Kim Tae Ri for KENZO
Kim Tae-ri for High Cut, April 2018.
Black Mirror: San Junipero (2016) dir. Owen Harris
—Case closed. —I don’t want it closed, I want it solved.
Kim Tae-ri for High Cut, April 2018.
Anna Karenina (2012) dir. Joe Wright
“The reason I love working with [costume designer] Jacqueline [Durran] is she works from a character base, and everything is full of symbolism. We viewed Anna as a bird trapped in a cage. Her veils and corsets are like cages.” — Keira Knightley
"The veils serve more than an aesthetic function… Just the idea of caging her, of hiding her more and more. A large element of Anna’s character is about shame, so it seemed appropriate in terms of that emotion.” — Joe Wright
“The fact that (Colette) is coming out right now isn’t a surprise. Wash, the director, and his late partner [the writer and director Richard Glatzer] were trying to get this movie made for about 15 years. I don’t think it’s a surprise that it managed to get funding in the last few years when it had never managed to get funding before. Women’s stories are suddenly viewed as important.”
Keira Knightley photographed by Nadav Kander for Variety
the love of a mother isn’t worth a thing
Anna Karenina (2012) alternate scene: “The Mazurka”
Different endings, depending on whether you’re one or two player.
Black Mirror: San Junipero (2016) dir. Owen Harris
Mia Wasikowska in The Double (2013) dir. Richard Ayoade
Submarine (2010) dir. Richard Ayoade
Ask me how deep the ocean is.
Submarine (2010) dir. Richard Ayoade