Love and Eurus’s Three Forms
The third mysterious Holmes sibling is revealed to be named Eurus, which is Greek for the East Wind. Applying the ‘slight mispronunciation of a classical language’ rule from T6T [”amo” as “ammo”], we find that our spiritual guide through the allegory of S4 has been Eros, now Greek for ‘romantic love’.
Eros, the god perhaps better-known in Roman mythology as Cupid.
One thing that puzzled me about an allegorical reading of Eurus is why she had three forms: Exx from the bus; Faith, the John mirror; and Eurus, the horror-movie sister.
But in Greek, romantic love also had three forms: Eros, Philos, and Agape. In Series 4, we see how lack of each form, personified through versions of Eurus, hurts John.
Agape: The Lady from the Bus
Agape represented unconditional love and was often used to denote affection between spouses. In TST, we see the opposite: John isn’t being faithful to his wife because he doesn’t love her–doesn’t feel the agape he’s supposed to–, causing guilt and self-loathing. John Watson, tortured by agape.
Philia: Faith Smith
Philia was brotherly love, translated variously as friendship (particularly loyalty to friends) or affection. In TLD, we get Faith Smith, the least subtle John mirror in the entire show. She represents John as he was before moving in with Sherlock:
SHERLOCK: [Your handbag]’s too heavy. You said I was your last hope and now you’re going out into the night with no plan on how you’re getting home … and a gun.
(She lowers her head. He focuses in on her walking cane…. He nods and sniffs sharply and has a brief flashback of John walking away from the house in Lauriston Gardens in “A Study in Pink,” leaning heavily on his cane. Sherlock shakes the memory away, his face unhappy.)
John’s suicidal thoughts and lack of purpose went away, if temporarily, because of Sherlock’s friendship and understanding. In TLD, Sherlock’s attempts to stop Faith from committing suicide reflect the same feelings. His later comments also suggest new awareness of the importance of considering the effects of actions on friends’ emotions. He’s grown since TRF, when he believed John would be unaffected by his death (i.e., felt no philia).
SHERLOCK: “Taking your own life.” Interesting expression. Taking it from who? Oh, once it’s over, it’s not you who’ll miss it.
SHERLOCK: Your own death is something that happens to everybody else.
SHERLOCK: Your life is not your own. (His voice becomes strained.) Keep your hands off it.
But even as Faith reminds us of the role of Philia in Sherlock and John’s relationship, the actual episode is telling us that that rapport simply isn’t there at the moment. Sherlock and John are completely estranged. John even beats Sherlock up, demonstrating a complete lack of philia, and regrets it afterwards. John Watson, tortured by philia.
Eros: Eurus Holmes
Eros represented intimate love and desire. The weird-snake-mating-dance-thingy with Moriarty, the comment about the nurse of indeterminate gender definitely not john repressing his bisexuality, and similar scenes point this way.
Again, lack of eros causes problems. Sherlock’s issue in the “I love you” scene is that he can’t get Molly, a John mirror, to say those words to him. Similarly, John and Sherlock aren’t in a relationship because neither of them will actually say those words to the other. John Watson, tortured by eros.
Conclusions
Eurus doesn’t represent love so much as she represents the problems caused by unfulfilled or missing love. Lack of agape makes John feel guilty about “cheating”, lack of philia makes John hurt his best friend and hate himself, lack of eros nearly gets a John mirror killed.
But Eurus’s forms also suggest that by embracing love in all three ways, John can end his pain. Let’s hope he learns from his mistakes.
NOTE: Depending on where you look, you’ll find up to seven forms of love used by the Greeks. Eros, philia, and agape are by far the most common. However, a solid fourth place goes to storge, the love between parents and children. By definition, it doesn’t apply to the relationship between John and Sherlock. However, if we look at Eurus as simply an allegorical representation of love and not at her role in the narrative, her storge form is arguably represented by her little-girl versions on the plane and in the scenes of Sherlock’s childhood.
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