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#kotpota – @simplystefanie-rae on Tumblr
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Simply Stefanie Rae

@simplystefanie-rae / simplystefanie-rae.tumblr.com

An artist just trying her best. Donate to my ko-fi for a simple sketch! https://ko-fi.com/simplystefanie_rae
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The irony is we created you. And nature has been punishing us ever since. This is our last stand. And if we lose... it will be a Planet of Apes.

The IRONY I never see anyone talk about is that humans. are. apes!

We didn’t ‘evolve’ from apes. We are classified under the great ape family, among gorillas, chimps, orangutans, and bonobos. All share a common ancestor. We are apes.

Earth has been dominated by apes since the dawn of civilization. And what I love about POTA is that, like a lot of great speculative fiction, it expands on something that has been true in the past. We once shared the planet with other species of humans. We traded with them, bred with them, and yes; played a large role in their eradication.

This is why I can’t get behind the interpretation of humans=bad apes=good. I see it more as human=ape and the endless questions that come with that. Will there always be a battle for supremacy where there is intelligence? Would we have a right to take back the world we destroyed, if so, how could we be so righteous about it? Could the cycle ever end or is earth doomed until we fight it out and let some decent species take over? What if an ape and a human kissed on the mouth

Maybe that last one is absurd, but I think limiting the questions we ask in speculative fiction is (oxy)moronic. There’s so many ways this franchise can go, I just hope it never dies and that it’s staying power stays true. That is all

Agree 100%. I always found the conclusion that humans are bad in this series to be a flat one that leaves room for nothing else, and if that’s the case, well the story might as well be over because there’s nothing else to say. I think a lot of the fandom just wants a story about apes and only apes, and I guess, sure, why not, but then it’s just not a planet of the apes story. You can’t take the human element out of it because the whole point of it is for us to examine our actions throughout history, and ultimately challenge us. And it’s not really a challenge if again, humans are bad and that’s it.

Also, if people insist that apes in the movies are just as complex as humans, that comes with the territory of also being capable of destruction. Your conclusion of humans=apes is exactly right, and when we examine it from that lens it opens up all these possibilities in the narrative for both humans and apes that a narrow, black and white story simply doesn’t.

And one of these possibilities SHOULD be an ape/human romance if they were brave/weird enough to go for it. I know it would be weird, we all know it would be weird, but apes suddenly talking and being capable of having a higher cognitive function on the same level as a human being is also weird. But if the narrative/viewers are going to pose this possibility that apes and humans are more alike than different, and are equal in every way, than nothing should technically be stoping the idea of romantic feelings between the two species. If they can be allies, friends, have familial bonds, and even become enemies, all complex relationships in their own right, anything else should be on the table. It would also be a more complex answer to the question KOTPOTA is asking about humans and apes living together than just them simply being allies and nothing else.

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Hold your breath

Faster. Faster. They had to go faster.

Behind, the hoots and hollers of the baboon tribe chased at the backs of Noa and Mae.

Even though Noa was quick on his knuckles, trees or even his horse would be faster through this tall grass.

They both barely skidded to a sudden halt as the edge of a cliff appeared before them.

A large waterfall roared on the other side of the small ravine, leading to a dark blue lagoon below.

"We'll have to jump," Mae said matter-of-factly.

Noe's head whipped to the Echo. "What!?"

"The height won't kill us."

"Mae--!"

But Mae didn't wait for his response as she leapt off the edge. She plummeted to the water below, disappearing under the surface.

Every bone in Noa's body screamed to keep him rooted to the edge.

Where was Mae though?

She hadn't resurfaced!

Did she drown? Could she swim? Had one of the nightmarish creatures from stories he heard as a young chimp gotten her!?

Another scream of the approaching baboon horde knocked Noe out of his petrified fear.

If he got caught, there was no one to save Mae.

Before losing his nerve, Noa clenched his teeth and launched himself off the cliff.

His stomach lurched up as he hit the water, his back stinging slightly from impact.

Noa tried to take in some air, only for water to fill his mouth and go up his nose.

Noa flailed his arms, trying desperately to find anything solid to grab with no success. His uncontrollable panicked screeches rattling his chest.

"Noa!"

Noa's eyes darted around, catching sight of Mae through the turbulent waves. Or was he making those? All Noa could see was being back in the metal Echo cave, seawater all around him.

