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Thoughts of A Sleep Deprived Mind

@sleepdeprivedmind / sleepdeprivedmind.tumblr.com

Hello! Welcome to my blog! I'm Connie, a member of the Tumblr geriatric ward and pop culture enthusiast.
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moonlitgleek
Anonymous asked:

You bring up being worried for Blaine and that he was lucky his risk paid off this time & he shouldn't always try to include Kurt to his own detriment. I think by this point he knew Kurt was okay w/things either way. I think it was a little bit more about Blaine asserting himself. Showing June he's grateful, but is not willing to be "kept" or hide parts of himself. Stardom on June's terms wouldn't feel right to confident, proud Blaine anyway. He was trusting himself, which makes him a winner.

Well, he didn’t lose anything but it was only by a stroke of luck that he didn’t.

And yes, I agree with you that part of Blaine’s decision was about him regaining power after June proved his powerlessness in their previous conversation. She had a very specific idea about how he should proceed and he wanted something else but his attempt to change her mind was met by a not so subtle threat that he would be driftwood if he didn’t abide by her rules. And June was minimizing Kurt’s role in Blaine’s life, she kept referring to him as a friend and she saw him as a hindrance to Blaine. That doesn’t work for Blaine.

I’m talking more about Blaine’s own headspace though. Blaine often reacts to what people want or what he thinks they want, even if it’s at his own expense. He told Kurt that he doesn’t want to do the showcase anymore. He felt guilty and like he had to make a choice between the showcase and Kurt so that was a reaction to that but even after they made up, Blaine repeated it and said that they either fly together or they don’t fly at all. That’s what worries me, his willingness to let go of opportunities because Kurt doesn’t have that same opportunity. And despite some differences, we’ve seen Blaine willing to let go of things before, with Tony and West Side Story. He was perfectly willing to take a step back for Kurt. And I love his selflessness and his desire to see Kurt’s talent recognized and celebrated, but I don’t want him to have that idea in his head that they are a package or that he has to make a sacrifice like that or to let go of whatever opportunity he has because Kurt doesn’t have the same opportunity (And this is where I point out that American Boy was actually showcasing Kurt. Blaine picked a song that he knew Kurt had a big part in and sort of stepped back and led Kurt take the lead. I’m not saying that’s bad but it’s a sign of Blaine’s readiness to do something like this) It’s just….Blaine gives too much of himself in his relationships. It’s just the kind of guy he is, he responds to others’ expectations and hopes on his own. He is a people pleaser who often puts other people before himself. I’m worried about that. I’m worried about how perfectly willing he is to put Kurt before himself, at his own risk. Like, I don’t want him to be self-absorbed or to not care about Kurt, I just want him to reach a balance.

In my opinion, there were other ways for Blaine to assert himself and to tell June that no, Kurt isn’t a “friend”, he is a part of his life and he will remain a part of his life. There will be no breaking off the engagement like she advised him to do. Like you said, he knew that Kurt was okay and that he would support him no matter what (which is a development because I don’t think Blaine trusted Kurt’s support before. It’s not cut and dry, he still has trust issues but it’s progress) But let me ask, what would have happened if June hadn’t liked what she saw and joined them? What would have happened if she reacted harshly and delivered on her threat? Blaine would have lost the chance in a heartbeat and I believe he was ready for that to happen actually. And that possibility and his readiness for it makes me admire him but also want to slap the back of his head and tell him that there were other ways for him to send June a message and to show his love and passion without taking such a huge risk.

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I was thinking this morning and I honestly wonder if part of Blaine’s readiness to pick Kurt always is because no one has ever picked Blaine?

Cooper chose his career, went to LA and never looked back. If Blaine had friends at his old school, who knows if they even attempted to keep in touch after his attack and transfer to Dalton. We know that The Warblers definitely did not choose Blaine. Kurt chose New York and who knows what the deal is with Blaine’s parents.

Maybe part of the reason Blaine is holding on to the idea of choosing Kurt, doing this together all the time is because it’s what he would want if the roles were reversed? Blaine wants someone to choose Blaine because they love him, not because of his talent. Does that make sense? Doesn’t make it healthy (but man I am getting sick of that word) or wise. And it’s kind of heartbreaking, but I relate. I don’t know, we’ll see what happens. But I don’t really care about the “what if” because it worked out for him. This time. I want him to understand the impulse and then knock it off. Lol.

