Shuji Terayama
- Throw Away Your Books, Rally in the Streets
1971
Shuji Terayama
- Throw Away Your Books, Rally in the Streets
1971
For The Third Generation (1979), one of Fassbinder’s biting critiques of the blind actionism of bourgeois wanna-be revolutionaries, he asked his regular collaborator, the great actor Volker Spengler, to collect graffiti from Berlin tearooms to use as intertitles. These texts appear as epigrams for each section of his political fairy tale. Fassbinder thus turns to the crude and, at times, racist and sexist expressions of sexual fantasy and desire within queer culture to structure his critique of misguided activism. The tearoom as political playing field.
Rainer Werner Fassbinder
- The Third Generation
1979
每冊壹圓 / 龍虎兄弟 / 陰霾不散 / 專擇美女 / 九陽神功 / 替身 / 風虎雲龍 / 黃玉郎著 / 每本一元
On the film set of "Blade Runner" (1982)
“War on Graffiti.“
Elio Petri - Investigation of a Citizen Above Suspicion (1970).
Eve Democracy: “ US = 卐 ”
Jean-Luc Godard,
One Plus One / Sympathy for the Devil,
1968.
shihlun reblogged
keyframedaily
shihlun reblogged
Keith Haring (American, 1958-1990), Grace Jones at Paradise Garage, 1986. Gouache on paper, 59.4 x 94.6 cm.
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Jill Posner
Farringdon, London, 1979
「中國人明天好日／親的同我愛／出入平／親愛同胞／國人好美國人不／人在上行得吃魚不要殺」 Meaningless Chinese graffiti in Ridley Scott’s film Blade Runner (1982)
