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#vecona – @shefightslikeagirl on Tumblr

She Fights Like A Girl

@shefightslikeagirl / shefightslikeagirl.tumblr.com

This is an Emilie Autumn fansite / blog, providing up-to-date information and media from inside the walls of the Asylum. Please feel free to browse our archives, but beware: it's easier to get in than it is to get out...
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Anonymous asked:

Hi, do you remember that contest on Shefightslikeagirl blog where you could win some EA related trinkets/jewellery made by Vecona, you won the auction right? Could you post some pics of that jewellery? I'm really curious how it looks like !

Hi anon, i can't because I don't have that jewellery, it is a colleague of mine that owns these pieces. This friend wanted to take part in that giveaway and asked me if she could use my tumblr account for this purpose cause she didn't want to use her own personal account. I sent a comment, passed on her email address when she won the giveaway.

Iirc you had to describe your best EA show memory? or something, This friend has never been to EA show and made it all up. I don't blame her much cause she was at a low point att and hoped these things would cheer her up but I know she felt bad about making it up later. She said she'd like to give these pieces to some other fan but they're not worth any money or setting up ebay listing etc.

I haven't been in touch with this friend for years after i went to study abroad, though I think she's active on tumblr. That being said it's not worth photographing much, she said it's all that was pictured on the blog nothing more nothing less. The bows looked cheap and tacky on hair and the weird "rat in petals" thing is completely of no use (her words lol), the only wearable thing was the "Heart in a frame" pendant and it is most valuable nostalgia wise, as you could actually see Bloody Crumpets wearing it onstage.

You can see the giveaway photo on @shefightslikeagirl in Vecona tag, sorry i don't have the pic on my device to post right now

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This made me laugh out loud! Tell your friend not to feel bad; everyone lies on the internet.

Here are some photos!

Vecona wearing the same style of heart frame necklace:

Similar designs on sale at tour merch tables, circa 2008:

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The Bloody Crumpets: An Inconsistent History in The Asylum for Wayward Victorian Girls

An Asylum History post by@shefightslikeagirl

The Beginnings

In 2008, the Plague tour began, and with it began the first Asylum Book readings. This was the first look into The Asylum... book for the general public, outside of the single teaser track included on the 4 o'Clock EP, and gave the fandom its first significant insight into the Asylum world.

At the time, the Bloody Crumpets that toured with Emilie were Vecona, Aprella, Lucina, Veronica, Joo Hee (on cello), and Ulorin Vex (briefly).

Lady Joo Hee, Center of Happiness, and Sachiko

Lady Joo Hee was Emilie's friend and musical companion from 2004 to 2008. In August of 2004, Emilie posted a wanted ad for a female cellist in The Asylum Forum Journal Entries, which read as follows:

Wanted: Female cellist to join the lineup of an all-female chamber-pop group fronted by violinist/singer of national renown. You must have your own gear (electric cello or cello with pickup and amp, effects, etc.), be in or around Chicago, and an appreciation for eclectic tastes that go beyond straight classical music (or straight rock for that matter). The band's goal is to perform locally and tour nationally in support of albums already recorded. If you have any background in early music (Baroque, Renaissance, even Celtic), we'll love you even more. Your talents as a seriously trained instrumentalist will be greatly appreciated (!!!) but we'd love it if you have a tendency to rock as well. An affection for corsets, glitter, and stage makeup is nice but optional.

And, in May of 2008 at the Wave Gotik Treffen Book Readings, Joo Hee was revealed as a character in the earliest version of The Asylum... (at approximately 3:10).

[Video re-uploaded / archived from this YouTube video by Frank S.]

This particular reading featured the end of the book, which means that at some point, Joo Hee was written in throughout an entire draft of the Asylum. Images of Joo Hee were also featured in an article by Alternative Magazine, who did a spread on The Asylum... book in 2008. (Her name also appears in this version of the text, but due to the low resolution it's hard to make out.)

[Emilie Autumn & Lady Joo Hee (left), Emilie Autumn & "Sachiko" (right)]

Shortly after these readings, Lady Joo Hee disappeared from the Bloody Crumpets. The reasons were not made public; however, it's been speculated that there was some falling out between the two, and she was struck from the book entirely before publication, and replaced with the fictional Sachiko, with her face edited out of the book.

Captain Vecona, Teakeeper of the Asylum, and Jolie Rogue

Captain Vecona was a Bloody Crumpet and partner of Emilie Autumn's from 2006 to 2008, and the first pirate character to join the Bloody Crumpets.

In The Asylum... book, the Captain, or Jolie Rogue, has never shared a name with a specific Bloody Crumpet. However, the Captain was initially modeled off of Vecona, drawing heavy influence from her onstage appearance and persona (compare the above image to the ones below.)

