Nitrate Film Warning Signage at BFI National Archive
shihlun reblogged
Jean Seberg in Jean-Luc Godard’s segment of Les plus belles escroqueries du monde. 1964.
Jean-Luc Godard - Le Grand Escroc
(1964)
Poster from the 24th London Film Festival - 1980.
Edward Yang and HOU Hsiao-hsien at the London International Film Festival for the screening of Taipei Story, 1985.
Sylvia Harvey - May '68 and Film Culture (1980)
Key Vision from the upcoming BFI Jean-Luc Godard season.
Chris Marker's film La Jetee under the stars at Bristol Planetarium this weekend in the UK.
Photo by Jon Craig
shihlun reblogged
A tribute to Alain Resnais, who gave the world Hiroshima Mon Amour and Last Year in Marienbad.
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Stills from ‘How We Used to Live’ - the new London BFI archive film from Paul Kelly & Saint Etienne
The Stuart Hall Project (2013) by John Akomfrah
In 1968, an excited audience awaited the arrival of Jean-Luc Godard, who had been invited to open a series of John Player Lectures at the National Film Theatre. Instead, they received this telegram.
100 members of the audience accepted the offer to have their money returned, while the remainder stayed for a screening of Godard's Vivre sa vie.
Source: Flickr / britishfilminstitute
British Film Institute, Southbank Centre, London.
Circa 1982
shihlun reblogged
Jean Seberg in Jean-Luc Godard’s segment of Les plus belles escroqueries du monde, 1964
shihlun reblogged
Jeanne Moreau on the cover of Sight and Sound (the cinema magazine published by the British Film Institute), 1967. A scene from “The Bride Wore Black” (La Mariée était en noir) directed by François Truffaut.