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#tessa – @selfihateyouithink on Tumblr
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round and round the winchesters go

@selfihateyouithink / selfihateyouithink.tumblr.com

I am an Angel of the Lord who probably would do well in finance, and I don't like to do what people expect. Thirty-four. White USian. Autistic, anxious depressive (with PTSD). Nonbinary/genderqueer (demigirl). She/they pronouns. Sex-indifferent pan gay greyromantic demisexual. INFP/ISFP. Survivor. Socialist. Feminist. Relativist. Agnostic atheist. Struggling college student (yes, still). Honest misanthrope (because humans are works of art but humanity is tainted by its hatreds, conceits, and deceits), almost never neutral (because the status quo isn't), and unapologetic slasher 'til death do I stop. I am things, I question things, I like things, I hate things, I watch things, I read things, I write things, I say things, I do things. Things happen on this blog.
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lost-shoe

So it’s been discussed here and here that Dean and Tessa were mirrors in Stairway to Heaven. So I find the visual/positional similarity between this

and this

rather interesting…  I may have missed if there was clarification given in the episode as to why Tessa’s sigil was marked in that position specifically but… yeah… just sayin’…

Dean carved it up so it became ineffective. Maybe it’s foreshadowing the same will happen to Dean’s tattoo. It’ll be rendered ineffective and the demon side has full reign.

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Discussing my seeming lack of response to last night's deaths

I've said it before and I'll say it again: the problem with Supernatural is not that there's violence against/murder of female characters. There is violence against everyone in Supernatural. Nearly every single character we've ever met has faced some kind of assault, some kind of pain they didn't cause themselves. And most of them die (though, let's a thousand times discuss the fact that only the male characters come back in any real, lasting, non-fantasized way).

The problem is how these characters are written to die or disappear--with little to no fuss from anyone. Written as plot devices whose relevance to the SPN universe only occurs when the Winchesters (or their allies--and for some reason women are never elevated, though Ruby got the closest, to that particular level of narrative importance, I WONDER WHY) need them. Written in a way that forgets they exist when they die or get Put on a Bus. The problem is that so many female characters have so little significance that for most of them fridging isn't even a concept because the narrative doesn't imbue the audience's proxy, the protagonists, with enough fucking connection to the character for that. 

Characters that have huge impacts on both the protagonists and the SPN universe's makeup, good or bad, are forgotten, are erased, when they die or end up On a Bus. Supernatural actually rarely even respects women's significance to anything--anybody--enough to even call it fridging. The death or disappearance of female characters erases their histories, their current relationships or arcs, and their possible futures, entirely. Anna. Ruby. Meg. Lisa. Charlie. Etc. They don't just die: they're wiped completely out of fucking existence. Fridging would be too kind for what happens to most recurring characters cast with women in Supernatural. (And that's without even mentioning what happens to the ones in single episodes to whom the protagonists do seemingly connect, about whom you'd think they'd ever speak or worry, but don't.)

(Not to mention how often their assaults/deaths are far more gruesome or sexualized, but that's another post for another time: for the record, I thought last night was fairly good about that too. I like that they tend to do that with Dean, because it makes me feel safer, as someone who's faced big guys holding her against things with their bodies; Dean's [possibly chosen by Jensen] recurring desexualization of his holds on women [last night, iirc, he was beside Flagstaff with the blade to her neck, and he was holding Tessa's wrists between them instead of pinning her with his body against hers. I'll also never get the whole 'he sexually assaulted Bela' thing, though I fully support your fears if you do, because I've watched and rewatched that scene and his disarming is quick and methodical and doesn't touch her more than he needs to, but that's another write-up] when he gets violent with them is rare, in male heroes.)

I thought last night actually stepped up a bit in terms of this, writing Flagstaff spearheading her own retribution, contrary to what her Big Male Leader says, and Tessa arranging HER OWN death (as opposed to last season's 22, where Sarah had absolutely no power, her death was weaponized in a fight between heroic men and villainous men and the most blatant example of fridging on this show that's happened since the fucking pilot) to the anger of people who valued her (there was no 'our mother'; 'our friend'; 'our daughter'; 'our captain' etc. it was all 'TESSA?') instead of their relationship to her; we'll see how long that lasts.

(I do mourn Ice Cream Angel, "she" was pretty cool, but I have long given up on the idea of literally any angel or demon except maybe Castiel being allowed to live more than an episode or two [maybe half a dozen at most]. Esp. ones on the opposing side. My numbness to, my recovery time to Supernatural killing p. much anybody [except perhaps Cas: cos me] has reached an all-time high. It's not that I forgive the show; it's that I don't have the energy, the mental space, to devote my focus to the shit I can't change that hurts me right now. I care. I know it's problematic. I talk about it frequently. But I can't bring myself to make it The Thing right now.)

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The two biggest mirrors for Dean in Stairway to Heaven were two angels, both of them in female vessels. The first was Flagstaff, as she liked to be called, who prided herself on helping people at the hospital by performing minor miracles. When Dean tells her he is also in the business of saving people she laughs, saying:

But you, thinking you help people. It’s amusing. I help people. Clogged artery here, tumor there. I do good in this world. You, you believe every problem can be solved with a gun. You play the hero but underneath the hype you’re a killer, with oceans of blood on his hands. I hate men like you.

She is a mirror for what Dean wants to be, someone who does more good than harm, but she’s spitting his own worst fears right in his face. He always tries to believe that he’s doing the right thing, but he’s saving people less and less, and is succumbing to the effects of the mark more and more. He truly believes he is a killer, that he is what the blade is stirring up inside of him. This is why he lashed out in such anger. She told him exactly what he said to Sam on that bridge in Road Trip. That he is poison.

Then we have Tessa, an angel of death whose sole purpose for existing is ushering souls off to the afterlife. But Heaven is boarded up, and she can’t do her job. She can’t save people, so what good does her existence do? She is who Dean believes he is. A desperate, wounded animal crying out for help, too afraid to just end it all because they both feel their deaths need to have purpose and serve some greater good.

Two mirrors, one who does good but tells him he does not. One lost, who wants to help but is utterly incapable of doing so. How ironic that Tessa would end up in chains, like Gadreel, and like Dean is in so many ways on the inside. Chained to her duty, utterly paralyzed and lost due to her inability to perform what she believes to be her only reason for existing.

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