Mae's pale arms wrapped around him from behind, "Noa!"

His hands clamped onto her forearms. "I-I can't SWIM!"

"Noa. Noa! Listen to me," Mae said firmly into his ear, "Hold your breath and hold onto me."

"But--"

"Trust me, I've got you."

Mae took a deep gulp of air, and Noa quickly followed as they sunk below the slightly murky surface one more.

A moment later, even with his eyes shut tight, Noa could hear muffled voices somewhere above them.

Noa felt some slight panic as his chest began to protest, all his ape instincts wanting to go up.

He felt Mae quickly move to face him and gripped his shoulders tightly, keeping him anchored.

Finding comfort and strength in her presence, Noa squeezed his eyes tighter and moved his head until their foreheads were pressed together.

Mae didn't brush him away, instead she moved to press in further, her hands moving from his shoulders to cup his face.

And in one eternal moment, they were suspended in a timeless space. Just holding one another.

The sun streamed through the water, dappling their skin with golden light like the stars in the night sky.

The muffled yells finally moved on.

The waterfall covered up Mae and Noa's coughs and desperate gasps for air.

"Kick, Noa," Mae ordered as she pulled his arm. "Kick!"

Noa followed her command, and as soon as Noa felt the slick mud of the shore, he clawed at it until he was completely out of the water.

He collapsed onto the ground, not an ounce of strength in his body anymore.

He cracked his eyes to see Mae laying next to him, chest breathing just as hard as him.

"You...are..reckless!" Noa said between breaths.

He then reached out until he grabbed her shoulder. Her head turned towards him and her blue eyes met his.

Noa gave her a quirk of a smile. "Thank you...for not...letting me...go."

Mae returned with the slightest smile as well, reaching up to grasp his hand that was on his shoulder.

And there they laid, enjoying this brief moment of safety untied together.

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What sings to you?

Was only a matter of time before I did some hurt/comfort with Mae and Noa, especially with Mae being such a mystery!

tw: mentions of blood and death

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All it had taken was one snap of a branch and everything in Mae's life changed.

The chaos of that night, horrific screeching of apes, the blinding brightness of electricity, and blood. So much blood.

Leo had said he would take the first watch so Mae and the others of the party could sleep. Mae had offered to stay awake with him, as they had much to talk about.

For after they retrieved the satellite deciphering key, the second part of their mission was testing recolonization on the surface.

The air was clean and the Earth was fertile. And it was expected that Leo and Mae would have a child together.

She had liked him enough; they had grown up together. He was her comrade, intelligent, and had a cute little dimple when he smiled.

Even if his flippant personality was annoying at times, like when he told her she was worrying too much and to go to sleep. They would have all the time in the world to talk about their future.

And yet that time had never come. Proximus had made sure of that when his soldiers had descended on them like a terrifying horde.

Leo had pushed Mae into the bushes, the brambles giving her a thousand razor sharp scratches.

As Mae righted herself, she expected to find Leo after her. But he wasn't.

He was held in the grip of an ape, and with one slash, Leo's throat was burst open. Dark red blood gushing.

He fell to his knees, both hands hopelessly gripping his throat as his eyes bore into hers.

She had to run.

Mae…

He slumped forward and landed on his front with a sickening thud. She had to run.

Mae.

Why wasn't she running!?

Mae!

She bolted upright, adrenaline coursing through her veins as she wanted to run, to hide, to get away, to survive.

A large hand cupped her cheek and moved her head, meeting concerned spring green eyes.

Seeing Noa forced Mae to come back to her senses and her body. She wasn't at camp; she was in one of the sleeping quarters of the Eagle Clan.

And Proximus was no longer a threat. The hero in that regard was right here, holding onto her as her body trembled and her lungs felt heavy from each shaky breath.

Even though that other apes were mercifully still asleep, Mae needed to get out of here before she revealed more of these pitiful weaknesses. Like vomiting or crying so much snot dripped out of her nose; as she had done in the past.

"I need fresh air," Mae said, breaking from Noa's contact and struggling to get out of the hammock.

"Mhmm," Noa said with a nod, reaching to grab his sling and put it over his shoulder.

Mae jammed her feet into her boots and roughly tied the laces, "I don't want to talk."

Noa grabbed his staff, "I understand."

"So, there's no reason for you to come," Mae said curtly.

That had Noa pause. A long pause.

