Chris Marker, If I Had Four Dromedaries / Si j'avais 4 dromadaires, 1966.
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Simon Roberts, Polyarnye Nochi, 2005.
Using the perpetual dusk of Russia’s far North, Roberts encapsulates the natural light that was available for only a few hours each day during Polyarnye Nochi (Polar Nights), the period from December until mid-January when the sun remains below the horizon. Like Motherland before it, Polyarnye Nochi is a testament to modern Russian life and can almost be viewed as a ‘road movie’. His images allude to the half-light between the reality of subject and the surreal quality of image. Often he balances the dream-like property of subject matter with the use of a long exposure to render as much detail in the photograph as possible.
Alexander Rodchenko, Canteen at the electric plant, 1929
Queue on the opening day of the first McDonald’s in Moscow, USSR, Jan. 31, 1990. More than 30,000 customers stood in line for six hours and paid the equivalent of several days of wages to enjoy the meal.
Roger Fenton, The Valley of the Shadow of Death, Crimea, 1855.
Pentti Sammallahti, The Russian Way, 1996.
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Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies. Environmentalists fear for the region’s future due to the toxic rocket fuel. Russia, Altai Territory, 2000
Jonas Bendiksen, from Satellites
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Life, March 25, 1946
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