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"Shameless US News"

@shamelessusnews / shamelessusnews.tumblr.com

Welcome to Shameless US News, the blog where you'll find all the news related to Shameless US and its cast. this is not a spoilers free blog, but we do tag our spoilers.
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TRUE ROMANCE Does love mean never having to say you're sorry for kidnapping your pimp boyfriend's infant son? We survey the bumpy road ahead for Shameless's Mickey and Ian, the wildest (and sweetest) couple on TV. Can a hotheaded thug who runs a whorehouse on the South Side of Chicago find epic love with a bipolar go-go boy? Only on Shameless! We sat down with Noel Fisher and Cameron Monaghan, who play, respectively, pistol-packin' pimp Mickey Milkovich and his mentally unstable beau, Ian Gallagher, to dish about this endearing yet stormy romance and why it's such and outrageous hit with fans. Naturally, the talk turned to sex, drugs and AK-47s.
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On the most recent episode of Shameless, Mickey (Noel Fisher) accompanies the Gallaghers to retrieve Ian (Cameron Monaghan) after his breakdown. When asked by the arresting officer what his relationship is to Ian, Mickey answers without blinking an eye: “Partner. Lover. Family.” The journey to this moment has not been easy. Ian and Mickey have had their share of obstacles, not the least of which was Mickey’s violent and intensely homophobic father, Terry. For Mickey and Ian, it has always been one step forward, two (maybe three) steps back. But as all “Gallavich” fans can attest, each season has had beautiful moments of growth, even if they were followed by gut-wrenching setbacks.   As season five hits its midpoint, let’s take a look back at the most defining moments in Gallavich history.
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Saving Our Cinderellas is about building self-esteem, ending bullying, and encouraging young women to live their best lives. Keke Palmer made history when she became the first black Cinderella on Broadway, and now she’s helping future stars of stage and screen by working with the anti-bullying and girl-empowerment org Saving Our Daughters for a new initiative, Saving Our Cinderellas. Keke’s not doing this alone. Saving Our Cinderellas has also attracted the attention of awesome actresses like Grace Gealey from Fox’s “Empire” and Shanola Hampton from Showtime’s “Shameless.” The initiative is focused on helping girls and young women of color by mentoring them in the performance arts so they also can follow their passions. It’s about building self-esteem, ending bullying, and encouraging young women to live their best lives. [Read the article & Shanola's interview here]
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-- There is still one person who is sorely lacking the recognition she deserves. As Fiona Gallagher, the Chicago-native in charge of caring for her five younger siblings, Emmy Rossum has been delivering television’s single greatest performance. More dimensional and complicated than Macy’s Frank, Rossum’s nuanced, natural performance stands at the show’s core — the battered, beaten, tough-as-nails, resilient heart of “Shameless.” Whether the series is funny or sad or serious (in reality, it’s all of these things), Rossum handles her scenes with dedication and care, masterfully weaving between genres as well as, say, Rose Byrne, an actress as great in the dark, dramatic television series “Damages” as she is in the summer blockbuster “Neighbors.” But Rossum takes it even further than Byrne, with the pendulum of emotions swinging so quickly in “Shameless,” as if Byrne’s character in the Seth Rogen romp were meant to face off with “Damage” ’s Glenn Close at “Neighbor” ’s conclusion. In the season four episode, “There’s the Rub,” Fiona’s at-that-moment blissful exuberance comes crashing down when she discovers her toddler-brother unconscious, having inhaled the remainder of her celebratory cocaine. That shift in Fiona, exemplified with perfection by Rossum, should have ended the Emmy conversation right there. In an ideal world, Julianna Margulies’s second statue for “The Good Wife” would be on Rossum’s mantel. But this isn’t an ideal world, and Rossum’s performance went without even a nomination for the fourth year in a row.
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This season, the emotional roller coaster of Fiona Gallagher hasn’t ceased to roar on — a shotgun wedding in one episode, the return of former love Jimmy in another. Even better, “Shameless” ’s surrounding action continues to shine as well: Frank’s attempts to remain sober, Lip’s struggle to balance his new life at college with his old friends on the South Side, Ian’s tragic surrendering to his bipolar disorder and Kev and V’s fractured relationship post-pregnancy. With each episode, “Shameless” accomplishes so much. It’s dramatic. It’s hilarious. It’s unique. But most importantly, it’s raw, real and relatable. “Shameless” is television at its finest. Why aren’t you watching?
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OK, so Shameless has been on the air for six years, during which time it has racked up half a dozen Emmy nominations, and William H. Macy just won the Screen Actors Guild award for Outstanding Performance by a Male Actor in a Comedy Series. But I’m constantly flummoxed by how many people have never watched what I consider to be the best show on television. In telling the story of one disenfranchised family — the Gallaghers — Shameless has brilliantly tackled issues of race, class, gender, and sexual identity and has emerged as the most intelligent, progressive, compelling, charming, touching, and boundary-obliterating show currently on television. — Jarett Wieselman, Buzzfeed
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Fiona isn't the only good thing in Shameless—Jeremy Allen White and Cameron Monaghan are going some great work as middle siblings Lip and Ian—but she's the most undervalued character in the greater TV universe. With a blend of contrasting impulses (she hates her father, loves her siblings, works very hard to provide for them, works almost just as hard to sabotage herself), Fiona's the often frustrating, just as often heartbreaking soul of the show, and Rossum's performance has grown so far beyond the flower-in-a-pot-of-dirt than she might have done in a lesser actress's hands. Macy took home a Screen Actors Guild Award last week for scenes like the one where he chases child amputees in order to recover a prosthetic leg. Here's hoping one day that recognition can filter down to the performances, and characters, who also deserve it.
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Despite Shameless's critical acclaim, William H. Macy's brand-new Screen Actors' Guild Award for his portrayal of despicable family patriarch Frank Gallagher was the Showtime series' first major award win since it debuted in 2010. Chronicling the fleeting highs and ever-deepening lows of the self-destructive and dysfunctional Gallagher family, Shameless is one of the most underrated shows on TV. It's not polished, it doesn't have any costumed crusaders; it's just a show about flawed people trying to escape less-than-ideal circumstances. Read the rest of the article on TV.com
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It’s hard to turn away from this Showtime gem about a poor but resourceful Chicago clan. Season five keeps piling on the cringeworthy circumstances while also exploring complicated familial and romantic relationship dynamics. It’s not always easy to watch (William H. Macy’s paterfamilias acting like a supreme screwup can be tough to take), but Shameless has hung in there as the network’s best, most ambitious drama. It also has given us Emmy Rossum, Jeremy Allen White and Cameron Monaghan, three of TV’s standout (and most underappreciated) actors.
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