She only dared a peek at him. Trying to see if he was angry. He looked more confused than anything.

Mae brushed her brown hair back. "Look, if you need to come because you don't trust me, I get that--"

"Why do you think I'm also awake?"

Mae looked at him, eyebrows knit together. She assumed the answer was because in the short amount of time she had been staying with the clan, it was because the ape just rarely slept as is. Even on the road together, she had noticed that.

But the meekness of his body posture and downturn softness of his eyes told a different story.

Mae swallowed thickly and nodded. She grabbed her shawl to drape over her shoulders and fisted the fabric tightly around her like a shield. She headed down the long winding ramp, her ape shadow closely behind her.

Even though she had spoken with such conviction, once Mae got outside and felt the frigid early air on her face, she froze. Not sure where she wanted to go.

Her senses immediately heightened, the dark shadows of the forest making her whole body shudder as she wrapped the shawl tighter around herself. The uncertainty of what threats lied in there seizing her heart.

"Follow me," Noa said, his hands also signing his words.

Though Mae dreaded slightly that they would be heading to the unknown, to the shadows, they only went as far as the outer limit of the village.

There, Noa sat himself down on a large flat rock. He rested his staff close by, just in case, and hunched himself to rest his arms on his knees.

Mae followed suit and sat next to him, close enough to show their familiarity, but not too close for him to feel her current fragility.

The pair sat still and in silence for a good long while, watching as dawn was barely lightening the sky.

Suddenly, Noa picked up a small rock and threw it into the tall grass. Hundreds of fireflies then erupted alight.

Mae couldn't help as she gasped, their natural warm glow unlike any of the harsh white lights of the bunker she had grown up in. It was too magical and too perfect of a scene.

"You've done this before," Mae noted.

"Been doing this since I was small." Noa's eyes cast down, "Been coming here more. Sometimes with Anaya or Soona. Dark dreams."

Mae felt a hot flush of shame wash over her cheeks. She wasn't the only one that had lost so much because of Proximus. And she had been the reason they had come here, even though she had tried to deny it for so long. All justified means.

"Do you hate me?" Mae jolted as she realized she had said that out loud. "Never mind. Forget I just said that--"

"I do not hate you, Mae," Noa interjected with, turning his body towards her. "It is…confusing at times. I do not know what sings to you."

Mae perked up and turned to him as well. "Sings to me?"

Noa pressed a few knuckles to his chest, "What's in here."

"My heart?"

"Yes. But also, something that lives deeper within you."

"Like my soul?"

"Soul," Noa repeated slowly, testing the word. "Is that what humans call it?"

Mae shrugged, "Some."

She casted her eyes down, "Though. I'm not sure I even have one. It never felt right. Too emotional for what needed to be done."

"And yet you feel deeply."

"How can you be so sure?" Mae asked defensively, but still noting the desperate plea that tinged her voice.

"You wouldn't have dark dreams if not." Noa pointed to his eyes, "Shed tears when Proximus taunted you."

Mae felt her bottom lip quiver, fresh tears stinging her eyes. One of her hands wrapped around Raka's pendant that hung from her neck as she never took it off.

"We are all alone," The wise orangutang had said. "But now, we have each other."

Alone. That's what had been gnawing at her. Even with the mission complete, she was still all alone now. A lone survivor.

However, she wasn't technically alone anymore. A single human among apes, sure, but not shrouded in solitude. And now, Mae was sick of the biting cold in her bones, and she was not one to idlily sit by.

Tentatively, Mae moved over until her and Noa were touching, shoulder-to-shoulder, knee-to-knee, side-to-side.

Noa's body tensed in surprised, but only momentarily as his body relaxed against hers. They gave each other small smiles before turning back to the climbing sunrise. A serene light filling the valley.

"You never answered my question," Noa then asked. "What sings to you?"

'Safety,' was the first word that came to mind. But now that Mae was next to someone she trusted, she let herself realize what the true answer was. Why she kept having those recurring nightmares.

Knowing what it would cost her to say out loud, Mae bent her head until it rested on Noa's strong shoulder. His own head instinctively resting on top of hers.

"Home."

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First of all, thank you to everyone who has hyped up The Primus Game!