After a business dispute in 2008/2009, Vecona left the Bloody Crumpets. The Asylum... still published with the Captain having her stage likeness, but in the third edition of the book (the audiobook), Jolie's hair color was changed to blonde and thus her image was distanced from Vecona's.

See comparisons below from the text.

"I saw a white shift and striped stockings, black-and-white, black-and-white, black-and-white... I saw a mass of dark hair on top of which was a perched a bizarre tri-corner hat that looked as though it had been fashioned from torn scraps of paper."
"...and the tangled mass of black hair was unmistakable."

- The Asylum for Wayward Victorian Girls, first ed. 2009. Print. Pg. 58, 61.

"I saw a white shift... I saw striped stockings, black-and-white, black-and-white, black-and-white... I saw a mass of silvery hair on top of which was perched a bizarre tri-corner hat that looked as though it had been fashioned from torn scraps of paper."
"...and the tangled mass of pale hair was unmistakable."

- The Asylum for Wayward Victorian Girls, third ed. 2015. Audiobook. Tracks 26, 28.

After Vecona's departure, Maggie Lally, better known as Captain Maggots, took on the pirate persona for the tours. However, she never adopted the name Jolie Rogue, and had no characters based off of her in the book.

Emilie had this to say regarding the change, as revealed in a Goodreads Q&A in 2018:

The Naughty Veronica and Charlotte

The Naughty Veronica, or Veronica Varlow, was a Bloody Crumpet and friend of Emilie from 2008 to 2020. The character onstage and in the book were one and the same--Veronica, in the book, was a representation of the character that Veronica Varlow played on stage, and that was made very clear by Emilie and Varlow throughout their time together.

In the first iterations of The Asylum..., Veronica was a friend and confidant to Emily-with-a-y. However, in the audiobook version (3rd edition), the plot changed drastically to make Veronica more central to the story. The character Christelle (below), who was murdered by Dr. Stockhill in the first two editions of the book, was absorbed into Veronica. She became the character murdered by Stockill (instead of surviving, as she did in the previous versions), in an attempt to add a tragic punch to the end of a new love story between herself and Emily-with-a-y.

Veronica has also been given two songs in the musical: "Don't Kiss Me," which was originally specifically written for Varlow for the Asylum Experience 2015 (which never got off the ground), and "From the Gutter to the Stars."

However, it's been speculated that Varlow and Emilie had a falling out in recent years. At some point after the Spring of 2019, Emilie and Varlow unfollowed each other on social media and stopped cross-promoting each other (Varlow published a book and overcame skin cancer during that time). And then on March 14, 2022, Emilie posted a new lyric video for "From the Gutter to the Stars" and "Don't Kiss Me" on YouTube with the following caption:

*Note* For anyone already familiar with the story, you'll wonder at the name change of the character of Veronica to Charlotte. I made this call as, for the musical version of the story, the name "Charlotte" was deemed more Victorian-era appropriate (it was suggested to me that "Veronica" was a bit out of place and I agreed). I thought it would be confusing to have the same character referred to by multiple names, so, Charlotte it is, and she's fabulous.🖤

Neither party has made any direct statements about their standing, but after their very public friendship, career, and collaborations over the last decade, it's quite surprising to the fandom to see them separated.

The Lady Aprella and Christelle

This one requires a lot of assumptions, because the connection isn't clear and Aprella has never been mentioned by name in any iteration of The Asylum..., but there are comparisons to be made between Aprella and Christelle.

"A girl called Christelle promptly arrived to fill the empty cage. Originally from France, Christelle amuses the viewers tremendously by singing obscene songs in her native language whilst spinning around in circles."

- The Asylum for Wayward Victorian Girls, second ed. 2011. Print. Page 143.

In an interview with her now-closed fansite, Aprella stated the following about her stage character:

"...the basic root of [my character] is that she was a ballet dancer who had dreams of becoming prima but those were shattered when her magical red ribbon was removed from her neck while she slept. The ribbon had served her ability to do perfect ballet and after the ribbon was removed, her ability to dance perfectly fell apart..."

While ballet itself originates from the Italian Renaissance, it's known mostly for its French and Russian history. And with Christelle's French origins and her "broken" dancing, which was a critical element of Aprella's onstage persona, I think it's fair to say that there is a parallel between them, however slight.

Overall, Christelle is a minor character. In the first two editions of the book, her largest part is that Emily-with-a-y witnesses her murder at the hands of Dr. Stockill, but this is changed to another character in later editions.

Aprella and Emilie parted ways in 2010. Both unfollowed each other on social media and Aprella auctioned off some of her costume pieces, leaving the Bloody Crumpets permanently. She makes little reference to her days in the Asylum now.

