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The Lynch of Locke Lamora

@scottlynch78 / scottlynch78.tumblr.com

HA HA MOTHERFUCKERS YOU EXPECTED COMPETENCE AND YOU GOT THE OFFICIAL TUMBLR OF SCOTT LYNCH INSTEAD! A WORK MOST DECIDEDLY IN PROGRESS.
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On the Cover of a Grimdark Magazine

Hey, Tumblr. Long time, no tumbl.

Just wanted to mention that the first-ever Gentlemen Bastards short story, "Locke Lamora and the Bottled Serpent," will be appearing as a two-part extravaganza in Grimdark Magazine's issues 40 and 41. Issue 40, GDM's tenth anniversary celebration, is available for you to grab right now:

"Locke Lamora and the Bottled Serpent" returns us to Camorr some months after Locke's 13th birthday, which was described in the "Orphan's Moon" chapter of The Republic of Thieves. Locke, working as a bar-back in a rough-and-tumble Right People tavern, deals with some issues, including the fact that his only real friend on the premises is an aging mercenary named Mazoc Szaba who has an addiction to drinking poisonous wine for contests of chance. Since there are no flashbacks in Thorn, this story was the first time in quite a while I'd "gone back" to Camorr, and I found the experience pretty emotional. The good folks at GDM were lovely enough to give me this chance to play in their pages, so if you harbor any affection for Locke, give 'em a shot. The individual issue should be about $4, and also comes with a load of fiction and non-fiction from people including Anna Smith Spark, Mark Lawrence, Christopher Buehlman, Cat Rambo, and many others!

If you missed my August updates on novellas, signed bookplates, and other matters, check it all out at: http://www.scottlynch.us/updates.html

And hey, if you didn't see my short story "Selected Scenes From the Ecologies of the Labyrinth," published in the Sunday Morning Transport in July, give it a read! No charge.

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(Flicks the lights on) Some creepy dumbass bought Twitter and is degrading it in real time while the world watches, so I’ve been trying to tend my other online contact points, which includes this place. For your serotonin-generation needs, here’s a recent picture of Duncan and Gurney, fifty percent of the small panther population of this house.

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Cleaned and organized the table in our shared office tonight. I seem to have left a space. Hmmmm.

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Apologies if Tumblr’s default viewer makes that last post a little blurry; if you click on it and fiddle with it a bit you can eventually view it at something resembling the proper resolution, I hope.

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reblogged
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matociquala

How my #writerden looks today, after a massive declutter.

As you can see, author copies of THE BOOK OF MAGIC are in. It’s got Scott Lynch, @kateelliottsff, @gregvaneekhout and many others in it!

The Christmas cactus is Dark Marie, from @logeesplants some years ago. Just getting started.

#teaofthemoment: @stashtea Sweet Honeydew #mugoftheday: puzzled cat (white) #penofthehour: Monteverde Mountains of the World Vesuvio with Sailor Studio 452

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scottlynch78

That creeping fuzzy doom in the background is Duncan. Duncan is a helper cat.*

*This statement unverified by any regulatory agency. No actual helping may occur.

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reblogged
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daxarvedraws

Outside of Capa Barsavi, they had to be the wealthiest thieves in Camorr [..] They were as wealthy as the man they were currently robbing, and far wealthier than most of his peers, and some of the most famous merchant houses and combines in the entire city.

do not repost unless you are scott lynch himself

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scottlynch78

Reposting, nobody tells me what to do

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Who do I need to bribe or murder to GM a tabletop RPG for you?

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You need to somehow use magic or ninjutsu to remove and replace Lou, the guy who DM’s Pathfinder for myself and my wife every month or so. Lou is a great guy, so I can’t recommend trying it. Your next best bet would be to try and arrange something at or around a convention! I also GM stuff at cons from time to time. I think I’d especially like to try doing so at GenCon next year, if we’re lucky enough to have a civilization still standing.

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Anonymous asked:

Mr. Lynch - not a question at all. I wanted to thank you for the pleasurable time I spent reading In The Stacks and The Effigy Engine. Your prose, plots, and pacing continue to delight. You keep doing you, sir!

I am absolutely delighted to hear it, and thank you for letting me know.

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reblogged

Europe just voted to wreck the internet, spying on everything and censoring vast swathes of our communications

Lobbyists for “creators” threw their lot in with the giant entertainment companies and the newspaper proprietors and managed to pass the new EU Copyright Directive by a hair’s-breadth this morning, in an act of colossal malpractice to harm to working artists will only be exceeded by the harm to everyone who uses the internet for everything else.

Here’s what the EU voted in favour of this morning:

* Upload filters: Everything you post, from short text snippets to stills, audio, video, code, etc will be surveilled by copyright bots run by the big platforms. They’ll compare your posts to databases of “copyrighted works” that will be compiled by allowing anyone to claim copyright on anything, uploading thousands of works at a time. Anything that appears to match the “copyright database” is blocked on sight, and you have to beg the platform’s human moderators to review your case to get your work reinstated.

* Link taxes: You can’t link to a news story if your link text includes more than a single word from the article’s headline. The platform you’re using has to buy a license from the news site, and news sites can refuse licenses, giving them the right to choose who can criticise and debate the news.

* Sports monopolies: You can’t post any photos or videos from sports events – not a selfie, not a short snippet of a great goal. Only the “organisers” of events have that right. Upload filters will block any attempt to violate the rule.