Second of all; Chapter One is coming soon, as in within the next few days. Mostly just edits now. So excited to share it! Opening passages below the cut. Here’s a few things you should know:

- This will either be a duology or a trilogy

- Rated M for canon typical violence, may get darker in later installments

- Written in first person progressive, alternating between Noa and Mae’s POV. This is a little experimental, may not be for everyone!

- the prose will also be different between POVs. The apes can speak a little more fluently but they speak a different dialect of english.

- This is a hunger games AU so expect parallels but nothing is 1:1 and later installments will deviate so expect the unexpected! You do not have to be familiar with THG to read.

I think that’s it? I’m going to commit to one chapter a week but I’d like to do more when I have time. Hope you enjoy my contribution to this community!

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KOTPOTA Mae and the Heroine's Journey

As I've been thinking about Mae and what her journey could be. During that, I was reintroduced to Maureen Murdock's Heroine's Journey to a TEE. Allow me to explain:

HEROINE SEPARATES FROM THE FEMININE: The “feminine” is often a mother/mentor figure or a societally prescribed feminine/marginalized/outsider role.

Going off Freya's HC, Mae lost both her parents to the same mission that she ended up going on and never came back. This would leave Mae an orphan (possibly since a young age), forcing herself to lose her innocence and throwing herself into the underground human philosophy and mission

IDENTIFICATION WITH THE MASCULINE & GATHERING OF ALLIES. The heroine embraces a new way of life. This often involves choosing a path that is different than the heroine’s prescribed societal role, gearing up to “fight” an organization/role/group that is limiting the heroine’s life options, or entering some masculine/dominant-identity defined sphere.

With the loss of her parents, Mae took upon herself to make herself strong: learning hand-to-hand combat, weapons training, psychological strength. All of it to the point that can be on the next mission, avenging her parents and helping Humans reclaim domination.

ROAD/TRIALS AND MEETING OGRES & DRAGONS. The heroine encounters trials and meets people who try to dissuade the heroine from pursuing their chosen path, or who try to destroy the heroine.

This is Mae during the entire course of the movie: she's lost her team, hungry/cold/starving and has to face so many obstacles to finally get to the bunker and finally get her hands on the Satellite transmission disk.

EXPERIENCING THE BOON OF SUCCESS. The heroine overcomes the obstacles in their way. (This is typically where the hero’s journey ends.)

Even with coming face-to-face with things that shake her worldview (especially with Noa and Raka), Mae is too deep in the "masculine" aka the underground human ideology to forget the mission. Completing her mission, even though she might be feeling what that might've cost her.

And while this is where the movie ends, it's not the end of this journey! So, now time for some speculations:

HEROINE AWAKENS TO FEELINGS OF SPIRITUAL ARIDITY/DEATH. The heroine’s new way of life (attempting the masculine/dominant identity) is too limited. Their success in this new way of life is either temporary, illusory, shallow, or requires a betrayal of self over time.

Based on the fact that Mae was exposed to the outside world, she's possibly not allowed back in the bunker. Making her entirely alone, no longer able to exist in their world or Noa's world (for now). And while she can claim to have no regrets, being completely isolated can start to eat at away at a person after a while.

INITIATION & DESCENT TO THE GODDESS. The heroine faces a crisis of some sort in which the new way of life is insufficient, and the heroine falls into despair. All of the masculine/dominant-group strategies have failed them.

This is where her and Noa can cross paths again. Whether by choice or by outside circumstances pushing them together again (I think the latter given her pride, identity crisis, and trying to justify her existence)

HEROINE URGENTLY YEARNS TO RECONNECT WITH THE FEMININE. The heroine wants to, but is unable to return to their initial limited state/position.

This second journey, this is where even more cracks begin showing as she's part of a group again. Mae having to come to the dark part of her that realizes that she feels like a scared little girl that lost her parents and wants a place to call home.

HEROINE HEALS THE MOTHER/DAUGHTER SPLIT. The heroine reclaims some of their initial values, skills, or attributes (or those of others like them) but now views these traits from a new perspective.

This would be the time rather than running away, Mae leans into the parts of herself she's rediscovered. This could be further perpetuated by some kind of betrayal from the underground humans that also reinforce how totally embracing EVERYTHING about them was a mistake. (And maybe a literal healing of a mother/daughter split since Freya's HC has mom MIA and not for sure dead)

HEROINE HEALS THE WOUNDED MASCULINE WITHIN. The heroine makes peace with the “masculine” approach to the world as it applies to them.

