Abbas Kiarostami, Mossafer (The Traveler), 1974.
Abbas, Young man, three veiled girls in a four-seater motorbike. IRAN. Shahr Rey. 1997.
Gilles Peress, Telex Iran: In the Name of Revolution, 1997.
Adam Broomberg and Oliver Chanarin Afterlife, 2009.
The Afterlife series offers a re-reading of a controversial photograph taken in Iran on 6 August 1979. This remarkable image, taken just months after the revolution, records the execution of 11 blindfolded Kurdish prisoners by firing squad. The image, which captures the decisive moment the guns were fired, was immediately reproduced in newspapers and magazines across the world. The following year it was awarded a Pulitzer Prize and for the next 30 years its author was simply known as ‘Anonymous’. Only recently has the photographer’s identity been revealed as Jahangir Razmi, a commercial studio photographer working in the suburbs of Tehran. He was located and interviewed by Joshua Prager of the Wall Street Journal.
Broomberg and Chanarin sought out Razmi and, based on their discussions and along with an examination of the neglected images on the roll of film Razmi produced that day, they present a series of collages – an iconoclastic breakdown or dissection of the original image – that interrupts our relationship as spectators to images of distant suffering.
A group of Iranian wrestlers demonstrate holds and show off apparatus while training. They wear traditional attire and their heads have been shaved to prevent their opponents from grabbing hold of it during a contest.
Photo taken in 1919 by Mrs Mabel D. Merrill.
Source: Guardian
pau pahana
Shadi Ghadirian - My Sister Nikki (1998)