angst with no happy ending ???? in this economy ????
Big fan of characters realizing they don't get to die. They have to live. And grow. And be a person. And deal with shit they thought they'd never have to. And be fucked up about it. I would like more of this. Enough dying for honor or as redemption. It ain't. You're just a corpse. There is no moral value in dirt time.
i love you well crafted narratives i love you clever callbacks i love you seemingly nonsensical plot lines that begin to make perfect sense when they converge i love you sneaky little easter eggs you only notice on your second watch i love you consistent but not overdone motifs i love you deeply satisfying series finales i love you gratifying and tangible character development
You can tell that those “Slavic inspired” books are written by Westerners, because not a single character dies after being exposed to the draft.
Also, nobody is brutally killed by the female members of their family for sitting on the ground, and thus destroying their reproductive organs and any chance of offspring.
One time I tried to sit on a metal bench at a bus stop in winter.
My butt hadn’t even hit the seat before like four babas materialized out of thin air to yell at me about how I was going to freeze my uterus and never be able to have children. I had roughly thirty layers of clothing on at the time; this was irrelevant. One baba paused mid-scold to grouchily put a single-sheet layer of newspaper over the bench. NOW it is safe. The uterus must be protected at all costs.
letting a traumatized character have their happy ending where they can recover from their trauma will always be a thousand times more powerful than killing them off for shock value
I’m compelled by stories where the characters suffer a lot, but only if there’s catharsis in the end. If they just die without ever getting to recover I’m OUT because what’s the fucking purpose then? Voyeurism? Bye
But happy endings are literally SOOO boring
So are you
The three most boring kinds of endings:
-I refuse to tell you the ending, you have to ~decide for yourself~! -And then they woke up. -And it was all miserable and pointless and nothing got fixed and nothing was better and everybody died or lived morosely ever after, now stay awake all night contemplating the futility of life and feeling shitty so I can masturbate to the idea that i have made Powerful Art.
Protip: it doesn’t take any skill or insight to make people feel bad. Just like it doesn’t take any skill to refuse to come up with an ending and make the reader decide, or to handwave all the questions of the narrative by saying they were never real at all. What takes skill is to gather together all your woven threads and knot them in a way that won’t unravel, that completes the narrative, satisfies the reader, and makes sense under scrutiny. That can be bittersweet sometimes! Characters can sacrifice a lot for their ending! It doesn’t have to be rainbows and kittens! But if the ending makes readers wish they hadn’t invested emotional energy in the outcome of the story, then the story has failed.
Don’t be lazy. Don’t cheap out on your ending. Work to put together something readers will be glad they read, even if it made them cry.
IF THE ENDING MAKES READERS WISH THEY HADN’T INVESTED EMOTIONAL ENERGY IN THE OUTCOME OF THE STORY, THEN THE STORY HAS FAILED.
That’s it! That’s the point!
All writers must know this!!!!
“But why do you ship a hero with the villain??! Its so problema-“
“For the angst Karen. I need some drama before they fuck. It aint that deep.“