It's The Trainee's tenth episode, and Blue Boy Jane is as passionate as ever to show Ryan he is interested in him!

Green Guy Ryan is in Jane's blue and pink (for love) with "do/er" written over his heart as Ryan realizes this episode that he actually does have dreams.

And they aren't just about falling in love!

Red Rascal Pie in her red Converse and red socks is still wrong about who Ryan likes.

But it doesn't matter because Ryan knows who he likes, and Jane is trying to make it clear that he also cares about Ryan by picking him up before work, flirting with him at work on company time (AS HE SHOULD!), and dropping Ryan off at home after work.

Because this episode was about putting in an effort, which Tae had to realize with the help of his color-coded friends (see the sticky notes!!!!).

Brown Boy Tae is really going through his Sad Boy Era in black (for one whole entire week ~yes, I'm rolling my eyes~) because he can't live without Mee.

Like, literally. He doesn't know what to eat or do without Mee taking care of him.

And he isn't the only one sad about it because every part of me hates where this story is going, but I'm already strapped into this color-coded ride, and it's too late to get off now.

So it's not surprising that when it comes down to it, Tae needs Mee or he'll die (seriously, he will because he can't do anything for himself!), which is why only the pink sticky notes are left. Woot woot.

But Pink Person Mee is in the same love boat as she ponders her choices.

Because even though Black Brooder Judy is lightening up, Mee realizes Judy is too attentive and isn't the one for her.

So thank goodness for Yellow/Orange Oddity Pah and all his connections for bringing his two color-coded buddies back together!

But in all honesty, because I couldn't tell if Tae finally wore full brown, I just pulled a @heretherebedork and believed this magical moment was actually telling me Tae was in love with Pah because ~colors~

However, Tae is wearing brown next week, so good for him not being in love with Pah, I guess.

But Ryan *is* in love with Jane, which will be on full display for the office to see when Ryan wear Jane's blue next week.

And Jane will be the lightest blue he has ever been!

Perhaps it has something to do with the "Daddy" with the tiny heart written over Ryan's heart.

But it will be the (cursed?) eleventh episode, so I'm excited to see where this color-coded ride will take me!

she just wanted to drink her coffee.

+ pie gives up.

#girls supporting girls

Moonlight Chicken พระจันทร์มันไก่ (2023) | Gaipa's storyline clips - part 1/5

Aylin is truly a hero, y'all. But also Luna is just as much a disaster as she is and I love that for them.

This girl came with the full story from Aylin but had no plans on how to explain that she knows.

I love them so much. And the red bow and the green alien boppers are just the perfect match.

Least subtle child my beloved.

Two flavors of teenage autism in one frame and the two ways of dealing with not fitting in... by panicking and trying to force yourself into their box and by deciding that the box doesn't matter because you'll never fit so you're determined not to care.

Turtles Catches Up With Old GMMTV: 55:15 Never Too Late, and Integrated Queer Storylines in Thai Het Dramas Edition

[What’s going on here? After joining Tumblr last year and discovering Thai BLs through KinnPorsche, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the amazing current works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about that history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs directly or indirectly related to GMMTV and what that channel is producing now. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I delve into the queer storyline of 55:15 Never Too Late, an ensemble het drama that featured two phenomenal actors in Kob Songsit and Khaotung Thanwat as older and younger versions of the same person.]

55:15 Never Too Late: this is not a show that I think the majority of the Thai BL fandom is aware of, unless they're particular stans of Nanon Korapat (RAISES HAND) and/or Khaotung Thanawat (RAISES OTHER HAND). In part, let me just say upfront that 55:15 Never Too Late features significant het storylines with middle-aged adults, and -- one's assumed BL audience may not be so into that.

However. I picked this show up for the OGMMTVC after discussions with a few dear mutuals (in particular, the wonderful @chickenstrangers -- thank you for engaging me in conversation on this show!) about queer storylines in GMMTV het dramas. I had a thought early on in this project that I should touch upon this, as I was impressed with my earlier-this-year watch of GMMTV's 10 Years Ticket, and that show's inclusion of a wonderful queer storyline was woven with intergenerational trauma, which is a theme that I appreciate seeing in shows when it's done well.

