of the themes Morrison has played with for the past seven-plus years — including the portability (and immortality) of “Batman,” the uniqueness of Bruce Wayne, and the importance of not going alone — all drawn with verve and giddy energy by Chris Burnham. (There’s even a dialogue sequence where the punchline is “Cancelled!”) Like the infinite-Batman cover or the eternal-circle image that dominates an early spread, Batman will go on, but it is the end of a unique era.
As usual, though, some history first …