Here’s what they voted against:

* “Right of panorama”: the right to post photos of public places despite the presence of copyrighted works like stock arts in advertisements, public statuary, or t-shirts bearing copyrighted images. Even the facades of buildings need to be cleared with their architects (not with the owners of the buildings).

* User generated content exemption: the right to use small excerpt from works to make memes and other critical/transformative/parodical/satirical works.

Having passed the EU Parliament, this will now be revised in secret, closed-door meetings with national governments (“the trilogues”) and then voted again next spring, and then go to the national governments for implementation in law before 2021. These all represent chances to revise the law, but they will be much harder than this fight was. We can also expect lawsuits in the European high courts over these rules: spying on everyone just isn’t legal under European law, even if you’re doing it to “defend copyright.”

In the meantime, what a disaster for creators. Not only will be we liable to having our independently produced materials arbitrarily censored by overactive filters, but we won’t be able to get them unstuck without the help of big entertainment companies. These companies will not be gentle in wielding their new coercive power over us (entertainment revenues are up, but the share going to creators is down: if you think this is unrelated to the fact that there are only four or five major companies in each entertainment sector, you understand nothing about economics).

But of course, only an infinitesimal fraction of the material on the platforms is entertainment related. Your birthday wishes and funeral announcements, little league pictures and political arguments, wedding videos and online educational materials are also going to be filtered by these black-box algorithms, and you’re going to have to get in line with all the other suckers for attention from a human moderator at one of the platforms to plead your case.

The entertainment industry figures who said that universal surveillance and algorithmic censorship were necessary for the continuation of copyright have done more to discredit copyright than all the pirate sites on the internet combined. People like their TV, but they use their internet for so much more.

It’s like the right-wing politicians who spent 40 years describing roads, firefighting, health care, education and Social Security as “socialism,” and thereby created a generation of people who don’t understand why they wouldn’t be socialists, then. The copyright extremists have told us that internet freedom is the same thing as piracy. A generation of proud, self-identified pirates can’t be far behind. When you make copyright infringement into a political act, a blow for freedom, you sign your own artistic death-warrant.

This idiocy was only possible because:

* No one involved understands the internet: they assume that because their Facebook photos auto-tag with their friends’ names, that someone can filter all the photos ever taken and determine which ones violate copyright;

* They tied mass surveillance to transferring a few mil from Big Tech to the newspaper shareholders, guaranteeing wall-to-wall positive coverage (I’m especially ashamed that journalists supported this lunacy – we know you love free expression, folks, we just wish you’d share);

What comes next? Well, the best hope is probably a combination of a court challenge, along with making this an election issue for the 2019 EU elections. No MEP is going to campaign for re-election by saying “I did this amazing copyright thing!” From experience, I can tell you that no one cares what their lawmakers are doing with copyright.

On the other hand, there are tens of millions of voters who will vote against a candidate who “broke the internet.” Not breaking the internet is very important to voters, and the wider populace has proven itself to be very good at absorbing abstract technical concepts when they’re tied to broken internets (87% of Americans have a) heard of Net Neutrality and; b) support it).

I was once involved in a big policy fight where one of the stakes was the possibility that broadcast TV watchers would have to buy a small device to continue watching TV. Politicians were terrified of this proposition: they knew that the same old people who vote like crazy also watch a lot of TV and wouldn’t look favourably on anyone who messed with it.

We’re approaching that point with the internet. The danger of internet regulation is that every problem involves the internet and every poorly thought-through “solution” ripples out through the internet, creating mass collateral damage; the power of internet regulation is that every day, more people are invested in not breaking the internet, for their own concrete, personal, vital reasons.

This isn’t a fight we’ll ever win. The internet is the nervous system of this century, tying together everything we do. It’s an irresistible target for bullies, censors and well-intentioned fools. Even if the EU had voted the other way this morning, we’d still be fighting tomorrow, because there will never be a moment at which some half-bright, fully dangerous policy entrepreneur isn’t proposing some absurd way of solving their parochial problem with a solution that will adversely affect billions of internet users around the world.

This is a fight we commit ourselves to. Today, we suffered a terrible, crushing blow. Our next move is to explain to the people who suffer as a result of the entertainment industry’s depraved indifference to the consequences of their stupid ideas how they got into this situation, and get them into the streets, into the polling booths, and into the fight.

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dduane

Furious about this vote. I foresee a lot of leaning on my MEPs in the near future. And further.

Damn it all!

JFC, EU.   (I mean, it’s kinda nice that for once it’s not the USA fucking things up, but this is just global kinds of expensive, bite-you-on-the-ass stupidity.  And guess who suffers for it?  All of us.)

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It’s up! “The Effigy Engine” standalone digital edition is LIVE at Amazon, which means “A Year and a Day in Old Theradane” is only a few days behind. If you’re looking for a kick-ass little baroque black powder fantasy full of bitchy wizards, bantering mercenaries, weird sorcery, elemental muskets, and magic kites that kill people... you have curiously specific tastes, and this is THE story for you.

Find it at:

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Amazon has really put me through the wringer to verify my identity for “The Effigy Engine” (previous appearances in anthologies can really confuse the algorithms/people responsible for this process, which I do appreciate, but boy, it’s been a pain). Still, we seem to be hovering at the point of final verification/release, so I think I can cross my fingers and say that “The Effigy Engine” and “A Year and a Day in Old Theradane” will be out in the next few days. “Theradane” will also feature bonus content by Elizabeth Bear and Katherine Addison (Sarah Monette). More news as it all becomes definite!

“The Effigy Engine” can currently be found at Smashwords:

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