Made a chart for sorting fantheories

Well shit, Henry Jenkins, out here in 1997 dropping truth bombs

Oh hey I need this for a research paper I'm writing, thank you!

i mean he had been out here since 1988 dropping such bombs:

Jenkins, Henry. “Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching.” Critical Studies in Mass Communication 5, no. 2 (1988): 85–107. https://doi.org/10.1080/15295038809366691.  

there are even some earlier works in fan studies but that’s what i have ready to hand. 

Henry's been amazing for a long time.

btw this idle game gave me canon confirmation that clara remembers being all of her echoes. i’m not sure if the show ever clarified that but. well. canon now. because of idle game.

not pictured here is that she is talking to a dalek and immediately after she says this, she convinces it to kill itself. like flat out, no hesitation, clara tells a dalek to kill itself and it does. the doctor is disturbed by this and she goes :) this is literally not even the worst thing i’ve ever done. i’m obsessed with the fact that this shitty little idle game somehow has pitch perfect clara characterization. the power she holds.

if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?

If I were writing about firefighters I'd also, in addition to just reading about them, take advantage of Our Blessed Internet to ask actual firefighters about how shit works. I'd do the same for a minority I'm not a part of.

I remember when there was this LiveJournal community where you could just ask about anything you needed for your novel - medicine, professions, vehicles, how things function in country X - and people who knew something about that would answer.

We need to bring this back.

And apparently just this summer they DID bring it back - it's called Little Details and it's on Dreamwidth!!!!

Book recs: black science fiction

As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.

Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

my babies 🫶🏻🫶🏻🫶🏻🫶🏻🫶🏻

today's children are gonna become teens and clown the shit out of us for 'eepy' and 'blorbo' but they'll say it in cocomelonese so we won't understand them

today’s eepy blorbo is yesterday’s heckin doggo is last week’s smexy bishie

I hate that you're right and that I understood all of that.

bail funds for pro-palestine activists

this list is updated as of 24 april 10pm EST. i'll try to update as i find further bail funds and legal supports: if you know of other funds or if information shared here is incorrect, please reblog with updated info (+ a timestamp) so people can give and access support.

palestine will be free, solidarity forever 🍉 🇵🇸

sing unspoken prayers with my lips on yours

Hrm, so I commissioned art from @rosenkranz-does-things again, this time about this very uh, gay fic. AND I AM GOING INSANE OVER HOW GODDAMN BRILLIANT THIS ART IS!!

Aaaaah! After writing a fic quite recently in which Jenny kills someone to save Vastra, I felt inclined to commission Roz because just LOOK AT THEIR ART! Gosh the sheer SKILL in this! I love how vibrantly, agreesively red the blood is! It contrasts so well against the background, Jenny's clothes, and Vastra's face. Gosh, the way Vastra is so still and calm in her worship of Jenny and the intimate kiss!?? AHHHH this is just perfectly captured, and then Jenny's despair, her clinging to Vastra for dear life with her hand and gosh her facial expression!! Can we talk about her face! Because she looks SO hot with blood on it! Roz you mad genius! (Hey also, two of those splatters look a little bit like kiss marks on first glance, and it's driving me insane! (positive. VERY positive.) I don't know if it was on purpose or not, but omgggg) They're just everything to meee, and Roz you deliver every single time, you never miss! Just. AHHH! People, go commission Roz for beautiful art!

I'll be over here staring at this for one billion years now, byeeee <3

Big Finish complaint email template

As I've shared in a post yesterday, it turns out that the producer for the Thirteenth Doctor audios, Noga Flaishon, is unfortunately a Zionist... I have therefore set about creating a template you can use for emails to Big Finish, informing them of this under [email protected]

Please write a personal statement in the introduction and conclusion where I have put the template's contents in square brackets!

Template and the screenshots in question under the cut.

It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?

#friendly reminder that I once put my statistics degree to good use and did some calculations about ship ratios#and yes considering the gender ratios of characters#the prevalence of gay ships is completely predictable (via sarahtonin42)

I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.

Totally.

A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.

Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.

(Note that this is actually a bit better than average representaton-wise - female representation in popular media franchises is typicaly well below the 25% contemplated here.)

Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship - and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios - this yields the following (non-polyamorous) possibilities:

Possible F/F ships: 3 Possible F/M ships: 27 Possible M/M ships: 36

TOTAL POSSIBLE SHIPS: 66

Thus, assuming - again, for the sake of simplicity - that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.

The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom - and let’s be honest here, this type of criticism is almost exclusively directed at women - for creating a representation problem, or are we merely criticising them for failing to correct an existing one?

YES YES YES HOLY SHIT YES FUCKING THANK YOU!

Also food for thought: the obvious correction to a lack of non-male representation in a story is to add more non-males. Female Original Characters are often decried as self-insertion or Mary Sues, particular if romance or sex is a primary focus.

I really appreciate when tumblr commentary is of the quality I might see at an academic conference. No joke.

