You gotta read and watch some old books and films that aren’t 100% modern politically correct. I’m not saying you should agree with everything in them but you need to learn where genres came from to understand what those genres are doing today and where media deconstructing old tropes is coming from.
Also, more often than you might think, they’re not actually promoting bigotry so much as “didn’t consider all the implications of something” or just used words that were polite then but considered offensive now.
Kill the censor in your head.
When we choose to avoid history because it's Problematic or Says Bad Things, we are choosing to divorce ourselves from understanding how we came from that time to this one, which makes it even more likely for the cycle to repeat, with no one but a few people with shelves of old books aware that it's happened before.
Absolutely. One of my favorite examples is Citizen Kane. It’s a breathtakingly beautiful movie about how a traumatized child becomes an authoritarian billionaire media mogul with apparently no soul. It was written, performed and directed by an anti-fascist who was a leader in the racial integration of the theater. It’s a movie that was timely in 1949 and remains relevant to this day, possibly more than ever.
And yet it’s also a product of 1949. Despite Welles’ track record on race, it barely has a black character. Its sexual politics are not blatantly offensive, but its female characters still exist to be props in Kane’s story. There’s a lesbian-coded librarian who’s very shrewish and cold to the reporter for no reason, and that’s probably not a coincidence. Its sole Jewish character is not the most negative stereotype ever, but there are definitely some very dated ideas about Jewish men still clinging to his character.
And we have to say, hey, this is a piece of art, it’s a window on a time that’s worth understanding, and it’s part of a conversation worth having about power, money and fame. What does it say that in some ways Welles failed to live up to his progressive ideals at time? What does that say about him and what does that say about society in 1949? And how does that inform and/or conflict with the themes of the film?
People with limited understanding of media can’t engage with a piece of art without either wholeheartedly endorsing its creator or wholeheartedly condemning them. And it’s like, both of those responses have their time and place, but much more commonly… artists are human and art is our window to understand them, perhaps their failings, the reasons for those failings, and what good they did or failed to do in light of those failings.