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sothinky

I really like all of this conversation, and agree with the concerns and interpretations here re: Blaine. I think lately, and maybe especially now after the showcase, I’m simply coming to accept that Blaine isn’t going to make a different choice in these situations. He won’t settle for anything that isn’t a success for both of them—I mean, in a lot of ways he’s taking everything that happened in “Tested” to heart, because here was a moment (to use his race metaphor), he could’ve made himself feel like he was caught up to Kurt. At least that’s how this is set up, I think. But he’s tossed that metaphor, even if he still uses all-or-nothing thinking to work through these most recent conflicts. 

When you compare how he felt in “Tested” to how he was during the showcase, I think you see such a huge contrast: he and Kurt are not at odds, they’re a team, and happily so. And I think this trait, this willingness to risk a big opportunity over his relationship (because I really do feel he risked it all and was totally aware of that), is what makes him different from Rachel. Their brand of ambition is different, that’s all. Blaine always shares the spotlight, even when he’s explicitly asked not to. 

And “American Boy” is a clear capturing of Blaine’s essence, because of course Blaine’s showcase is going to feature Blaine actually showcasing Kurt, and while the song is about all the places they’ll go, those places are literally just depicted on Kurt’s jacket—on Kurt himself. Those priorities, I think, are never going to change.

It’s hard to tell sometimes if the show is just really presenting this core of who he is, or whether they’re laying the foundation for something to change (I think about the bird metaphors around Blaine, especially in TURBP). Right now I think it’s the former … but who knows what they have in store for the boys in season 6?

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flowerfan2

I love all of these thoughts. I also would like to think that pleasing June isn’t the only way for Blaine to succeed. First off, it wouldn’t be worth it for Blaine to hide himself if that’s what she insisted on. June is making a power play, similar to what Charlie Darling did (using power and the threat of damaging a career/losing a job) and Blaine isn’t going to accept this, which is a good thing. Second, there are many ways to succeed as a performer, let alone in life, and June isn’t the only path to success. Could she spread some meanness about Blaine? Maybe. But he could ignore her, focus on school (I know these Glee kids/Rachel don’t think much of school, but it’s important too) and pursue his dream like anyone else. Additionally, not only are there paths to musical success that don’t depend on. June, there are other variations of the career besides the fame monster she seems to want to create, and a zillion ways to use music in your life besides being a celebrity. Even Rachel has already had a variety of types of success, and is more than willing to be blackballed on Broadway for her choice.

So I guess I’m saying that I’m proud of Blaine for defying June, and I don’t think it signaled an unhealthy refusal to take care of himself, because letting someone else have power over his life and his relationship with Kurt was never going to be a constructive path to success. It isn’t a weakness to recognize the value of the relationships in your life and give them weight; it’s a strength.

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sothinky

Even when I lose, I’m winning … 

So I can’t help but keep thinking about “All of Me,” and what’s coming in 5x20. It’s that line about losing that makes me think instantly of “At least we got each other out of this.” I think we’re going to see some parallels here with “Original Song,” because even when given the spotlight, Blaine typically shares it.

That’s what’s so interesting about the June story, because here’s a situation where someone is really only interested in Blaine, and they want to push him into the spotlight. But as we’ve seen so many times, when given that chance, Blaine doesn’t really take it. Most recently I’m thinking of “Trio,” and how just like with the June story, Blaine was given something originally meant for someone else. He shares the stage with Artie and Tina. This story’s different, of course, because Blaine doesn’t get the showcase because of a tie or other loophole—he’s chosen. Even so, I think he’s not going to go through with this, at least not in the way June wants him to.

If Kurt and Blaine fight early in the episode and “All of Me” isn’t part of the showcase at all, then the song will likely function as a reminder of what’s important to Blaine: Kurt. That’s why “American Boy,” if it ends up in the showcase (with or without June’s approval) could potentially be like “Candles”: both a win and a loss. 

Given the recent episodes’ focus on doing things together, on the boys wanting to help each other career-wise and “walk through doors” together in support, I do feel like this story will be the testing ground for that notion. They’ll walk through the door together, but won’t get success. They’ll get each other, and most of their friends will go to L.A. riding their own victories (although their individual victories may come at costs, too).  

There’s more to say about Blaine’s lie, but I want to save that for a separate post. This is mostly what I’m thinking about the stories we’ve seen about ambition and the pursuit of it, and the choice Blaine will likely make about that. 

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josefa7
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misqueue

Just going to pull a bit from poemsingreenink's post:

Blaine helping Kurt hide the harness that makes him fly.

This is the metaphorical kernel of the thing, the feeling of intimacy in this scene for me, that I hadn’t been able to articulate. It’s a short scene, and it’s very sweet, but that sweetness isn’t empty fluff in the narrative at all.

(More below as I milk this scene for all I can. :) )

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moonlitgleek

You know what Blaine’s request to have Kurt perform with him at the showcase reminded me of? The whole thing with the valedictorian and Artie and Tina.