In considering what might have been seminal for GMMTV regarding queer storylines in het dramas before shows like 10 Years Ticket aired: two shows kept cropping up in conversation, 55:15 Never Too Late being one, and The Shipper being the other.

I wanted to think on this because... man, for me, as an old Asian-American, to think about Asian het shows/dramas/primetime dramas that would have integrated queer storylines -- not even just a passing queer character who's used for cringe/comedy -- strikes me as remarkable. I certainly didn't see these kinds of storylines in the romantic or slice-of-life K-dramas and J-doramas of my youth.

Of course, this was territory that had already been crossed in pre-Thai-BL ensemble shows like Love Sick and Kiss/Kiss Me Again (which preceded Dark Blue Kiss). While The Shipper (I think -- I haven't watched it) was more of a coalesced storyline, 55:15 Never Too Late had a little bit of that ensemble feel to it -- but all the characters of this show were affected by the same supernatural phenomenon, which ended up bringing all their individual storylines together as one in the end. And after 55:15 Never Too Late, we have 10 Years Ticket, and hopefully more het dramas will follow suit in including impactful queer storylines as well.

I was encouraged VERY strongly to NOT watch The Shipper for the ways in which it treated issues of transgender identity (big ups to @so-much-yet-to-learn, @bengiyo, @shortpplfedup and more for helping me to avoid that disaster). And 55:15 Never Too Late was described to me as having a BL storyline that featured a cameo with Earth Pirapat and Mix Sahaphap, and that offered critical feedback about the wider BL industry.

All of that is true, and I deeply appreciated the feedback and direction. What I didn't expect was to receive a storyline that also treated elder queerness and coming out at a later age with empathy and tenderness.

Before I get there, let me set up the show and describe all the different storylines, and then I'll focus on Khao's turn, as he played the younger version of our main queer protagonist in Songpol.

55:15 Never Too Late starts off with five middle-aged individuals: San, a washed-up voice actor who is drunkenly robbed by two women; Jaya, a washed-up former teen idol; Amonthep, a washed-up former boxer whose boxing academy is about to default in debt; Jarunee, a despised high school teacher who receives a devastating cancer diagnosis, and Songpol, a restaurant owner who harbors a long-lived love for the pianist in his restaurant, a man named Mathee.

All five of these 55-year-old adults wake up one morning -- after all having visited the same photocopying shop -- as their 15-year-old selves, with their adult minds still in tact. All five of them use their newfound youth to address longstanding issues in their lives, and to hopefully find clarity on the problems they face as adults.

Where our queer storyline lives is with Songpol, and shit if I did not yelp when I saw who was playing the adult Songpol: none other than one of the best and most-seen dads in BL, Kob Songsit -- Kinn's dad! Dean's dad! Kawi's dad! And he's also a dad of a gay son in the movie Love of Siam as well. (Khun Kob is also a legendary Thai actor and singer in his own right -- cc @wen-kexing-apologist for the heads-up!). I squealed because this was the first time that I'd see Khun Kob play a queer man himself. I'm almost positive that he's likely taken on other queer roles, but -- Khun Kob's characters are usually the accepting dads! This time around, we get to see him embody a queer role holistically.

The adult Songpol was closeted his whole life. Upon his mother's approaching passing, he whispers in his mother's ear, as she lays in her hospital bed -- "I'm gay." The line on the monitor goes flat. We can surmise as much, that her household would not have welcomed such an admission in Songpol's earlier years.

Songpol is also a fan of the aging teen idol, Jaya. After his mother's passing, he takes it upon himself to decorate his room fully with all the fan memorabilia he collected over his teen and adult years.

Before his transformation into his teenage self, he meets with his fellow queer friend at a gay club -- likely Songpol's only outlet to be out in private (and his friend is played by the FABULOUS Shaowanasai Michael, who just OWNED the time he had on screen as a fully-out, decked-out older gay man. WE NEED MORE ELDER QUEER UNCLES IN OUR SHOWS!). Songpol's friend encourages Songpol to finally admit his love to Mathee, the pianist. As Songpol finally screws up his courage to make his admission -- Mathee reveals that he's getting married.

