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#spock – @shikai-the-storyteller on Tumblr
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Resident Robot-Loving Grandma

@shikai-the-storyteller / shikai-the-storyteller.tumblr.com

Posts about art, life, jokes, the occasional story, and robots.
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persephinae

i am legit crying here

[ID: A tweet thread vy Sean Kelly @/StorySlug that reads:

Something I think about a lot:
In Star Trek (2009) Spock Prime, who has accidentally traveled back in time 130 years into a parallel reality, hiding out in an ice cavern, accidentally runs into Jim Kirk and his first thought is, “How did you find me?”
Mind you, Spock hasn’t seen Jim in a hundred years.
In Spock’s reality, Jim died a hundred years ago during the christening of the Enterprise-B, and then again several decades later in events his acquaintance Jean-Luc Picard certainly told him about.
So in Spock’s life, Kirk is double-dead. And he knows he’s in a parallel universe, so reality isn’t progressing the way it did in his memories. The galaxy is branching out, becoming ever-more-different than the one he knew.
Spock is a man who values logic above all else, a man of science and intellect, and all of that combined and his first thought is still, in essence:
“I’m in my darkest hour, so of course Jim Kirk is here to save me. Or at least, to be with me:’
No entertaining “coincidence.”
The really interesting thing is, we have a second data point on this.
In “Relics,” the episode of TNG where they find Scotty trapped in a transporter buffer, Riker mentions he’s from the Enterprise.
Scotty responds, “I bet Jim Kirk got the ol’ girl out of mothballs to find me”
Scotty stood on the edge of a massive hole where the Enterprise-B’s hull used to be, staring into the void that claimed Jim Kirk. He was there the day he died. He knows that the Enterprise-A is a museum piece, that there have been other ships since then.
Now, in reality its because “Relics” aired long before “Star Trek: Generations,” and the writers didn’t yet know the fate of James T Kirk, or that Scotty would be there (most of his lines were originally intended for Spock, Chekov’s lines for McCoy).
But I like to think that, deep down, every crew member of the original Enterprise believed this, deep down. No matter where they went, what dangers they faced, how long they lived, in their darkest moments, they believed, “I bet Captain Kirk is going to show up to save me.”
Imagine how they held on, how they pushed themselves to be better, smarter, braver, because they believed that all they had to do to see another day was to hold out long enough for James T Kirk to find them.
That if they just kept moving, the Enterprise would warp in.
I don’t think this is unique to the original crew, either.
Worf once said to O'Brien that when he was aboard the Enterprise, he felt like they were the heroes of the old stories he learned as a boy, that there was no trial they could not face together.
A couple of years later, Worf is captaining the Defiant, getting ready to ram the thing into a Borg cube, when his helmsman says “Another ship is warping in… it’s the Enterprise!”
And the look on Worf’s face says it all: “Of course it is.”
To serve on the Enterprise - any Enterprise - is to believe in the Enterprise. To believe in the Captain. To believe in your friends.
Hang in there. Do your best. We’re coming to save you. End ID]
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People need to get over this phase of abandoning fandoms so fast. There are 70 year old women still into Spirk and you people can’t hold onto a man for a month. Shape up and stop abandoning your gently used blorbos in wet cardboard boxes on the side of the highway after a week

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dduane

As it happens, I’m a 70-year-old woman. One responsible for this.

And I’m…well…  supportive of spirk, at the very least (or K/S, as we called it when dinosaurs walked the earth – and where do you think the now-blanket term “slash” came from…?). Partly because it’s really difficult to parse some parts of ST:TOS without getting a sense of a most unusual depth of relationship underlying the actions of two members of the core triad. It’s (as one of another pairing I’m fond of might say) “not much of a leap” to suspect something more.

But also: I’ve been a fan of this character since I was sixteen. To this day my left eyebrow has more wrinkles above it than my right one because I taught myself to do The Eyebrow before I was old enough to vote. (I can not do The Eyebrow on the other side. No idea why.) I will never give this character up. He’s given me too much.