This is where Mae makes it known that she's now on Noa's side (human and ape coexistence) completely. And now using her skills that she learned from the bunker that made her hard, is now being used for love and protection rather than hate.

HEROINE INTEGRATES THE MASCULINE & FEMININE. In order to face the world/future with a new understanding of themselves and the world/life, the heroine integrates the “masculine” and “feminine” qualities/perspectives. This permits the heroine to see through binaries and to interact with a complex world that includes the heroine but is also larger than their personal lifetime or their geographical/cultural milieu.

This gets Mae to her final form; she's gone through a complete journey and is now the person that makes her happy and fulfilled. There will still be challenges in the future, but she's no longer alone.

And I hope this mean she lives a long life, but I know these movies like to hurt us. But I hope to remain optimistic XD

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It’s really interesting to me that for the most part in KOTPOTA, I think with the exception of the really oddly placed scene of Mae asking Noa if he likes Soona, I can almost rationalize Noa and Mae’s entire relationship and arc into enemies to reluctant allies to friends (eventually, though I’ll concede to a possibility of them ending as enemies again), and that’s it. Friends with a very close bond, mind you, and with experiences only the two of them can understand. Platonic with a capital p as much as I have become severely allergic to that word for various reasons. They’re both continuously challenged in their views about the other, sometimes positively, sometimes negatively, and in the end we’re left with the big fat question of the trilogy; can apes and humans live together in peace? It’s less about Noa and Mae as individuals and more what they represent to each other, and it could very well be left at that. I can see that, as much as I love the possibility of LOVE between the two being at least a partial answer to that question. They can keep it platonic all they want and I can’t point to any one scene in the movie and be like ‘wait!! this has romantic undertones/overtones and can’t be anything else!’

They even end it with Noa taking Soona to the observatory, somewhere very important to him. As unsatisfying and out of no where that relationship came from, I took it as the movie telling us point blank to NOT ship the ape with the human girl no matter how much chemistry is oozing out of the performances. Fine, sure, I’ll just ship it for fun and accept that they’re not trying for a romantic angle.

Except.

EXCEPT.

What is with that deleted scene? A tight, tense hug from behind? And, again, I’m a rational girl over here. I know that Noa wrapping his arms around Mae was so that the other two apes couldn’t smell her and detect them. He placed his hand over her head to cover the wound. When he released her and looked at his hand too, he could have looked at her blood and thought a number of things there. He could have been grossed out, he could have marveled at the idea that humans bleed the same as apes, he could even maybe feel guilt. Him protecting her like that doesn’t even have to necessarily be about him being protective of her specifically; they were both in danger, he was protecting them both.

The giant elephant in the room is that they didn’t have to block the scene out like that at, or even create it at all. The reasons why Noa wrapped her in his arms don’t matter, his thoughts on the situation afterwards don’t even matter as much as the director creating a scenario where Mae has to be held by him at all, and that’s driving me a little crazy over here. It’s like the scene was only created for us to go ‘aww’ at.

That’s not even touching on the still of them embracing or whatever funky little thing they got going on there. It’s only disheartening that they’re deleted scenes, like any romantic undertones they decided to walk back. To which I say, LAME! It might be controversial but it sure would get a lot of people talking about it! To me as well it just raises the stakes that much higher if we’re even more invested in their relationship, and people love romance, so I hope they just decide to not be cowards and milk what they got.

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bookishdaze

Welcome To The Monkey House

I swear I didn't mean to write this much. I only wanted to know the title of the novel, but noooooo. I just had to overanalyze this single moment in the movie.

Remember this book Mae picks up?

I had to squint at this shot for longer than I'd like to admit. I could only see the author's first name, and I struggled to pick up the last name when Trevathan said it. Forget about making out the actual title. Fortunately, after a bit of digging, I found it! It's 'Welcome To The Monkey House' by Kurt Vonnegut. Very fitting, given Mae's circumstances. Welcome to the monkey house indeed, Mae, haha!

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Touch Starved

Pairing: Noa x Mae

Rating: PG13

Warnings: None

A/N: First chapter of a series of 3 or 4 one shots I have planned. They take place after an alternative ending to the movie, in which Noa and Mae decide to travel together back to the human base in an attempt to foster human/ape relations. There's really no plot, just a few scenes of some intimate moments. I hope you enjoy!

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