And Songpol goes to bed, devastated. And he wakes up as his 15-year-old self, played by Khao.

Of the times that we see the adult Songpol on screen, we see Kob Songsit do the most amazing delicate balance of a kind of presence struggle that older queer men VERY often have to do, by way of tamping down a peeking-out, a shimmering of femme characteristics, that often needs to be traded for a carriage of more masculine characteristics in everyday life (what movie better captured this than The Birdcage?) (cc @wen-kexing-apologist). Throughout the show, when Khun Kob was on screen, he carried himself like... like a het Thai uncle, slightly worn in his years. But when he was able to flourish in recognition of his queerness -- we saw that slight shimmer, the little twist in his shoulders, a little gleam and sly smile in which he knew he was safe to be out and gay.

Dudes, if you're a completist nerd like me, taking a moment to watch Kob Songsit embody a queer role ALONE made this show worthwhile for me to watch.

But! And! What did Songpol learn about himself as his younger version in modern times?

That's where Khao steps in, and of course -- Khao is Khao, right? One of GMMTV's best actors, Khao as the young Songpol (in body, not in mind) takes himself on a journey of recognizing that the world (at least the world that the younger generations live in) has long moved past the prejudices of his mother's generation.

Young Songpol looks on in wonder as two boys hold hands at the high school that he's returned to. He listens in wonder as his niece -- who is now the same age as him, LOL -- tells him about BL series. And he's agape when a school project on BL shows is proposed to him by a fellow classmate.

That classmate (played by Pawin Kulkaranyawich, love u Pawin) is none other than the son of Mathee -- the pianist that the adult Songpol is in love with.

I was talking with @chickenstrangers a bit about this -- that the one wrinkle (no pun intended, HA) (listen, I get to make that joke because I'm an old mom) that 55:15 Never Too Late faces is that we have actors playing 15-year-olds who are all tackling adult problems... often with the other age-appropriate adults of their past lives. Meaning: age gaps, both externally and internally.

(Very namely, Nanon's character, the young San, interacts with his former high school love interest. Now, Nanon can pull off almost anything, and I'd argue that he was fabulous in this role -- as long as you were comfortable watching a 20-year-old Nanon express a long-lost love for a 55-year-old woman. He did it exquisitely, but the age gap could give some folks the jibbles. This also happened with the young Jarunee, played by the AWESOME AS USUAL View Benyapa, who confirms her love for a 30-year-old man, who was actually in love with the original 55-year-old Jarunee, so we're dealing with TWO age gaps there, okay, confused yet? ANYWAY.)

In this age gap case, Pawin's character, Phiphu, begins crushing on the young Songpol. The young-bodied and old-minded Songpol is like, wut. You're Mathee's son. Phiphu even goes in for an acted kiss as he and Songpol audition (AUDITION! LOL) for a BL series.

It's Khao and Pawin kissing -- but it's an older character that Khao is embodying. Khao did not lean into the kiss, and made it seem plenty awkward, which -- good job, Khao/Songpol. But I'd say the show overall didn't quite address the age gap issues frontally, which I do think was a miss.

(KhaoPawin, btw? Yet another reason why I want to ban branded ships. Pawin's never been better than when he was paired with Khao! Pawin was great! They were great together! Pair more randoms together!)

I think the show did a responsible job at indirectly addressing the age gap issue at least between the old/young Songpol and the only young Phiphu, when Phiphu finally admits his attraction to the young Songpol. And remember! They're living in an age -- an age that the adult Songpol isn't familiar with -- where Phiphu can feel comfortable making a queer admission to another teenager.

The young Songpol knew he was kinda in the shit when Phiphu confessed to him. Between the time that the young Songpol received this confession and the end of the series -- the young Songpol had transitioned back to his present elder self. In that elder self, played by Khun Kob, the young Songpol left a letter for Phiphu to explain his departure -- and to urge Phiphu, a loner, to be hopeful for a more loving future. A kind of future that, prior to his trip to his younger self, that the older Songpol may not have ever imagined for himself.