Honorable Mention: fLee, Queen of Tarts, and Flea

In the days of the Asylum Forums, there was once a site admin named fLee. She was a real-world friend of Emilie's when she lived in Chicago, whose screen name was featured in the book as a small side character that was later removed in the 3rd edition.

It has been speculated that after the forum's closure in Summer of 2014, the two grew apart and are no longer close friends. Emilie had this to say about the removal of Flea, Christelle, and Joanna:

Conclusion

The Asylum for Wayward Victorian Girls has gone through many, many revisions, from small corrections to large-scale plot changes. There are multiple copyright years: 2008, 2009, 2011, 2012, 2017, and 2020 onwards (musical). But in its original draft, it was most likely sent to be printed when everyone was still on good terms with each other, and the fallouts between Emilie, Trisol Records, and some of the Bloody Crumpets had yet to take place. Each character change in the book seems to follow after Emilie has broken ties with the persons those characters may or may not be based on, and some have come during heavy editing of the book--the second to third edition--and may simply be a result of those revisions.

It's all speculation. But I hope you all found this post interesting, and feel free to comment anything I missed out on or forgot in the reblogs and comments below.

Thanks!

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Anonymous asked:

NAC - to OP saying she only uses FLAG era stuff : I think many of her asylum outfits were made by Vecona and I think she still owes her money?

If I remember correctly, before the 2008 concerts (or between them? or maybe after them. definitely before 2009. there's too many tours lol) there was a dispute where Vecona had begun making EA a bunch of costumes, or was going to make costumes for her, and EA refused to pay her for her work. This resulted in Vecona's split from the Bloody Crumpets, and then a majority of VECONA items were sold off on eBay. I believe they ended up splitting the profits on those items, but don't quote me on that.

The costumes from the early and middle Opheliac eras were a mix of EA's and Vecona's.

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Anonymous asked:

Do you know if Vecona takes commitions for her old style victorian/goth clothes and the possible prizes?I heard used to make Emilie's corset replicas and what not. I wouldn't mind to buy some bloomers or that victorian rock "leather" jacket with lace, but I don't know if she'd make something like that, or is she going to add more oldies to sell on Etsy. So if anyone's ever bought custom Vecona clothes, please tell me how it was like???

Vecona has made replicas, or at least very, very similar pieces on commission in the past. I don't know what her policy is now, but you can contact her at her store on Etsy, Swinging Seamstress, or on her Vecona Vintage website.

She's the sweetest human in the world, so don't feel nervous to reach out!

As for if she's uploading more old things to Etsy, I'm not sure. She seems to have stopped for now.

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CORSETS AND STRIPED STOCKINGS:  OUTFITTING THE ASYLUM FOR WAYWARD VICTORIAN GIRLS by She Fights Like A Girl 

These articles are best viewed on desktop, but are mobile friendly. Please excuse any strange formatting on your phone browser or the Tumblr app.

Note: The images in this post ended up being a lot bigger than any of the other sections, and it looks like Tumblr compressed them until they started to blur. See them in their full beauty here.

PART III: VECONA, SEAMSTRESS OF THE ASYLUM Featuring an exclusive interview with Vecona!

“I can’t tell you that because then I’d have to poison you, but I will say that, if a girl is born to be a Bloody Crumpet, we find each other, and she gets a cell in the Asylum.” - EA for VampireFreaks.com (2008)

Following the Double Door and WGN performances that debuted Opheliac, Emilie would go on to appear at Wave Gotik Treffen in Leipzig, Germany. It was the start of a summer festival tour spearheaded by her new record label, Trisol, and came with the introduction of three new Bloody Crumpets: the Lady Aprella, Little Lucina, and Captain Vecona.

Now, if you’ve come this far with me, you probably realize that everything I’ve been saying is almost entirely speculation, supported by whatever quotes I can find. Emilie doesn’t speak often on the subject of costuming, especially from the early days (mostly because no one really asks) and as I’m unable to barrage her with questions myself, I decided to reach out to the only other person who might give me the time of day.

Vecona.

If you aren't familiar with the original Pirate Captain of the Asylum, let me take a moment to introduce you to Captain Vecona, TeaKeeper (and seamstress!) of the Asylum.

Vecona was a Bloody Crumpet from 2007 to 2008, working with Emilie as early as 2006. She was the Captain of “Vecona’s Seamstress Navy” and was the acting Pirate Captain character for the live shows. She also designed and produced many costumes for Emilie during her tenure, lending her unique style to the world of The Asylum as we know it.

Vecona was kind enough to answer a few questions about these costumes, as well as the creative process behind her work. Her interview will make up the bulk of this article.

So! Before the summer festival tour of 2007, sometime in 2006, Vecona and Angst-im-Wald were brought on to design the Laced/Unlaced and 4 o’Clock EP photoshoot. 