In both cases, Blaine wasn’t the person being considered for the spot in the first place, and other people (Kurt in that case, Artina back in Frenemies) really wanted what he ended up getting without actively trying to get. He put in work in both cases but he didn’t see them as his opportunities, and ended up feeling guilty over it. And in both cases, his reaction was to share (or try to share) the opportunity, bringing the others into the spotlight with him.

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So I saw someone saying something about how June is a mirror of Blaine and I  totally agree.

She’s a socialite so that means she knows how to read a room and how to make friends. She’s also a patron so she’s supportive. She also has beeen divorced a lot, apparently because her love life and career didn’t meshed wll together.

So what I get from her is that she is exactly what Blaine could be, and particularly, what Blaine could be if h doesn’t seize the  opportunity to be a professional performer.

What she said about her marriages and Blaine’s engagement makes me think that maybe, when she was young, whether she sacrificed her career for her love, which led to resentment and a bitter breakup but she never got the same chance again after, or that (especially being a woman) her first husband didn’t like to have a wife more successful than him.

She’s a perfect example for Blaine to realize it’s not all or nothing in love life and career, it’s a balance. It’s not about if Blaine loves Kurt but if Blaine trusts Kurt to support him if he’s more successful than him (which for now, he doesn’t, not really, because Blaine is convinced that he doesn’t get things freely, he earns them, and with the cheating and all, in the back of his mind, he continues  to think that he doesn’t deserve or earned Kurt’s support) and if Blaine can accept that  his successes are not Kurt’s failures (something that Kurt seemed to have accepted in that episode).

The thing with June is, I think, Blaine is the first surprised to have been chosen. Because there he was just a support for Kurt, he didn’t “work” for it. He came to this thing almost like the guy who drives his friend to an audition and ends up with the oscar winning role.

He want to be the guy who uses his spotlight to showcase someone else (the end of Candles everyone ?), not the guy who inadvertently “steal” the spotlight from the others. When he works with a team, even if he does all the work, hee considers that the team won as a whole. 

So added with insecurities, guilt, and people pleasing issues, this is why he’s trying so much to convince June to get Kurt on board too.

And I think June sees there a pattern that she has to squash in the egg if Blaine wants to reveal his full potential.

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januarium

This is a really interesting interpretation. I am reminded of a few of Shirley MacLaine’s interviews about this where she talked about June as a frustrated performer - she clearly is, it’s not standard for a socialite to get up and sing Janis Joplin at a charity event, but she jumps at the chance to be on stage. Makes me think you might be very right about her past.

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zeezoutenijs

I was just thinking what it was about stage combat, but Kurt mentions they’re the jocks of NYADA in sadie hawkins right? That works really well with how Blaine’s all concerned about his popularity and hotness and etc, like

Kurt’s socially at NYADA where the…

HOLY SHIT. BLAINE IS THE NEW RACHEL.

Blaine. Is. The. New. Rachel.

Mind blown.

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I love that what Blaine is really intimidated by is not bullies or homophobes…

… but the people who are RELENTLESS in their TALENT.

This could be a golden opportunity for the GLEE writers to develop Blaine’s character as he enters NYADA. He’s not going to be the “prince of Ohio” anymore - even if he’s going to remain Prince Charming in Kurt’s eyes forever - and I’m pretty sure he could struggle adjusting with other students even more competitive than he is deep down.

I completely agree with what's been said here, and I think we've already gotten some hints for what's ahead. I forgot the specific article (or else I would include a link), but in one of the articles for the 100th celebration, Brad Falchuk said (paraphrasing) that they were going to explore what it was like going from the top to the underdog of sorts (where you're essentially a nobody). Plus, I think Blaine's own humble brag in 5x09 is foreshadowing, and having that mixed in with his tendency to be a control freak? Yes, golden opportunity!

Excited and curious to see what's ahead for Blaine.  

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sothinky

Psychological Warfare

"… is the first to fall victim to their opponent’s psychological warfare."

There’s a really good post in here somewhere, about Blaine and the story they’re telling about him:

• There are the other times Blaine has psychological warfare directed his way, like Hunter trying to lure him back to Dalton, or really, Sebastian trying to lure Blaine too …

• There’s Blaine’s own brand of psychological warfare, like his secret meetings, or plans to oust Sue by working “from the inside,” or his idea to go Thunderdome or settle a dispute Michael Jackson style in a parking garage.