All while this is happening: the elder Songpol's love interest, Mathee, is getting married. And: Mathee confesses to the adult Songpol that Mathee knows that Songpol was in love with him. Mathee addresses it head-on, and explains how important Songpol is in Mathee's life as an elder uncle, a familial presence. It was empathetic as anything, wonderful to watch.

Again, repeating myself from the top: these topics are extremely adult topics. Not by way of explicitness, but by way of maturity and and growth. The way this show touched me as an adult -- there aren't a lot of BLs that do that, simply because I'm much older than your average BL audience member. This show really gut-punched me, simply because it was a drama (it just so happened to be a het drama) about reckoning with the highs and the disappointments of adult life, ones that, especially as a parent of young children, I am learning far too fast and all too well. To see an adult Songpol's mind -- channeled through Khao's brilliant acting -- coming to terms with a new generation for which queerness is far more accepted, was utterly moving. Even for myself, a het woman who was raised with a culturally embedded sense of bigotry for anyone "different," watching young people just accept queerness, as an everyday part of life -- and watching an elder mind try to process that, and realize that he could live safely and publicly, as he finally did, as an adult, at the end of the show, totally got me.

Most of the storylines of the rest of the characters ended beautifully, with a little tragedy mixed in. If you're a fan of dramas that feature the GMMTV stable outside of our beloved group of BL actors, I would definitely say to give this one a shot. (If you're a BBS girlie like me, keep in mind that this was airing at the same time as BBS, so Nanon had two shows airing at the same time -- and I do be believing that there was a little BBS reference in 55:15 because of that timing.) Sea Tawinan in particular, who I have no familiarity with (I didn't watch Vice Versa) was fantastic as a devoted and thoughtful son to one of the time jumpers. View, Kay, Arm, Piploy, Marc Pahun, and ESPECIALLY PRIGKHING (WHAT A DELIGHT!) were all fantastic.

Some of the latest het dramas out of GMMTV -- UMG, The Jungle, etc. -- seem to me to be post-pandemic leftovers featuring cute dudes in weak storylines that not a lot of folks really got excited about. 55:15 Never Too Late was a pandemic-era drama that was very much rooted not only in nostalgia, but also rooted in addressing regrets -- the exact kind of mental exercise that a lot of folks had time to work on during the pandemic. 55:15 held a queer storyline in its hands with tenderness, it featured two phenomenal actors in Kob Songsit and Khao Thanawat to treat it with compassion, and the result was eye-opening and fulfilling. This was a wonderful show, and it makes me very glad that there are GMMTV shows, outside of the Jojo Tichakorn universe, that consider queerness as inclusionary of storytelling. If this theme can continue at GMMTV, I will be ever more glad about it.

[So! WITH THIS! I'm going to be doing a slow rewatch of Bad Buddy and Our Skyy 2 x Bad Buddy x A Tale of Thousand Stars, along with a robust, if not heavy, slate of currently airing shows, including Absolute Zero and What Did You Eat Yesterday?, all of which will be taking a chunk of time of meta writing away from my generally middling level of sanity.

That being said, I'll be doing plenty of liveblogging of BBS, and I have at least two OGMMTVC posts planned for the show, so stay tuned in the next few weeks, as I sharpen my pencils and take notes on Aof Noppharnach's very best drama.

There is a future after my BBS rewatch, namely Cheewin Thanamin's Secret Crush On You, which I'm really looking forward to watching later this fall.

Here's the latest info drop on the OGMMTVC watchlist. For a more clear picture of what I've watched, please click this link!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry)  33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (watching) 34) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist 37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch For the Sake of Re-Analyzing an Politics-Focused Show After Not Me 39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults) 43) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 44) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 45) Only Friends (2023)]

This is me just again plugging to go watch the criminally underrated 55:15 Never Too Late 🥹🥰