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This article was longer than intended and image-heavy, so it’s been split into two parts.
PART V: AN ASYLUM MUSICAL
“And if I end up with blood on my hands,
Well, I know that you’ll understand
‘Cause I fight like a girl.”
- Fight Like A Girl (2014)
And now we're back to the relatively recent past, when this blog was in its infancy and the fandom couldn't decide whether to stick with the forum or run rampant on Tumblr. Fight Like A Girl (the album) was still being recorded, but Emilie did a few live dates Down Under and decided to feature the title song from the unfinished album.
To my understanding, the Harvest Festival was another one of those concerts where the show was considerably downsized because of the cost of shipping props and set pieces. But where the South American tours hadn’t pulled back in the wardrobe department, the Harvest festival did. Emilie and the Crumpets performed in one costume for the entire set. But to make up for the lack of glam, EA debuted the first costume of the FLAG era.
This costume was worn for the cover art of Fight Like A Girl, and acted as the signature corset for the very first Fight Like A Girl World Tour (2012).
“Asylum Secrets: All of my costumes over the years have been made to look as though someone had been murdered in them and come back from the dead to enact a fabulous revenge. To achieve this, I have employed techniques from melting fabrics with an industrial strength heat gun to spraying them with solutions that no human should ever breathe. In the case of the corset pictured, I burned it mercilessly with sticks of incense before painting the fabric to make it look moth-eaten.”
- EA on the creation of the FLAG corset (June 25, 2018)
Speaking of the 2012 FLAG World Tour! While there were a lot of changes from The Door Tour and Harvest Festival, this tour is probably best remembered as a transition phase between eras. There were new costumes, but… the Rat Queen still introduced the show with 4 o’Clock. There were new set dressings, but… the shadow scrim was still main stage center. The new corset was mixed in with the Rat Queen ensemble and the structure of the show hadn’t changed terribly. New, but… kinda not?
Except for that Warrior Mohawk, of course.
Upper: WVC content / eBay listing photo.
Lower: Making of the Warrior Mohawk from Emilie’s Flickr account.
This is the only tour where Emile wore a mohawk for the entirety(-slash-majority) of the show. Later concerts would see her removing it after the third song. There was some slight skepticism in the fandom with its debut, sparking discourse about everything from cultural appropriation to thematic relevance, but EA didn’t make much comment on the criticism.
“[The Warrior Mohawk] signified the transformation from victim to warrior. I feel that it is important for me to let go in order that I may go on to transform yet again and create new bits of wearable magic to surprise you with... This headpiece symbolized the birth of a new era in the Asylum…. This is the headdress of a tribal Queen…”
- EA, 2012 eBay auction description.
“The Mohawk headdress represents the tribal, wild element of the sisterhood that formed during the imprisonment of the inmates, and shows that, once we escape and are on the rampage to take down our oppressors, we have indeed transformed from individual, helpless victims into a strong and beautifully terrifying tribal warriors.”
- EA for Natalie’s World, 2013 (x) (x)
Another costume that debuted on this tour was the MC of the Ophelia Gallery, who had his own brand-new number: Girls! Girls! Girls!
And as for its history...
(My best guess is that this photo originated in 2009, based on her hair.)
This character is a hint at the structure of the tour (and album) to come, where it would be less about the mad girls existing inside the Asylum and more about the story of how they got there, and what happened once they were interned. Allow me to stray from the costuming topic for just a moment…
A TANGENT: OF STAGE SHOWS AND ASYLUM CONTINUITY
Spoiler filled ramblings of a long-time fan.
I’ve got a running theory that The Asylum for Wayward Victorian Girls, in all its forms, runs in parallel to the concerts. But they match each other in reverse. [Spoilers for the book to follow.]
Emilie’s first concert of the Opheliac brand was in a small venue in Chicago, alongside Lady Joo Hee. In The Asylum… book, Emily-with-a-y’s final days in the Asylum were spent with Sachiko (a character based on and formerly named Joo Hee).
The Opheliac shows of 2007-2011 were all about the women in an Asylum singing songs and welcoming others home. Cannibals, ballerinas, pyrate captains, nymphomanics -- they all ran rampant with no apparent oversight except from Emilie herself. Rats crept and crawled onstage unbothered; toys, crumpets, and cupcakes were in abundance, often served alongside “tea,” and there isn’t a single cell door in sight.