This doesn’t even account  for the disparity in the amount of screen time/dialogue male characters to get in comparison to female characters, and how much time other characters spend talking about male characters even when they aren’t onscreen. This all leads to male characters ending up more fully developed, and more nuanced than female characters. The more an audience feels like they know a character, the more likely an audience is to care about a character. More network television writers are men. Male writers tend to understand men better than women, statistically speaking. Female characters are more likely to be written by men who don’t understand women vary well. 

But it’s easier to blame the collateral damage than solve the root problem.

Yay, mathy arguments. :)

This is certainly one large factor in the amount of M/M slash out there, and the first reason that occurred to me when I first got into fandom (I don’t think it’s the sole reason, but I think it’s a bigger one than some people in the Why So Much Slash debate give our credit for). And nice point about adding female OCs.

In some of my shipping-related stats, I found that shows with more major female characters lead to more femslash (also more het).  (e.g. femslash in female-heavy media; femslash deep dive) I’ve never actually tried to do an analysis to pin down how much of fandom’s M/M preference is explained by the predominance of male characters in the source media, but I’m periodically tempted to try to do so.

All great points. Another thing I notice is that many shows are built around the idea that the team or the partner is the most important thing in the universe. Watch any buddy cop show, and half of the episodes have a character on a date that is inevitably interrupted because The Job comes first… except “The Job” actually means “My Partner”.

When it’s a male-female buddy show, all of the failed relationships are usually, canonically, because the leads belong together. (Look at early Bones: she dates that guy who is his old friend and clearly a stand-in for him. They break up because *coughcoughhandwave*. That stuff happens constantly.) Male-male buddy shows write the central relationship the exact same way except that they expect us to read it as platonic.

Long before it becomes canon, the potential ship of Mulder/Scully or Booth/Bones or whatever lead male/female couple consumes the fandom. It’s not about the genders involved. Rizzoli/Isles was like this too.

If canon tells us that no other relationship has ever measured up to this one, why should we keep them apart? Don’t like slash of your shows, prissy writers? Then stop writing all of your leads locked in epic One True Love romance novel relationships with their same-sex coworkers. Give them warm, funny, interesting love interests, not cardboard cutouts…

And then we will ship an OT3.

I’m going to bring up (invent?) the concept of subjectification.

As in, people gravitate to the characters given the most depth, complexity, and satisfying interactions for their shipping needs, because those characters are most human, and we want the realest characters to play with.

In a lot of media, the most depth gets handed to male characters.

And, oftentimes, even when the screentime and depth and interactions are granted equally well to female characters, there can be a level of, for lack of a better word, dis-authenticity to those female characters: they are pared down, washed out, or otherwise made slightly less themselves than they could be, in the interest of making them decorative, or likeable, or “good,” or keeping them from upstaging or emasculating their male companions, or just that the writer whose job it is to write them doesn’t know how to write women the way they write men.

And you get the characterization equivalent of that comparison chart where so many animated female characters have the same facial features because the animators and designers are so worried about not letting them be ugly.

When you have a group that’s allowed to be themselves, warts and all, and another group that has to be decorative at all costs, the impression given on some level is that the decorative quality is making up for a shortcoming. That they wouldn’t be enough in their own right.

And sometimes that cost is authenticity. The interesting, striking, awe-inspiring, bold and glorious unapologetic selfhood that draws the viewer most particularly to those characters who are unapologetic in their particular existence, standing clear of the generic and bland and unchallenging “safe” appearances.

It is authenticity, not beauty, which powers subjectification. The love for a character, not because they are perfect, but because they are them.

They can be pretty, sure. They can be sweet. But being pretty and sweet is not a replacement, and too many female characters have been written by writers who think it is, while the interest—in appearance, in personality, in interactions, in plot development—goes to the men.

And when that happens, well. Surprise, surprise, that’s where the shipping goes.

Yeah I don’t really ship but I do write a fair amount of fanfic, and in most franchises working with the female characters is a chore.

You have to do so much of the work yourself, because the canon left them unfinished, with huge gaps or unexplored contradictions that you have to somehow resolve. Every female character you decide to integrate into your fanwork in some major role constitutes an undertaking in her own right as you patch together an understanding of her sufficient to model a consistent set of reactions and priorities &c.

The dudes just get handed to you. Even the ones whose canon is a mess have properly developed character cores.

That you don’t have to unearth and piece together like some sort of volunteer archeologist coming up with theories way more complex than the available artifacts truly support.

So you want to listen to Main Range?

Great! I know how intimidating it can be to try and start listening, so I’ve tried to compile a guide to the main story arcs. More under the cut (minor spoiler warning)!

need to start a masterpost of scott summers autistic moments. maybe then you would all understand

I FORGOT THE FUCKING SOUP

i'm a year late, but here's some additions:

christopher eccleston do you know that i would die for you (1 2)

Do younger/new dw fans know RTD shipped Wincest?

#pardon me he WHAT#someone PLEASE elaborate i am. concerned

:)