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#inspiration – @sarahthecoat on Tumblr
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SarahTheCoat

@sarahthecoat

mostly Sherlock. The New Semester my dreamwidth
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l0stvegas

I wasn’t crazy about this piece so I wasn’t intending on publicly posting it again, but it keeps getting stolen every five minutes so I figured I’d put it here so people at least know who to attribute the original thing to lmao

[Digital illustration, Procreate App, 2020]

ITS NOT A PHOTO????????

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ivyblossom

Stede’s Trauma, and Why Being Sorry isn’t enough

Fandoms are often in these situations where their show has given them a terrible cliffhanger, where beloved characters have been rent asunder by the choices they made, and we are left for years to ponder the horror of it all. And we dig into who needs to do the apologizing, who made the mistake that caused this, etc. etc. It’s fun because it’s so painful! We love fictional pain, it’s just so delicious. Yum yum! Please sir, may I have some more?

And here we are with Stede and Ed: they made an agreement to run away together, and Stede chose to go home instead and leave Ed waiting with no goodbye and no explanation. Pretty clear cut, really. Stede made a bad choice and should apologize, so the story should now be about Stede apologizing.

I mean, yes, Stede should apologize for ghosting Ed in the worst way, sure, but an apology from Stede just isn’t the question or the answer, I don’t think. It’s not enough, for a start, it doesn’t address why any of this happened, and it’s obscuring all the misunderstanding going on just under the surface. 

What we have here, my fannish friend, is a fundamental miscommunication between two complicated people who have big feelings they can’t recognize or cope with, both of whom believe they have done the absolute right thing for the right reasons, and that is literally my favourite situation in the world, so I am in a delirious haze of delight right now, and will probably stay in this fog of fannish delight until s2 airs.

But I wanted to write about Stede, and why I believe he’s also in a tremendous amount of pain, and why his choices make sense. And why apologizing for it isn’t enough.

Very good 👏👏 Everybody go read this!

Also:

I really REALLY hope we also get clarification from Ed’s side of things - how is he really feeling about all of this. Not the abandonment, that’s clear, but what he was “giving up” - to him, was he really giving up anything at all? Who does he really WANT to be? As much as he obviously also wants Stede and to be with Stede, he’s gonna need to trust - capital T Trust - that Stede loves him as he is.

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msclaritea

We did it!

Lots of inspiration for children...

Show up and show out!

...and some of that 'Desperately Unspoken' pining we be hearing about. 😂

Speaking of Legends...!

Some shining new stars, too.

There’s a poem in this place—

in the footfalls in the halls

in the quiet beat of the seats.

It is here, at the curtain of day,

where America writes a lyric

you must whisper to say.

There’s a poem in this place—

in the heavy grace,

the lined face of this noble building,

collections burned and reborn twice.

There’s a poem in Boston’s Copley Square

where protest chants

tear through the air

like sheets of rain,

where love of the many

swallows hatred of the few.

There’s a poem in Charlottesville

where tiki torches string a ring of flame

tight round the wrist of night

where men so white they gleam blue—

seem like statues

where men heap that long wax burning

ever higher

where Heather Heyer

blooms forever in a meadow of resistance.

There’s a poem in the great sleeping giant

of Lake Michigan, defiantly raising

its big blue head to Milwaukee and Chicago—

a poem begun long ago, blazed into frozen soil,

strutting upward and aglow.

There’s a poem in Florida, in East Texas

where streets swell into a nexus

of rivers, cows afloat like mottled buoys in the brown,

where courage is now so common

that 23-year-old Jesus Contreras rescues people from floodwaters.

There’s a poem in Los Angeles

yawning wide as the Pacific tide

where a single mother swelters

in a windowless classroom, teaching

black and brown students in Watts

to spell out their thoughts

so her daughter might write

this poem for you.             

There’s a lyric in California

where thousands of students march for blocks,

undocumented and unafraid;

where my friend Rosa finds the power to blossom

in deadlock, her spirit the bedrock of her community.

She knows hope is like a stubborn

ship gripping a dock,

a truth: that you can’t stop a dreamer

or knock down a dream.        

How could this not be her city

su nación

our country

our America,

our American lyric to write—

a poem by the people, the poor,

the Protestant, the Muslim, the Jew,

the native, the immigrant,

the black, the brown, the blind, the brave,

the undocumented and undeterred,

the woman, the man, the nonbinary,

the white, the trans,

the ally to all of the above

and more?

Tyrants fear the poet.

Now that we know it

we can’t blow it.

We owe it

to show it

not slow it

although it

hurts to sew it

when the world

skirts below it.       

Hope—

we must bestow it

like a wick in the poet

so it can grow, lit,

bringing with it

stories to rewrite—

the story of a Texas city depleted but not defeated

a history written that need not be repeated

a nation composed but not yet completed.

There’s a poem in this place—

a poem in America

a poet in every American

who rewrites this nation, who tells

a story worthy of being told on this minnow of an earth

to breathe hope into a palimpsest of time—

a poet in every American

who sees that our poem penned

doesn’t mean our poem’s end.

There’s a place where this poem dwells—

it is here, it is now, in the yellow song of dawn’s bell

where we write an American lyric

we are just beginning to tell.

Copyright © 2017 by Amanda Gorman. Reprinted from Split This Rock’s The Quarry: A Social Justice Database.

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