Especially in the earliest days of the concerts, the set design had an emphasis on appearing hand-made -- not only because it was, but because it should be for these girls. This was the world EA branded for herself: a world of freedom, without judgement, earned by their own hands.
In The Asylum… book, after the Inmates take over and kill the doctors, this is very much what they do: impersonate medical professionals and welcome sick and not-so-sick girls home to protect them, nurture them, and give them the best life that the Victorian Age fails to do. They take over the Asylum and make it their own.
Then in the FLAG performances (2012-2014), the storytelling shifts. EA’s Asylum world is no longer loosely themed with inmates running amok, but adheres to a more rigid storytelling structure, detailing the struggles and despair of the girls locked up in The Asylum(-with-a-capital-T). It mirrors the bulk of the content in The Asylum… book. The carefree, whimsical stage dressings shift to bars -- a representation of the cells and gates in The Asylum. There might be a bear tied to a dreary grey harpsichord; you might even see a single rat scratching about. But they don’t have dominion here. There’s no freedom. Just the story of the girls trapped behind the bars.
And now we’re stalled on both sides of the street. We’ve met in the middle. The concerts started at the end of the book, and ended at the beginning.
Ok, I’ll put my soapbox away. Let’s get back on track.
Oh, yes: Girls! Girls! Girls! and new costumes.
So let’s jump forward a little more, because there isn’t much else to say about Emilie’s costume style in the 2012 FLAG World Tour. Moving on to the 2013 Fight Like A Girl: North American Tour (and following European and Australian tours), a brand new show was brought to the stage. Full new stage set-up, new costumes, and a full new setlist.
A costume I’ll be referring to as the “armored corset” replaced the moth-eaten FLAG ensemble in the opening number. Both Maggots and Veronica were given new costumes as well, replacing the costumes they had worn for years.
Armored Corset, with varying amounts of sparkled (2013)
Maggie Lally; Captain Maggot / Captain Maggots
Veronica Varlow; The Naughty Veronica
The show design of this tour had Emilie in the armored corset with the mohawk for the two opening numbers, Fight Like A Girl and Time for Tea. The mohawk and the armored plates on her chest and hip were removed during the 4 o’Clock Reprise, leaving her without her armor for What Will I Remember? as the narrative moves back to the beginning of the story, before the “Uprising.”
On the subject of the corset: structurally, it was outfitted with snaps to attach the armor and allow for easy removal (see corset detail above, bottom right). The mohawk proved a more difficult challenge to remove, as it was securely clipped, pinned, and secured into EA’s hair. This ended up being corrected in the redesign that produced Mohawk 2.0.
Back to the show! By the time we get to Veronica’s Dominant fan dance, EA has removed the armor corset completely in the interim to prepare for the Girls! Girls! Girls! costume change. After Scavenger, the entire cast changes into Asylum Inmate Rags to perform Gaslight and The Key, and then changes back into full costume for the finale. Emilie wears the full FLAG ensemble from previous tours to close out the show, with varying headdresses.
But I’m skipping over something important.
Inspired by Jim Henson’s The Dark Crystal, The Scavenger, a vulture-esque representation of Dr. Greavsely, appeared onstage for Scavenger.
“This is the start of the original costume @maggotmagpie wears in our show, the one Greavesly wears in #AsylumMusical will be bonkers…”
- EA on the Scavenger (February 7, 2016)
EA on Twitter/Twitpic 2012 (x)
The Scavenger was usually worn by Maggots as part of a stilt-walking performance, but if the venue couldn’t or wouldn’t allow for stunts onstage, Emilie would appear alone in the costume for the number.
Scavenger has plenty of different “shows” (A show, B show, and C show for my theme park friends), with “A Show” being Captain Maggot on stilts.
Note: The Atlanta show featured here is a bit strange, as it uses the Stage Screen and the Asylum Bars during a tour that doesn’t feature the former. Emilie also isn’t in the normal costume for this number, using a personal scarf to cover her bloomers and bra.
“B Show” would be Emilie performing as the Scavenger, due to venue restrictions. This was actually the way Scavenger debuted, until Maggot’s first performance later in the tour. (See pictures and even more info here.)
“C Show” would be Moth’s performance in the final set of Fight Like A Girl tours, as seen below:
Last, but not least, are the Asylum Rags. You’d think there wouldn’t be much to say here, but there is. Click on the continue link below to learn more about tattered costumes and the rest of the FLAG era, because Tumblr only allows 10 pictures per post.
Remember to visit Part III and enter our giveaway! Ends 12/1/19.