[SFLAG:] I wanted to talk about the photo shoot for the 4 o’Clock EP, because it’s been a defining look for The Asylum world. How did this entire process play out? Were you part of the scenic design as well? [Vecona:] The photo shoot was planned and realized by Angst-im-Wald and myself. We both shared the same Tim Burton / Edward Gorey aesthetic and went for an black/white/gold backdrop that we build and painted ourselves and that I got the pleasure to decorate with decor I already had in my own home like the gold furniture, birds cage and clock.  Regarding the outfits, EA asked for striped bloomers and Victoria's dress in Tim Burton's movie “Corpse Bride” that I realized very close to the original design with the addition of a vintage lace yoke. Since there was no black/brown striped fabric available at the time I dyed everything beforehand. I sketched everything in advance and got her go for production via email. We met the first time at this photo shoot and it clicked, so the rest is history. 

4 o’Clock photoshoot by Angst-im-Wald; Vecona’s design sketches;  Vecona on set. [See higher quality images here]

Moving forward to the WGT performance in 2007 and the following festivals, the costume wardrobe ended up being a mix of EA's existing costumes and the Crumpet's personal wardrobes.

Emilie @ WGT (upper) and M’era Luna (lower) Festivals.  Featuring the “Opheliac Skirt” (both), Early Opheliac Heart Bloomers (upper), and VECONA “Sacred Heart” Corset (lower). 2007.
EA at various festivals, 2007

How much of the wardrobe that we saw on tours from 2007-2008 was crafted specifically for the show? How did things change between tours? For the very first show at Wave Gothik Treffen in Leipzig 2007 I brought what I already had in my costume wardrobe (Baroque Pirate). For the next tours I made several pieces that could be mixed and matched to provide a cohesive picture on stage especially for this purpose. So I worked with a specific color scheme for every “collection.” 2007 was mostly brown, gray, muddy brown, tea dyed steampunk inspired [and] 2008 [was] cream-white, blush pink and very boudoir. EA had very specific pieces in mind for herself like the “Hurt heart” corset I did or the victorian inspired dress for the photo shoot. Everything else I did on my own without any guidelines. This way I was happy and able to bring my brand to the show.

Emilie’s VECONA “Hurt Heart” Corset (Second White Heart Corset) VECONA Pink Pirate / Captain Vecona Costume, 2008

The stage design EA and I crafted together at my house within a few days before the start of each tour. It was really fun to paint and decorate tea sets, dolls and realizing the big shadow screens! 

These costumes have a historical root in the Victorian era, but exist in a fantasy world. Where did you start with your design process, and how did it evolve creatively? Usually have a color scheme I like to work with and collect all materials like fabrics, laces, trimmings and dye. Then I start making the basic design in a preferred silhouette like an underbust corset with a fishtail hoop skirt and let the fabrics speak to me during the process. It all comes together while working on the garment with a little help from sketches I did beforehand. Think about a painter who has the main outlay in mind at the beginning and adds elements until the final mood and story comes to life.  When the main pieces are finished I work on the accessories, like trimmed stockings, painted shoes, wigs and head pieces. Of course the collections got refined when I got to know everyone better and could match the costumes to each crumpet's personality. So Aprella's way to dance on pointe inspired my to make her “Broken Swan” ballerina tutu that she loved so much and wore every show. 

Aprella in "Broken Swan" (above) Veronica in Striped Longline Corset (below)

Which costume presented the biggest challenge to take from the page to the stage? Which costume are you most proud of, or are most fond of? The biggest costume challenge ever was not for the tour but a VECONA fashion show at the Gala Nocturna organized by Viona-Art in Antwerp. It was an opulent Octopus ballerina outfit with stuffed tentacles and tons of mother-of-pearl buttons. It was really tough to fight gravity with a wire construction within the piece and hours of hand sewing because it was impossible to handle that thing with a sewing machine! Unfortunately it was too huge to go on tour with us! I still own and treasure this one!

Vecona designs and costumes, various

So there you go! A little insight into the Asylum, its seamstresses, and the creative forces behind the striped walls we've become so familiar with. Vecona stayed with EA through The Plague Tour, departing from the Bloody Crumpets shortly before The Gate.

Be sure to check out Vecona's clothing line at Vecona Vintage, and if you'd like to purchase a piece of Asylum history, she's listed many of her pieces on her Etsy store! This includes bloomers, props, full costume ensembles, corsets, and jewelry.

But wait! There’s more!

Vecona kindly donated some small pieces of stage jewelry to give away! These unique, one-of-a-kind, hand made items will go home to a lucky follower who reblogs, likes, and comments/replies with their favorite EA or Bloody Crumpet memory down below! I’ve also included one VECONA brand necklace from my personal collection (not a stage item). Winner will be announced on December 1st, 2019. 

Up Next… PART IV: Wayward Victorian Girls

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