In relationships (even with the fictional and immaterial), persistence counts. Hang onto your blorbos. You have no idea where they may yet take you… :)

(PS: some other purportedly science-based views in that article are bullshit. For one thing, starships are properly built in space / at the top of a gravity well. Once their keels are flown above their home planet, there’s more than enough gravity nearby to do whatever trivial calibration’s needed. Those lads just wanted that shot with Jim on the motorcycle. [eyeroll] …I could have written them something better. But boys will be boys.)

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seiya234

genuinely truly mean this, we are blessed that Diane Duane is on here, dropping wisdom, being lovely, and also gently, casually, flexing 

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gayjimothy

remember when Jim introduced Spock to his own parents lmao we stan a legend

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thefuzzyaya

They definitely brought this story up during the wedding.

Sarek did it.

“Not so many know, but once James introduced me to my own son…”

Funny as that is, this reads as an absolute POWER MOVE to a father not proud of his son. “Look at that, he’s my First Officer because he’s AWESOME. You know who isn’t? You.”

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radio-crash

No no no. You don’t understand. Kirk DOESN’T KNOW that this is Spock’s father. He’s talking up his first mate to the Vulcan Ambassador that Spock never bothered to mention is his DAD because their father-son relationship is THAT BAD. This is a power move but it’s not Kirk’s, it’s Spock’s XD

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teaboot

You take one look at that vulcan salute and tell me it isn’t the BIGGEST shit-eating grin

🖖 (derogatory)

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weirdtrek

“I believe Miss McGivney was the first person off the street to see me in my Spock costume, and her reaction was one of immediate, obvious interest. ‘Oh,’ she breathed, lifting a hand to my-excuse me, to Spock’s- ears. ‘May I touch them? They’re so attractive…’ I blushed a deep, decidedly un-Vulcan shade of red, and obliged. It was the first inkling I had of Spock’s effect on women.”

“I am Spock” Leonard Nimoy (1995)

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darkiecat

Leonard Nimoy as Spock:

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she stops dead in her tracks. she turns to look at spock, who’s looking at jim. she’s surprised.  she’s an empath. she can sense other people’s emotions, and whatever she senses in spock, it makes her stop and stare for a moment.

spock notices her watching, and he quickly turns away. she walks up to him and gently places her hand on his shoulder. when he looks up, she’s wearing the sweetest expression on her face.

my god, what a beautiful emotion she must have sensed in spock while he was looking at jim, for her to smile the way she did 

You put it into words! 😭😭😭

Literally how do you read this scene if not gay

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I’m gonna go ahead and be a film snob and talk about why this is one of my favorite shots from TOS. (I could also say that it’s one of my favorite scenes, because the entire scene actually consists of a single shot.)

We don’t see a lot of bald expressions of emotion in film and television, especially if that emotion is fear or sadness or vulnerability. Dramas will give us some tears, but they always cut a way after a few seconds because a closeup of someone crying is deeply uncomfortable and most movies and TV shows aren’t in the business of making their audiences uncomfortable. It just doesn’t sell well.

But in this scene the camera never looks away. It follows Spock as he sits down at the table, and it circles him as he cries. But there are no cuts. We don’t even get music to create some distance, make it all a little more palatable; we just hear sobs and mumbled math equations.

It’s absolutely excrutiating. It would be excruciating no matter who we were watching, because we are so unaccustomed to seeing unadulterated emotion. And then there’s the fact that it’s a man. And that it’s Spock.

Fifty years later and this is still one of the most daring filmmaking decisions I’ve ever seen on TV (I of course can’t be exactly sure who made it, but I’m assuming it was the director of the episode, Marc Daniels). This shot lasts 1 minute and 45 seconds. We’re in the middle of space and in the middle of a high-stakes episode where the crew is going crazy and the ship is going to blow up or some shit and everyone’s lives are in danger, but we pause 1 minute and 45 seconds to have an uncomfortably human moment with an alien who doesn’t even want to be human, and it’s so awful and amazing.

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