• Or his other mindgames that include others, like having Brittany lead a number for the school in order to get her out of her funk, or setting up an elaborate way to give Tina a prom date, or making Will and Finn face each other in song …

• Then there’s Blaine’s own responses to things, his mindgames directed toward himself, if you will, like his pretending Kurt is already gone, or his joining everything under the sun to manage his lonliness, or, you, know, crafting some puppets.

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sothinky
You learn anything from Finn and Rachel? So says Burt to Blaine, who’s come to him in “Wonder-ful” to ask permission to propose to Kurt. Ever since Burt asked, I’ve been wonder-ing what exactly we (and Blaine) should have learned from last year’s engagement debacle.

Just revisiting Finn’s proposal and the engagement that followed, and whether or not there are any similarities to Blaine’s proposal plans. Also about Burt!

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misqueue

About the hallway scene near the end of 4x21

I’ve been wondering how often we see Blaine directly ask people for things? Does he much? I feel like he doesn’t, but I’m a little frazzle-brained this morning, so maybe I’m not remembering things well enough. Or it may be that Blaine is used to hearing no when he does ask for things. Most recently, Burt has told him no. We know Burt’s advice was solid, but that doesn’t make it less painful for Blaine to hear it.

There’s nothing of the showman in Blaine’s demeanor when he asks Kurt, not a trace of a smile. It’s about the most serious and vulnerable I’ve seen Blaine when talking to Kurt (his seriousness reminded me of his telling Kurt about Sadie Hawkins back in “Prom Queen”). Kurt tries to ease the tension with humor, of course, because that’s what he does with a tense or sad Blaine (such a nice dynamic to see return between them). But even then, and even with Kurt’s encouraging body language, Blaine doesn’t seem to expect a favorable response from Kurt.

What struck me is what Blaine asks Kurt for. Not forever, obviously, but he does ask for Kurt’s time. Kurt’s time was the thing he couldn’t get in 4x03, the thing he wanted most, the thing that led to Eli. Kurt didn’t even have time for a phone call.

So there’s Blaine, knowing Kurt’s got his super busy life back in New York relative to which Blaine hasn’t felt like much a priority, asking Kurt for his time—a whole week of it, in fact—and Kurt gives it to him so easily now (and just last episode. we’re reminded that Kurt’s schedule is still super full and complicated), with such assurances of ‘yes’ and ‘wonderful’ I don’t even know how to finish this sentence.

(I do imagine Isabelle and NYADA both have his back scheduling wise, but it’s beyond lovely to see Kurt being generous with Blaine again.)

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While Glee has dropped threads at various points, can we stop assuming, just as an excuse to be preemptively angry, that Glee is going to drop every major thread ever? Because Blaine and Sue, Blaine and Sue.

Thank you.

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sothinky

Perfect. Who else to do this but the Nocturnal Avenger, who leads a group whose purpose is “to fight injustice, to right all of that which is wrong.” 

Plus this is Blaine delivering on the commitment he made to Sue, after she talked to him about not breaking them. 

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That we did not see Blaine reaching out to Kurt was perfect. For all we know he did send Kurt a message — but it wasn’t shown. What we did see - and hear - was Blaine connecting with those around him —- and his previously all but forgotten parents. Watching Blaine become a fully realized character has been one of the best parts of season 4. I want Kurt and Blaine together and happy, forever. When they do get back together, it will be much sweeter for we will know - we will have seen that Blaine has more than just Kurt in his life. Blaine will be able to cling to and be with Kurt, not because he is alone without him —- but because Kurt is special (and what they have together is special.).

- From mypopculturesummer's reaction to 4x18 (x)

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Blaine's Song Choices

I posted this on a reblog to something else but it’s something I wanted to make into a separate post about song choices.  Blaine often (particularly in the past) makes song choices that seem OTT or “inappropriate”. Those of us around for S2, in particular, should remember Inappropriate!Blaine.

Blaine is the one who thought “Cough Syrup” was a good choice for the Regionals theme, “Inspirational” (which should be a big hint about how Not Okay he was in that particular moment), and even though that was another situation (like “Candles”, for example) where the song was used as a backdrop for someone else’s story, the fact is, Blaine chose that song because he was was upset and not doing well (to the point that Kurt tracked him down to make sure he was okay).

He has a pattern of choosing songs that are not necessarily lyrically relevant (or at least not always relevant in the way he says) but that hit a certain emotional beat for him or let him get those feelings out that he just needs to express.  It’s messy and it’s not always appropriate and it’s often about more than one thing. In the case of AAO, Blaine’s got a lot of feelings going on right now.  Kurt, Sam, and who knows what else.  Basically, Blaine has A LOT OF FEELINGS about a lot of things and I think that comes out more intensely in certain song choices.

Yes, to all of this. Great observations, Stacey. :)

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